From the course: Premiere Pro: Documentary Editing
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Editing interview bites on the Timeline - Premiere Pro Tutorial
From the course: Premiere Pro: Documentary Editing
Editing interview bites on the Timeline
Things are starting to come together on our piece, but we need to put some more attention to our interviews. We've already sort of worked over our visuals, and now it's time to do the equivalent work with the bites. Everything is set up pretty much ready to work, I do want to twirl down the track called the VO, so we can see those waveforms, and that's going to be very useful for this type of editing. And I am going to zoom in a little bit, and again, focus on the first section here with BD. So this is the time where we're going to do two things, basic cleanup on the audio, and also a little bit of rearranging, to actually do that dreaded radio edit that I said I don't really like. But now is the time to do it, to basically figure out what's being said in our piece. So let's start by listening. (BD Dautch: My name is BD Dautch, and I have Earthtrine Farm, and we've--) So that beginning looks pretty clean, I just want to make sure that as we come into him there's nothing else we're…
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Contents
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Structuring the edit3m
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Assembling B-roll shots8m 52s
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Assembling interviews6m 56s
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Building sequences and scenes7m 53s
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Editing interview bites on the Timeline6m 16s
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Adding other media types to the Timeline6m 5s
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Completing the rough cut10m 1s
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Presenting the rough cut and receiving feedback2m 17s
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