From the course: Landscape Photography: Washington's Olympic National Park
Unlock the full course today
Join today to access over 22,600 courses taught by industry experts or purchase this course individually.
Shooting the sea stacks from within the water - Photoshop Tutorial
From the course: Landscape Photography: Washington's Olympic National Park
Shooting the sea stacks from within the water
- I've come out of the waves to really study what I have and to see that I have something I really like. And I do, I'm really pleased with what I was able to achieve there. Now, I'm gonna go back into the waves and shoot the original sea stack we worked on, because I like what's going on over there with the sky. It's interesting and it gives me a different image than what I just did. So, we're gonna go back in. I've still got my three-stop on, I'm gonna keep an eye on the waves, and here we go. Something else that's very important to keep in mind is that as the waves come past your tripod, your tripod will sink into the sand. That's gonna happen on almost every single wave. By being in continuous mode, we're trying to get some of those images sharp. It's okay that your tripod's moving because as the wave pulls out, it'll steady itself and get that shot. And that's why we're in continuous mode, and that's why we're taking a lot of images. I got exactly what I wanted, very exciting…
Contents
-
-
-
-
(Locked)
Shooting reflective pools with a foreground-and-background relationship in mind4m 4s
-
(Locked)
Shooting water channels in the foreground3m 7s
-
(Locked)
Working with S curves and triangles in the composition2m 37s
-
Using a neutral-density filter to get a silky ocean-wave image4m 51s
-
(Locked)
Shooting the sea stacks from within the water2m 46s
-
(Locked)
Blending two images to achieve the look7m
-
(Locked)
Finalizing the post-process image blend5m 48s
-
(Locked)
-
-