Join Tim Grey for an in-depth discussion in this video Performing a reality check, part of Photoshop: Creating Composites (2012).
Once I feel that I'm finished creating a composite image, I like to perform what I …think of as a reality check. And well, I don't exactly mean real when …I say reality. In this case, I have a sparrow, which is …a very small bird, placed into a beach scene, and it looks like a monster sparrow. …It's absolutely huge in the context of this image. …And so, I don't mean that I'm trying to produce a realistic result that everyone …will believe. Hopefully, nobody believes there's a huge …sparrow out there, like this. What I mean is that the composite needs …to be blended in such a way that it produces a relatively realistic result.…
In some cases, my intent might be to present a realistic scene, or a scene …that I think is absolutely realistic, or it is at least intended to look realistic. …But even in situations where I'm having a little bit of fun and creating an …interesting way of interpreting a scene, adding this huge sparrow into the beach …landscape for example. I want to make sure that the composite …
- Composite concepts
- Creating automatic composites
- Image compositing
- Refining layer masks
- Matching images
- Adding effects to composites
- Using layer groups
Skill Level Intermediate
Photoshop Masking and Compositing: Fundamentalswith Deke McClelland11h 36m Intermediate
Photoshop for Photographers: Compositingwith Chris Orwig4h 45m Intermediate
Photoshop CS5: Creative Compositingwith Chris Orwig4h 41m Intermediate
1. Composite Concepts
2. Automatic Composites
3. Image Compositing
4. Refining Layer Masks
5. Matching Images
6. Adding Effects to Composites
7. Using Layer Groups
- Mark as unwatched
- Mark all as unwatched
Are you sure you want to mark all the videos in this course as unwatched?
Take notes with your new membership!
Type in the entry box, then click Enter to save your note.
1:30Press on any video thumbnail to jump immediately to the timecode shown.