Join Chris Orwig for an in-depth discussion in this video Cropping and finishing the image sequence, part of Photoshop for Photographers: Compositing.
All right, well next let's go ahead and do this with one more frame.…We still have some space over here on the side of our photograph.…Next we will jump down a few frames.…I will turn on dane_09 there and then click into that layer and with the Move…tool, we will click and drag this over to the right here, a lot of moving around…that we need to do with this.…And then in order to mask that in, once again let's use the Lasso tool…technique which we just used.…We'll go ahead and make a rough selection of this part of the subject there.…
I also want to actually add some of the waves, so here I will hold on the Shift…key and bring in a little bit more of that down below and then we will click on…the Add Layer Mask icon.…In doing that, we can start to see how we are bringing in all of these elements…here and if we zoom out a little bit, we can see that we have some nice action.…This bottom frame here that I just added, it's too far to the left.…So select the Move tool and then I am going to use the arrow keys.…
- Combining facial expressions from two images
- Creating a better group portrait with Photomerge
- Removing a subject from the background
- Changing the scale of a subject
- Enhancing the color and tone of a composite image
- Masking together multiple exposures
- Filling in background gaps
- Correcting overexposure
- Replacing the sky in an image
- Creating reflections
- Building in shadows
Skill Level Intermediate
Photoshop CS5: Creative Compositingwith Chris Orwig4h 41m Intermediate
Photoshop for Photographers: Creative Effectswith Chris Orwig4h 57m Intermediate
Photoshop CS6 Essential Trainingwith Julieanne Kost10h 30m Beginner
1. Combining Expressions
2. Adding a Subject to a New Environment
3. Compositing to Improve Composition
4. Combining Exposures in Architectural Photography
5. Replacing the Sky in an Image
6. Showing Frame-by-Frame Action in Sports
7. Creating an Imaginative Scene
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