From the course: Premiere Pro: Documentary Editing
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Fine-cutting audio - Premiere Pro Tutorial
From the course: Premiere Pro: Documentary Editing
Fine-cutting audio
Fine cutting audio is an extremely important step. Now this is different than mixing audio. I'm not concerned with the levels at the moment. What I'm concerned with is getting the best frame-accurate edits to all of my audio tracks. Let me show you what I mean. Let's start at the beginning with this interview with BD. I need to unlock all this audio because we're going to be working on it, and I don't want to listen just to all of the sounds mixed together. I actually want to turn off everything but the voiceover, so I can really focus on how BD's interview is working. Okay, without the background noise, let's listen. (BD Dautch: Okay. My name is BD Dautch, and I have Earthtrine Farm, and we've got about 10 acres in Ojai. It's all certified organic by CCOF.) And what I want to work on is that raggedness this during the start and stop. When we go from no sound to sound, it's a little rough. And there is two ways to work on this, they're related. Let's scroll down so we can see the…
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Contents
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(Locked)
Performing an editorial evaluation4m 41s
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(Locked)
Refining scene order2m 53s
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(Locked)
Adjusting interview content7m 57s
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(Locked)
Adjusting B-roll shots6m 29s
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Tightening clip timing6m 21s
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(Locked)
Fine-cutting audio9m 22s
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(Locked)
Reviewing all assets6m 18s
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Adding end credits5m 12s
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Locking the picture and preparing the Timeline for finishing3m 37s
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Presenting the picture lock to the client and receiving approval2m 38s
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(Locked)
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