In this movie, I'll show you how, thanks to the fact that we've kept our layer …comps nice and flexible and they're not paying attention to the position of the …various layers, we can move the monster around without adversely affecting those …layer comps. So, you may wonder why, where this …composition is concerned, the monster appears so far over to the left hand side …of the image. And that's because I wanted to make room …for a caption, down right. And that caption appears at the very top …of the layer stack. To see the caption, go ahead and turn on …this top text layer. And, you'll see it appear right there.…
Now the thing is now that I see the caption, it occurs to me that the monster …is still too far over to the left. I want to scoot him over to the right, so …I'll click on this highlights layer to make it active. …And then I'll go ahead and turn on this Template Group down here near the bottom, …so I can keep track of the template as I work. …And I'll Shift-Click on that Template Group to select that entire range of …
Author
Released
3/27/2013- Combining multiple Filter Gallery effects
- Converting an image into etched outlines
- Using the new Oil Paint filter
- Lighting a watermark texture map
- Manually straightening a GoPro photo
- Correcting a panorama with the Adaptive Wide Angle filter
- Applying Puppet Warp to editable text
- Converting layers into animated frames
- Adding transitions, text, and sound to videos
- Creating an authentic HDR portrait shot
- Working with advanced layers
- Creating a dynamically adjustable action
Skill Level Advanced
Duration
Views
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35. Art Filters and Oil Paint
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Welcome to One-on-One1m 56s
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36. Lighting Effects
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37. Panoramas and Wide Angle
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38. Puppet Warp and Animation
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Using Pin Depth and Density4m 36s
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Tweening and animating text5m 10s
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39. Editing Video
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Adding text to your video5m 21s
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40. High Dynamic Range
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41. Advanced Layers
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Grouping layers by name7m 53s
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Introducing layer comps4m 4s
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42. Actions
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Conclusion
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See ya2m 11s
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Video: Moving many layers without upsetting comps