Join Chris Orwig for an in-depth discussion in this video Masking in multiple light sources in an interior, part of Photoshop for Photographers: Compositing.
Back in the day in traditional film architectural photography, a photographer would set up each …and every light that they needed to use. Then they would make a single frame. …But now in digital capture, architectural, photographers can work a bit more quickly …by using a reduced lighting kit. …What they can do is use, say, one or two lights and then make multiple exposures using those …lights, then composite them together inside of Photoshop. …Well, that's what we are going to take a look at: how we can do that here with this photograph.…
This one was captured by my good friend Blake Marvin. …Blake, thanks again for the use of this file. …Blake has a great sense of space, and his images really convey that. …Well, here in these photographs, if we turn on the layers, you can see that, say if we …turn on the left wall, we will notice a little light source here. …All that Blake did was you shine a light on that wall. …If we turn on the next layer, we will notice a little light on the carpet in this area …
- Combining facial expressions from two images
- Creating a better group portrait with Photomerge
- Removing a subject from the background
- Changing the scale of a subject
- Enhancing the color and tone of a composite image
- Masking together multiple exposures
- Filling in background gaps
- Correcting overexposure
- Replacing the sky in an image
- Creating reflections
- Building in shadows
Skill Level Intermediate
Photoshop CS5: Creative Compositingwith Chris Orwig4h 41m Intermediate
Photoshop for Photographers: Creative Effectswith Chris Orwig4h 57m Intermediate
Photoshop CS6 Essential Trainingwith Julieanne Kost10h 30m Beginner
1. Combining Expressions
2. Adding a Subject to a New Environment
3. Compositing to Improve Composition
4. Combining Exposures in Architectural Photography
5. Replacing the Sky in an Image
6. Showing Frame-by-Frame Action in Sports
7. Creating an Imaginative Scene
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