Join Jason Osder for an in-depth discussion in this video Assembling interviews, part of Documentary Editing with Premiere Pro.
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We are about midway through our initial assembly of this piece. And I'm pleased, because by…focusing on the visuals first, we've laid down a visual structure for our piece.…Now we need to do the equivalent process with our bites, by just getting the things that…we think we're going to use, down onto the timeline in the rough positioning of where they belong.…The first thing I want to do is rearrange the interface a little bit to be a little…more conducive to this type of editing.…Again, I'm going to start with a pre-built workspace, which is the CS6 Editing Workspace.…
But I like to adapt it a little, in particular, I like to have a nice big Project pane.…So put that over there, not quite that big, and then my Markers seem to have disappeared.…So I want to make sure that they're available, there they are.…I think I don't need the Media browser, so I can use some of that real estate, and of…course, whatever I load up, we're going to see those markers.…Working with the A-roll, there we go, that's kind of what I am going looking for, but I…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files