Join Deke McClelland for an in-depth discussion in this video Selection outline in, layer mask out, part of Photoshop Masking and Compositing: Fundamentals.
In this exercise I will show you how we can make quick use of modifying a really…good selection outline using the Refine Edge command.…I'll also show you how you can use Refine Edge to confer the selection…outline into a layer mask.…I am working inside a file called Guy with mask.psd found inside the 07 Refine folder.…The reason I've created this file is that I've gone ahead and saved my selection…as an Alpha channel called face mask here inside the Channels panel.…If you're working along with me, I'd like you to do that too.…So go ahead and drop down to the Save selection as channel icon and click on it.…
The reason is, because we actually need to adjust the selection, before we visit Refine Edge.…Notice this area behind the guy's neck.…That's actually part of the background.…So we need to deselect it.…Then you might figure, well, we should have done that while we were in the…Color Range command.…The problem is that this is such a dark region.…You may recall that we were actually selecting the background.…
Author
Deke McClelland
Released
11/4/2011- Setting up a workspace
- Working with the seven key selection tools
- Using the Color Range command
- Automating masking
- Matching a scene with Smart Filters
- Choosing the ideal base channel
- Converting a channel to a mask
- Painting with the Overlay and Soft Light modes
- Using History to regain a lost mask
- Working with the Calculations command
- Extracting a mask from a Smart Object
- Masking and compositing light
- Masking with black and white
- Working with path outlines
- Combining pixel and vector masks
- Creating and feathering a vector mask
Skill Level Intermediate
Duration
Views
-
Introduction
-
Adjusting the color settings4m 29s
-
Setting up a power workspace5m 59s
-
Welcome1m 8s
-
1. It All Starts with the Channel
-
How color channels work7m 7s
-
Viewing channels in color3m 24s
-
How RGB works4m 12s
-
Single-channel grayscale5m 12s
-
2. The Magic of Masking
-
How a mask works7m 10s
-
Making an alpha channel4m 2s
-
Using the new channel icons6m 27s
-
Putting a mask into play3m 55s
-
3. The Science of Compositing
-
Painting inside a mask6m 3s
-
Cleaning up and confirming5m 18s
-
Combining masks5m 10s
-
Blending image elements6m 1s
-
Introducing clipping masks5m 29s
-
4. The Essentials of Selecting
-
The marquee tools6m 31s
-
The lasso tools5m 49s
-
The Quick Selection tool8m 13s
-
-
5. The Versatility of Combining and Transforming
-
Selecting an eye7m 1s
-
6. The Unmatched Power of Color Range
-
7. The Unearthly Joy of Refinement
-
Automated edge detection8m 23s
-
Turning garbage into gold6m 19s
-
Creating a fake blood effect5m 38s
-
Establishing trails of blood7m 40s
-
8. The Rewards of Everyday Masking
-
9. The Mechanics of Layer Masks
-
Working with path outlines7m 10s
-
Recreating missing details8m 49s
-
Masking glass5m 50s
-
More to Come
-
Next steps1m 17s
-
Take notes with your new membership!
Type in the entry box, then click Enter to save your note.
Press on any video thumbnail to jump immediately to the timecode shown.
Notes are saved with you account but can also be exported as plain text, MS Word, PDF, Google Doc, or Evernote.
Share this video
Embed this video
Video: Selection outline in, layer mask out