In this exercise, we're going to customize our layer effect, specifically this…edge highlight, so that the blood looks like it's integrated into the scene.…I've saved my progress as Strange syrup .psd, found inside the 07_refine folder,…and the first thing we're going to do is take this drips layer right there, and…we're going to create a copy of it by pressing Control+J, or Command+J on the Mac,…and that goes ahead and jumps a layer, of course.…Turn off the Bevel and Emboss effect for the lower drips layer. Might as well…collapse the effects as well, and then turn off Gradient Overlay for the top…drips layer. And so we've gone ahead and separated the two effects, so that we…can modify them independently.…
I'm going to go ahead and collapse both that top drips layer, and the lips layer as…well, just so that I have a little more room to work.…Then you want to click on the layer mask thumbnail for the top drips layer, and…go ahead and grab the Brush tool from the toolbox, or by pressing the B key.…
Author
Released
11/4/2011- Setting up a workspace
- Working with the seven key selection tools
- Using the Color Range command
- Automating masking
- Matching a scene with Smart Filters
- Choosing the ideal base channel
- Converting a channel to a mask
- Painting with the Overlay and Soft Light modes
- Using History to regain a lost mask
- Working with the Calculations command
- Extracting a mask from a Smart Object
- Masking and compositing light
- Masking with black and white
- Working with path outlines
- Combining pixel and vector masks
- Creating and feathering a vector mask
Skill Level Intermediate
Duration
Views
Related Courses
-
Deke's Techniques
with Deke McClelland157h 16m Intermediate
-
Introduction
-
Adjusting the color settings4m 29s
-
Setting up a power workspace5m 59s
-
Welcome1m 8s
-
1. It All Starts with the Channel
-
How color channels work7m 7s
-
Viewing channels in color3m 24s
-
How RGB works4m 12s
-
Single-channel grayscale5m 12s
-
2. The Magic of Masking
-
How a mask works7m 10s
-
Making an alpha channel4m 2s
-
Using the new channel icons6m 27s
-
Putting a mask into play3m 55s
-
3. The Science of Compositing
-
Painting inside a mask6m 3s
-
Cleaning up and confirming5m 18s
-
Combining masks5m 10s
-
Blending image elements6m 1s
-
Introducing clipping masks5m 29s
-
4. The Essentials of Selecting
-
The marquee tools6m 31s
-
The lasso tools5m 49s
-
The Quick Selection tool8m 13s
-
-
5. The Versatility of Combining and Transforming
-
Selecting an eye7m 1s
-
6. The Unmatched Power of Color Range
-
7. The Unearthly Joy of Refinement
-
Automated edge detection8m 23s
-
Turning garbage into gold6m 19s
-
Creating a fake blood effect5m 38s
-
Establishing trails of blood7m 40s
-
8. The Rewards of Everyday Masking
-
9. The Mechanics of Layer Masks
-
Working with path outlines7m 10s
-
Recreating missing details8m 49s
-
Masking glass5m 50s
-
More to Come
-
Next steps1m 17s
-
- Mark as unwatched
- Mark all as unwatched
Are you sure you want to mark all the videos in this course as unwatched?
This will not affect your course history, your reports, or your certificates of completion for this course.
CancelTake notes with your new membership!
Type in the entry box, then click Enter to save your note.
1:30Press on any video thumbnail to jump immediately to the timecode shown.
Notes are saved with you account but can also be exported as plain text, MS Word, PDF, Google Doc, or Evernote.
Share this video
Embed this video
Video: Integrating the blood into the scene