From the course: After Effects Breakdowns: N-Trig Commercial
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Walk-through of the final scene
From the course: After Effects Breakdowns: N-Trig Commercial
Walk-through of the final scene
- [Voiceover] All the important elements are already in place and the transition from ink to paper is almost done. But, before we commit it, it's always a good idea to add a few composite intrigues that will help to guide the viewer's eyes to the important areas of the frame. You can do it by adding a simple vignette and some depth of field treatment. Now, Particular can use the camera settings to create depth, yet in this comp, we want to control the focus area using adjustment layers and not by changing the camera attributes, which can affect the other 3D layers, especially the other Particular layer and of course, the blueprint animation. So, let me show you another approach to achieve the same look. Once again, I'm inside the same comp, so this is still the paper composition and we have those two layers which we haven't investigated yet, so I'll start with this vignette adjustment layer, this is just a simple adjustment layer. We have the Levels effect on it and a basic mask. If…
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