From the course: Premiere Pro Guru: Working with Audio
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Common output levels - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Working with Audio
Common output levels
- Cheryl, I started my career working in broadcast and then I moved into the world of corporate video. And then the internet happened. And it seems like all the knowledge that I've had constantly needs to change. We have different standards for different deliveries. - Right and it's very hard sometimes to keep track of everything. So it's always important to ask your client or ask the network what those specs are. Matter of fact for almost every job I ask because you just never know. However I've locked into minus six dBFS for web, live events, and for museum work because it seems that minus six is a safe range for all those types of platforms for your mix to play. - And that's going to work because you're dealing with typically speakers connected directly to the device that the end user has control over. As opposed to broadcast workflows. A lot of times with broadcast workflows, even though you might be thinking it's all digital, there's still analog equipment in the mix. There's…
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