Join Jason Osder for an in-depth discussion in this video Editing interview bites on the Timeline, part of Documentary Editing with Premiere Pro.
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Things are starting to come together on our piece, but we need to put some more attention to our interviews.…We've already sort of worked over our visuals, and now it's time to do the equivalent work with the bites.…Everything is set up pretty much ready to work, I do want to twirl down the track called…the VO, so we can see those waveforms, and that's going to be very useful for this type of editing.…And I am going to zoom in a little bit, and again, focus on the first section here with BD.…
So this is the time where we're going to do two things, basic cleanup on the audio, and…also a little bit of rearranging, to actually do that dreaded radio edit that I said I don't really like.…But now is the time to do it, to basically figure out what's being said in our piece.…So let's start by listening.…(BD Dautch: My name is BD Dautch, and I have Earthtrine Farm, and we've--)…So that beginning looks pretty clean, I just want to make sure that as we come into…him there's nothing else we're missing.…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files