From the course: Architectural Photography: Interiors
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Setting up a shot to show expansive windows
From the course: Architectural Photography: Interiors
Setting up a shot to show expansive windows
Okay, so here we are on our main overall shot. My first choice for this shot would have been to have the sunlight just pumping through and illuminating the room, streaking across with a warm glow, but instead it's raining. So, we are going to get this shot in the rain and the way we do that. Is to light the interior a bit with tungsten, and then let the windows turn kind of a colbalt blue color, but catch them when they're still a little on the brighter side. As the sun goes down and as the windows darken, they get a deeper, deeper, deeper blue. But in this case, I still wanted to be able to see the horizon. I wanted to see some of the foliage out of the windows so we can connect us to the ocean. So I wanted to shoot it earlier in the sequence. So I've got the camera in position. I've moved the furniture roughly where I need it to be. Everything's looking pretty good in terms of the frame. So now it's time to start lighting. And though its too bright in the room to really see the…
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