From the course: Inkjet Printing for Photographers
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Understanding what localized adjustments are used for - Photoshop Tutorial
From the course: Inkjet Printing for Photographers
Understanding what localized adjustments are used for
While your image editor probably has many tools for making complex corrections and adjustments, it's very rare that an image can be corrected by a single global adjustment. If you've ever printed in a darkroom, you know that very often the only way to get a good print is to carefully dodge and burn specific areas of the print while it's exposing in the enlarger. Dodging and burning is simply the process of obscuring one part of the image or another to give that specific part a longer or shorter exposure. Now, the practical upshot is that those areas get lighter or darker. You have to do this because there isn't always a single development exposure that's perfect for everything in the image. The exact same thing is true when we're printing digitally. As you saw in the last chapter, to get a good range of tones, nice contrast, and a silvery look, we need to be sure that we have some true black, some true white, and a particular spread of gray tones in between. The problem is that when…
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Contents
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Printing and your workflow3m 3s
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Printing black-and-white photos6m 49s
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Understanding the histogram7m 37s
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Understanding what localized adjustments are used for2m 38s
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Explaining the histogram with a practical example6m 51s
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Making a localized adjustment in a practical example5m 30s
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Evaluating a localized adjustment in a practical example2m 29s
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Refining a localized adjustment for effect13m 36s
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Making a gradient adjustment6m 47s
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Paying attention to viewing conditions4m 49s
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Summing up1m 50s
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