Join Jason Osder for an in-depth discussion in this video Adjusting interview content, part of Documentary Editing with Premiere Pro.
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One part of my process when fine cutting is to try to go through one by one address…different aspects of the cut.…Right now, I want to address everything about bites carefully.…Are there bites that could be adjusted, are there bites that could be added, is there anything…that could be cut in the bites?…A couple of these opportunities I noticed when we were evaluating, but before we start…to edit, I want to adjust the Interface.…
I like the CS5.5 Interface, but I want to reset it, and this is close to how I like…to edit, but I'd like to provide more room for the timeline, and I don't really need…the media browser available.…So I am going to go ahead and close that whole frame, and that makes plenty of room for my…timeline, and actually this is really one of my favorite editing setups.…I am going to go head and save it, and we can call that Jason's Editing Workspace.…
Of course, you don't have to that, but when I noticed that I am making the same adjustments…time and time again, and you can save a customization, I say go ahead and do it. Okay.…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files