From the course: Photography Foundations: Black and White
Unlock the full course today
Join today to access over 22,600 courses taught by industry experts or purchase this course individually.
Converting to black and white using Black & White adjustment layers - Photoshop Tutorial
From the course: Photography Foundations: Black and White
Converting to black and white using Black & White adjustment layers
So far, I've been applying the black- and-white conversion tool by opening an image and going up here to Image > Adjustments > Black & White, and when I do that--like I am doing right now, and this is just the same thing we've seen before-- I'm going to make a couple of adjustments to the sliders, hit OK, and when I do, the black-and-white adjustment is applied to my color image in a destructive manner, meaning my original pixels are irrevocably altered. The color image is gone; this is now a black-and-white image. Yes, I can undo to get back to my color image, or redo to get back to black and white. But as soon as I make one more error, I can't do that anymore. And if I save the image then for sure it is henceforth a black-and-white image. The problem with that is if I want to keep the color version I have to keep separate files and so on and so forth, and more importantly, if I decide well, I'd like to darken that blue sky a little more, I can't get back to those tools in any way…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
Contents
-
-
-
-
-
(Locked)
The nature of grayscale images3m 33s
-
(Locked)
Converting to black and white using Photoshop CS4 or CS56m 17s
-
(Locked)
More about the Black & White dialog box3m 19s
-
(Locked)
Converting to black and white using Black & White adjustment layers3m 54s
-
(Locked)
Converting to black and white in Camera Raw4m 5s
-
(Locked)
Making an advanced tonal correction17m 33s
-
(Locked)
Doing more tonal corrections14m 6s
-
(Locked)
Calming down highlights10m 4s
-
(Locked)
Vignetting8m 58s
-
(Locked)
The trestle images2m 39s
-
(Locked)
Handling tricky skies2m 43s
-
(Locked)
Doing a selective black-and-white conversion2m 23s
-
(Locked)
Toning1m 19s
-
(Locked)
Split-toning2m 19s
-
(Locked)
High-key and low-key images2m 31s
-
(Locked)
Diffusion4m 40s
-
(Locked)
Using Nik Software's Silver Efex Pro 2 plug-in7m 46s
-
(Locked)
-
-