Join Jason Osder for an in-depth discussion in this video Fine-cutting audio, part of Documentary Editing with Premiere Pro.
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Fine cutting audio is an extremely important step.…Now this is different than mixing audio. I'm not concerned with the levels at the moment.…What I'm concerned with is getting the best frame-accurate edits to all of my audio tracks.…Let me show you what I mean.…Let's start at the beginning with this interview with BD. I need to unlock all this audio because…we're going to be working on it, and I don't want to listen just to all of the sounds mixed together.…I actually want to turn off everything but the voiceover, so I can really focus on…how BD's interview is working. Okay, without the background noise, let's listen.…
(BD Dautch: Okay. My name is BD Dautch, and I have Earthtrine Farm, and we've got about 10 acres in Ojai. …It's all certified organic by CCOF.) …And what I want to work on is that raggedness this during the start and stop. When we go…from no sound to sound, it's a little rough.…And there is two ways to work on this, they're related.…Let's scroll down so we can see the waveform, and the first of these techniques we've actually…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files