Premiere Pro has fantastic support for RED footage, and it's even gotten better…recently with the addition of support for the RED EPIC.…This particular camera can actually shoot high-dynamic range video, essentially…capturing an under- and an overexposed stream and then merging those together to…show a wider dynamic range.…If you're using Premiere Pro CS5.5, you can download a beta driver from the Labs website.…That's at labs.adobe.com, and you'll see the URL here on your screen where you could find it.…
A quick web search for "RED EPIC Premiere Pro Importer" will also take you right…to the page, in case the URL has changed.…I am going to go ahead and bring in a RED EPIC clip.…Let's go ahead to the Media Browser to find it, and I've navigated to it on my drive.…Now this particular shot is not downloadable because it's huge.…It's almost 12 GB of data for this particular shot.…I am going to go ahead and add that to my project.…
I will just right-click and choose Import and bring that in.…It's now in my project--there it is-- and we will drag it on the new item to…
Author
Richard Harrington
Released
2/24/2012- Using the Waveform Monitor
- Toggling effects on and off
- Using color correction effects to fix exposure and tone
- Controlling noise and grain
- Adding keyframes
- Sending projects to After Effects with Dynamic Link
- Extracting backgrounds with the Roto Brush tool
- Adding a vignette to footage
- Working with raw video
- Legalizing video for broadcast
Skill Level Intermediate
Duration
Views
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Introduction
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Welcome27s
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Exercise files47s
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1. Evaluating Images
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Using the Waveform Monitor2m 10s
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Toggling an effect1m 33s
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Using a split screen1m 56s
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2. Working with Adjust Effects
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The Auto Contrast effect2m 57s
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The Auto Levels effect2m 54s
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The Levels effect2m 28s
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The Shadow/Highlight effect4m 40s
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3. Using Color Correction Effects to Fix Exposure and Tone
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The Change Color effect3m 21s
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The Luma Corrector effect2m 31s
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The Luma Curve effect1m 43s
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4. Controlling Noise and Grain
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5. Keyframing Effects
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When to keyframe an effect1m 10s
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Adding keyframes2m 29s
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6. Toning a Background
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Darkening the background3m 17s
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7. Using Blend Modes to Improve Footage
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Fixing overexposed footage2m 26s
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Fixing underexposed footage1m 57s
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Adding a vignette2m 43s
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8. Working with Raw Video
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Adjusting an .R3D file3m 22s
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9. Legalizing for Broadcast
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Why legalize?46s
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Conclusion
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Goodbye38s
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Video: Adjusting with a RED Epic HDR .R3D file