From the course: Photo Tools Weekly
Combining two frames
From the course: Photo Tools Weekly
Combining two frames
- [Instructor] Hello friends, this is Chris Orwig and welcome to another episode of Photo Tools Weekly. In this week's episode, we will look at how we can use Photo Merge and how we can use that to combine multiple images together to get a better composition, because sometimes what happens in photography is this, I was photographing a professional skateboarder on a rooftop in Los Angeles and you can see there's this really beautiful ramp and there's the skateboarder, but he isn't really doing anything in this frame, but the composition is good. What he is about to do is to drop in and then go over here and do a little trick off the top. In the next image you can see that I got the moment of the trick but I shifted my perspective and so my composition isn't very good. So what I want to do is I want to fix that by combining these two images together. Now you can access Photo Merge inside of Lightroom but we don't want to do that, the reason is is that if you use Photo Merge here, you merge as a panorama it'll help you to bring the two images together, but you won't really have control with what it keeps or what it doesn't keep. What you want to do instead is go over to Photoshop and in Photoshop we can go to the File pulldown menu, choose Automate and then select that same tool, Photomerge right there so we click on that, it says Photomerge... remember whenever you see dots it's going to take you to another menu. Here we'll do the autolayout and I'm just going to browse to where I have these two images. I'll select those, click Open there, so I've selected the two images that I want to combine together, want to blend those images together and then I'll click OK. Now after you click OK, you sit back and Photoshop does some of its magic and basically what it's doing here is it's thinking that you're kind of trying to create a panoramic image, at which in a sense I'm doing because I'm combining two photographs together, but really I'm doing this for compositional purposes, not to create a certain type of a pano image. And so you can see here it figured out how to blend these two images together like this, obviously when you use the Photo Merge commands you need to crop the image, so I'm going to go ahead and crop to just recompose because I want to get really close to the action there and have this nice scene. Alright great so I have this, which I couldn't have really done myself very easily and the reason is is because the angle of the two shots was a little bit off and so it just figured out how to blend those together seamlessly and take the best of each side of either image and gave me some really good results. Now of course I have two versions of the guy, that could interesting if he was doing a trick on this side but in this case he isn't, so I just need to get rid of that. The way we'll do that is New Layer, and I'll go ahead and name this new layer cloning. Press the S key for my clone stamp tool and the way we use this as you know is Option or Alt, click to set your source area and then move your cursor over to where you want to begin to use that and then just begin to paint away. Now I'm just painting small little brushstrokes so I can remove my guy here and then Option or Alt click to set my source area once again and then paint the rest of him in a way, we can keep doing this, you probably want to do this from both sides, so do a little bit over here from this side too. Now that guy is gone, now we have a much better composition with this scene where we have the moment that we needed plus the entire skateboard ramp, the LA skyline in the background and that is working and we were able to accomplish that really without a lot of effort, that's the beautiful thing about working with Photo Merge. Alright well I hope you enjoyed this week's episode, I'll see you next time have a great rest of your day, bye for now.
