So here we are in the living, dining, and kitchen…area, doing what I call a reverse angle because we're looking…back towards the kitchen, which is the reverse of what I…think will be the main shot, looking out towards the windows.…And one of the really important aspects of this room is the furniture.…We've got signature pieces of furniture, they're…really beautiful, the shapes are really beautiful.…And a big part of the concern that I had,…once I had the camera position set, and I again,…just like before, set the camera position by looking at…my background, and choosing a lens, and choosing a, a…camera position that gave me the background that I wanted.…
Then it's a question of arranging the foreground furniture, and the…middle ground furniture in this case, because the room is so deep.…So, but I had to keep in mind that I wanted to allow the shapes…of the furniture to read, because they are really beautiful.…So that was one of the things that drove my decision on where…things went, was to keep it open enough that we could see those shapes.…
Released
9/25/2013The course describes the best ways to light interior elements to show their texture and form, and contains tips on staging rooms to make them more inviting. Richard also tackles the tricky challenges that windows and exterior lighting introduce: how do you adjust exposure to capture interior details without overexposing the windows?
Share this video
Embed this video
Video: Creating a stacked composite image in a large modern interior