From the course: Migrating from Final Cut Pro 7 to Premiere Pro CC

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Creating a custom QuickTime ProRes (or DNxHD) master output

Creating a custom QuickTime ProRes (or DNxHD) master output

From the course: Migrating from Final Cut Pro 7 to Premiere Pro CC

Creating a custom QuickTime ProRes (or DNxHD) master output

- Part of my final outputs is always a master quality version of my work. It's never going to be in the original camera codec, it's not H.264. It's going to be one of three codecs for me. It's going to be in ProRes, DNx, or CineForm. These are all post-production codecs, that can be reused and actually you can recompress 20, 30, 40 times without any real degradation of the material. I'm going to do a standard export. That again is a ctrl + m on the PC, and cmd + m on the MacIntosh. I'm going to come up here to format, I'm going to choose QuickTime. And Adobe's default is DV, not my favorite to be honest, because DV happens to be 720 by 480. I'm going to switch this to, well, I'll start with the CineForm, but even when I choose it, I want to make sure it actually matches my source, so I'm going to press this button, and then make sure it's matching the source size of my sequence. I'm going to check the audio panel here. I want to make sure it's doing it as uncompressed audio, matching…

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