Join David Mattingly for an in-depth discussion in this video Restoring the drawing at reduced opacity, part of Digital Matte Painting: 3 Tone.
Our castle is now fully formed, but we're losing most of the line drawing.…As we move to the next section on texturing, it would be nice…to see a bit of it again at a reduced level of opacity.…So make a copy of your original perspective drawing and move it up…to the top of the stack above all of the other form layers.…Obviously it blocks out the other layers. But let's change…the transform mode of the layer two, multiply and…now we have the line work laid over the castle.…
But it's too darken heavy.…We're losing much of the sense of form, we worked so hard to create.…You might just lower the opacity of the layer.…But let me show you a better way to do it.…Make sure you're on the copy of the perspective drawing and select All.…Open up the Curves dialog, which is Cmd or Ctrl+M.…We'll cover the Curves tool in a lot of detail in the next section.…But for now, all you want to do is pull this white…point on the right side about half way over to the left.…
This keeps your lines dark, but it thins…them out so that they are less overpowering.…
This course is part 3 in David's Digital Matte Painting Essentials series. Go back to Digital Matte Painting Essentials 2: Perspective, part 2, to recreate the castle drawing he uses in this course, or if you simply want to learn more about form, you can use the example provided in the exercise files.
- Selecting the silhouette
- Find the dark sides and light sides in the drawing
- Using mask-holding layers
- Examining the light and dark sides of rounded surfaces
- Looking at the cores
- Adding cast shadows
- Separating surfaces with final darks
- Adding ambient occlusion