From the course: Photography Foundations: Black and White
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The trestle images - Photoshop Tutorial
From the course: Photography Foundations: Black and White
The trestle images
I thought you would want to see the finished images that we shot on the railroad trestle, so I am going to very quickly walk you through those. Of all of those images that was shot, the one keeper image was one of the ones right from the rail, and I was lucky-- that was the one that I thought probably didn't work and it did. It was the only one that really had the drama of the scene that I wanted. So I started with a black-and-white conversion. There wasn't much to do with the sky because the sun is right there. It's pretty washed out. Then I brightened up the tracks on either side, giving me some nice texture in there, and of course the centerpiece here is this big rail. Next, I brightened up the whole thing just because it was all a little dim, and I knew that when I printed it, it would go a little rough. I'm a little concerned about this banding in here. This is posterizing, or tone breaks, and I don't know if it's going to show up in print. If I go into actual size, I can see…
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Contents
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(Locked)
The nature of grayscale images3m 33s
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Converting to black and white using Photoshop CS4 or CS56m 17s
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More about the Black & White dialog box3m 19s
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Converting to black and white using Black & White adjustment layers3m 54s
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Converting to black and white in Camera Raw4m 5s
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Making an advanced tonal correction17m 33s
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Doing more tonal corrections14m 6s
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Calming down highlights10m 4s
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Vignetting8m 58s
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The trestle images2m 39s
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Handling tricky skies2m 43s
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Doing a selective black-and-white conversion2m 23s
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Toning1m 19s
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Split-toning2m 19s
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High-key and low-key images2m 31s
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Diffusion4m 40s
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Using Nik Software's Silver Efex Pro 2 plug-in7m 46s
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