Join Chris Orwig for an in-depth discussion in this video Starting an action-sequence project, part of Photoshop for Photographers: Compositing.
In this movie we'll be taking a look at another example of how we can combine…multiple frames together in order to capture an action sequence.…Let's go ahead and take a look at these images in Adobe Bridge, and let's look…at them in Full Screen mode.…To do that press the Spacebar key, that will then take your images to this Full Screen mode.…Here you can see we have this surfer his name is Dane Reynolds, he is a world…famous surfer, and he is just launching this really big air.…These photographs were captured by one of my great friends Todd Glaser;…he's an amazing surf photographer.…
You can see his work at tglazer.com.…And if we press the arrow keys, you can see that we can go to the sequence where…he is launching this big air and then eventually he lands, and then if we keep…clicking we can watch that sequence over again.…Now as we watch the sequence, what we want to do is start to pay attention to…the important elements here.…Now what's important with this, well really, it's when he's in the air, and so…
- Combining facial expressions from two images
- Creating a better group portrait with Photomerge
- Removing a subject from the background
- Changing the scale of a subject
- Enhancing the color and tone of a composite image
- Masking together multiple exposures
- Filling in background gaps
- Correcting overexposure
- Replacing the sky in an image
- Creating reflections
- Building in shadows
Skill Level Intermediate
Photoshop CS5: Creative Compositingwith Chris Orwig4h 41m Intermediate
Photoshop for Photographers: Creative Effectswith Chris Orwig4h 57m Intermediate
Photoshop CS6 Essential Trainingwith Julieanne Kost10h 30m Beginner
1. Combining Expressions
2. Adding a Subject to a New Environment
3. Compositing to Improve Composition
4. Combining Exposures in Architectural Photography
5. Replacing the Sky in an Image
6. Showing Frame-by-Frame Action in Sports
7. Creating an Imaginative Scene
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