From the course: Landscape Photography: Washington's Palouse Region
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Understanding the basic post-processing workflow - Photoshop Tutorial
From the course: Landscape Photography: Washington's Palouse Region
Understanding the basic post-processing workflow
- That was a great first day on Steptoe Butte, and now we're in a warm environment with the images ready to process. First up, I want to take a look at an image where we shot into the haze of the sun. Now, looking at this, you're thinking, "Gosh, it's really bland. "There's no contrast. "Why did we shoot this? "I mean, take a look at the Histogram. "Just nothing on the right or the left, "so there's not a lot of tonality in the image." Well, this is where we're gonna go through our basic workflow for shooing in the Palouse, especially when shooting into the sun or the haze. So, we're gonna start in Lightroom, and upon import, we did a couple things. We enabled Profile Corrections, and we also removed Chromatic Aberation. Those things happened automatically. Now, instead of doing that for every single image, it's all easy to do on import. Let me show you how that works. I'm gonna go over to presets and hit the plus button, and I'm gonna label this, and we'll call it maybe lens…
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Exploring what we need before we shoot1m 4s
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Isolating parts of the landscape using light3m 43s
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Isolating a row of trees in the landscape1m 56s
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Working with an abstract image in mind2m 10s
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Compressing distance using a long lens2m 40s
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Shooting into the sun5m 26s
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Understanding the basic post-processing workflow10m 39s
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Turning an abstract landscape into a black-and-white image4m 16s
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Using a sunlight filter in post-processing3m 11s
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