From the course: Photography Foundations: Black and White
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Handling tricky skies - Photoshop Tutorial
From the course: Photography Foundations: Black and White
Handling tricky skies
The ability to tone skies lighter or darker is one of the easiest ways to get more drama, or more contrast, into a black- and-white image, but there is something you need to be very, very careful about. This is a RAW file that you saw earlier. It's in your Assets folder, and I am going to go in here and darken the sky up here. And immediately, the feel of the image starts changing. Again, nice contrast with this tree. It's a great way of bringing out foreground elements, but I am going to zoom in here. Look what's happening around this tree here, and look how much worse it gets as I continue to tone the sky darker. I'm getting this weird halo around some of these branches, and it's only on this one tree, and sure enough, this tree is a different color than that tree. Let's zoom in real close and see what we get here. There are these fringy tones around this tree, and so they're not getting hit by the adjustment that I'm making with the Black and White layer. I've targeted blues, and…
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Contents
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(Locked)
The nature of grayscale images3m 33s
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Converting to black and white using Photoshop CS4 or CS56m 17s
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More about the Black & White dialog box3m 19s
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Converting to black and white using Black & White adjustment layers3m 54s
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Converting to black and white in Camera Raw4m 5s
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Making an advanced tonal correction17m 33s
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Doing more tonal corrections14m 6s
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Calming down highlights10m 4s
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Vignetting8m 58s
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The trestle images2m 39s
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Handling tricky skies2m 43s
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Doing a selective black-and-white conversion2m 23s
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Toning1m 19s
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Split-toning2m 19s
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High-key and low-key images2m 31s
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Diffusion4m 40s
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Using Nik Software's Silver Efex Pro 2 plug-in7m 46s
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