From the course: Premiere Pro Guru: Working with Audio

Unlock this course with a free trial

Join today to access over 22,600 courses taught by industry experts.

Compressing the master track

Compressing the master track

- Now Rich, we've done a lot of compression on the track, on the voices, now, let's talk about compression on sub mixes and master tracks. - Okay, so when we get towards the end, after we've gotten all the individual pieces lined up this is kind of a good way to get it ready to air or ready for export. - Exactly; it gives you another chance to polish, even out your levels, and give it a more punchy sound, especially if it's a shorter form for web or if it's advertising a commercial. - [Rich] So, we've opened up Sequence 6.1, compressing the master track and let's switch to the audio workspace so we can see things a bit better and I notice here that you've already gone through and put a little bit in there. So we've got two versions of the sequence. Let's take a look. We've got one that's sort of end state and we've got the two different versions, so here's the end state and if I look at that, I see that you've applied a few different things to the master track and to the sub mixes and…

Contents