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Contents
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Workflow strategy when shooting Raw + JPG3m 54s
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Quicker processing with review and camera calibration4m 15s
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Creating a concept layout with Lightroom and Photoshop8m 56s
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Fun layer project in Photoshop and Lightroom7m 43s
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Brush away unwanted objects in Lightroom CC5m 11s
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Using blur and type, part 14m 26s
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Using blur and type, part 26m 16s
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Better black and white workflow, part 19m 28s
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Better black and white workflow, part 24m 4s
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Action sports retouching, part 18m 57s
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Action sports retouching, part 26m 14s
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Face-Aware Liquify6m 59s
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Fixing teeth in a fashion photograph7m 51s
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Replace the sky in a drone photograph9m 6s
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Creating a great exposure from a single frame, part 15m 30s
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Creating a great exposure from a single frame, part 29m 29s
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Creating a luminous black-and-white portrait, part 14m 13s
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Creating a luminous black-and-white portrait, part 28m 8s
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Fixing overexposure with Camera Raw, part 15m 10s
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Fixing overexposure with Camera Raw, part 28m 52s
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Creative layer blending with Adobe Mix9m 58s
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Making a composite with Adobe Mix9m 35s
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Bring out detail in a landscape photograph, part 16m 20s
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Bring out detail in a landscape photograph, part 27m 51s
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Export a image from video footage9m 9s
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Finishing an iPhone photo11m 38s
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Combining the best expressions from two images5m 30s
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Celebrity portrait workflow in Lightroom: Part 15m 51s
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Celebrity portrait workflow in Lightroom: Part 26m 22s
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Creative layer blending project9m 14s
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Replacing a background and creating vivid colors6m 7s
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Jump for joy: Finishing a beach photo in Lightroom and Photoshop8m 57s
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Becoming an expert with masking in Photoshop6m 12s
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Advanced masking speed tips8m 29s
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Preparing a portrait for Instagram with Lightroom5m 25s
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Finishing a portrait with Photoshop7m 59s
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Using Lightroom to creating a stylized look that prints well5m 22s
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Cleaning up a creative portrait6m 37s
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Hacking Lightroom to create layouts for other projects6m 17s
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Using Content Aware Scale to add to the composition4m 25s
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Extending and filling in the background projects7m 27s
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How to create Gradient Tone Mapping color effects9m
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Creating more precise Gradient Map effects6m 47s
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Natural wrinkle reduction7m 10s
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Advanced wrinkle reduction12m 50s
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Tips for viewing and organizing your layers in Photoshop8m 11s
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Becoming an expert in layers in Photoshop5m 17s
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Using VSCO in Lightroom7m 27s
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Syncing adjustments in Lightroom7m 18s
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High-impact color with Camera Raw and Photoshop6m 57s
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Using Lightroom and Photoshop to create vivid color6m 1s
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Intro to better B&W with the Silver Effex Pro plugin5m 47s
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Taking a deeper dive into Silver Effex Pro10m 10s
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Creating a Panoramic Photo in Lightroom4m 47s
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Advanced Lightroom and Photoshop Pano Workflow6m 55s
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Opening raw files into Photoshop4m 13s
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Three ways to work with Camera Raw and Photoshop8m 14s
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Smart Filters: Using Smart Filters for creative options6m 53s
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Stacking up Smart Filter effects6m 2s
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Cleaning up and removing the background of an image8m 8s
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Two ways to add a new background8m
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Covering up problems in the frame7m 36s
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Removing a person and finishing a photograph9m 20s
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Photoshop Fix to Photoshop CC workflow11m 22s
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Add light to photos with Lightroom10m 56s
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Use Lightroom Collections to process color and black-and-white images6m 39s
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Skin smoothing with the Imogenic plugin Portraiture7m 27s
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Advanced Skin Smoothing Control with Portraiture9m 7s
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Accurate sharpening with Lightroom6m 4s
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Create Collections in Lightroom8m 12s
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Craft creative looks with the Alien Skin Exposure plugin in Lightroom10m 25s
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Use the Alien Skin Exposure plugin in Photoshop11m 32s
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Quick mobile retouching with Photoshop Fix7m 47s
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Add Lens Flare with more precise control9m 50s
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Two ways to crop in Photoshop and extend the canvas6m 9s
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A few methods for working with canvas size7m 45s
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Use plugins in Photoshop for special effects: Analog Efex Pro6m 57s
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Use plugins in Photoshop for special effects: Analog Efex Pro Advanced5m 41s
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Lightroom cropping shortcuts7m 59s
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Remove unwanted objects in Photoshop4m 30s
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Remove unwanted objects in Photoshop: Advanced5m 56s
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Use plugins in Photoshop for better results: Color Efex Pro11m 10s
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Preserve tones with the help of Lightroom clipping indicators6m 3s
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