Join Jason Osder for an in-depth discussion in this video Adjusting the title and animations for the best compression, part of Documentary Editing with Premiere Pro.
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There are two places in this video that we've created short animations or motion graphics,…one is at the beginning, the opening with the title, and the other is the historical…section with the scans of newspaper stills.…We've worked on these parts at various points in the process.…First, roughing them in, then actually animating them and making them work for timing, and…now we have to do one more pass just checking and adjusting the composite.…
And what I mean by that is the details of exactly how these images fold together.…In the case of the title, it's how the title itself works over the background image.…Does it show up okay? Does it look clear?…And in the case of the photographs, we want to make sure that in the final analysis that animation looks good.…Sometimes you can get some bad noise or crawling when you move an image, and it just doesn't render properly.…
So we're going to make some small adjustments, but we're also going to talk about how you…have to carefully check these composites in the final output medium because you don't…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files