From the course: Photoshop: Channels and Masks
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Correcting wispy edges with Refine Mask - Photoshop Tutorial
From the course: Photoshop: Channels and Masks
Correcting wispy edges with Refine Mask
- [Narrator] All right, now let's refine the fur around the hood layer. And so, I'm gonna start off by turning on the hood layer right there and clicking on it to make it active. Then we need to go over to the Channels panel and find that hood mask and then load it up either as a selection outline or layer mask, which may make you wonder why in the world we have to do that. Why can't you just refine an alpha channel? And the reason is because there's nothing to compare it to. Notice that I can go up to the Select menu, at least the way things stand right now, and choose Select and Mask. But if I were to twirl open Edge Detection and crank up the radius value, nothing happens, and the same is true if I twirl open Global Refinements and crank up the Smooth value. Nothing happens whatsoever, and that's because both Select and Mask and Refine Edge need to be able to see the composite image for context, which is why both commands are compositing commands, as opposed to strictly speaking…
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Contents
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The power of compositing2m 7s
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(Locked)
Smooth edges and color fringing5m 6s
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(Locked)
Assigning a shortcut to Refine Edge3m 23s
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(Locked)
Correcting wispy edges with Refine Mask4m 10s
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(Locked)
Bolstering hair or fur with a blended layer4m 20s
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(Locked)
Combining your refined layer masks5m 17s
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(Locked)
Dressing up a bad background4m 35s
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(Locked)
Masking a background image5m 59s
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(Locked)
From alpha channel to filter mask2m 28s
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(Locked)
Darkening a sky with Gradient Overlay2m 33s
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(Locked)
Creating a synthetic snow effect4m 41s
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(Locked)
Enhancing your snowflakes4m 32s
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(Locked)
Adding a snowflake bokeh on the lens3m 42s
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