Perspective is a powerful compositional tool.…You can create strong receding lines and an intense sense of depth in your image…when you take advantage of perspective.…There are times though, especially with architecture, when you don't want…perspective, when you want vertical lines to be straight rather than…receding into the distance.…If you're shooting with a wide-angle lens, this can be especially problematic.…Fortunately, Photoshop has a great tool for correcting and altering the…perspective in an image.…Here is a building with a perspective problem.…
Actually the building was fine; the problem is that I stood too close to it and…shot with a very short focal length,…that is, a wide-angle lens.…So what I've got now are these lines all receding upwards to a point, a…vanishing point way above the top of my screen, and I would prefer the…building to look square.…That's how it looked in real life.…There are a number of ways that I could have dealt with this.…If I owned a tilt-shift lens, I could have tried shooting with that, but they…
Author
Released
12/22/2011The course addresses how the camera differs from the eye and introduces composition fundamentals, such as balance and point of view. Ben also examines the importance of geometry, light, and color in composition, and looks at how composition can be improved with a variety of post-production techniques. Interspersed throughout the course are workshop sessions that capture the creative energy of a group of photography students; shooting assignments and exercises; and analyses of the work of photographers Paul Taggart and Connie Imboden.
- Looking versus seeing
- Understanding when and why to use black and white
- Analyzing lines
- Arranging the elements into lines and shapes
- Working with perspective and symmetry
- Changing focal length, camera position, and depth
- Dividing rectangular frames into thirds
- Weighting the corners in square pictures
- Composing photographs of people
- Composing landscape photos
- Working with light: direction, texture, and negative space
- How to shoot color
- Guiding the viewer's eye
- Controlling depth
- Improving composition in post-production
Skill Level Intermediate
Duration
Views
Related Courses
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Photography Foundations: Lenses
with Ben Long2h 32m Beginner -
Photography Foundations: Black and White
with Ben Long3h 3m Intermediate
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Introduction
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Welcome1m 43s
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Using this course7m 27s
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What you need to know2m 50s
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1. Understanding Composition
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What is composition?2m 1s
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2. Seeing
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Looking vs. seeing2m 25s
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Vision and attention2m 13s
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Dynamic range1m 59s
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Seeing exercises3m 5s
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3. Composition Fundamentals
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Subject and background3m 5s
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Balance7m 20s
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Point of view3m 22s
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Simplicity2m 59s
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Practicing3m 24s
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Why black and white?2m 21s
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4. Geometry: Lines and Shapes
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Lines7m 7s
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Analyzing lines6m 35s
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Exploring a town4m 7s
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The Franklin Hotel2m 7s
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Shapes10m 13s
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Rule of threes1m 36s
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Perspective1m 47s
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Symmetry1m 10s
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Intersections1m 41s
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5. Shooting Best Practices
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Working a shot, revisited3m 21s
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Warming up2m 16s
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6. Balance Revisited
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Tonal balance3m 52s
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Content balance1m 20s
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Composing people3m 42s
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Composing landscapes3m 53s
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7. Light
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It's the light1m 50s
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Direction of light8m 30s
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Texture2m 7s
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Shadows and negative space1m 19s
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Exposure concerns2m 44s
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Light as subject1m 38s
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8. Workshop: Finding Light
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Assignment: Finding light5m 17s
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Shooting the light3m 14s
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9. Color
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The basics of color1m 4s
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When to shoot color3m 56s
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How to shoot color2m 47s
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10. Guiding the Viewer
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Entry and exit5m 41s
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Framing2m 17s
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Narrative1m 55s
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Guiding the viewer's eye1m 14s
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11. Workshop: Foreground and Background
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12. Layers
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Planes5m 13s
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Controlling depth4m 54s
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Juxtaposition2m 58s
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Fear4m 3s
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Layers55s
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13. Post Production
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Resizing an image8m 9s
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Tone8m 54s
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14. Workshop Exhibition and Wrap-Up
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Conclusion
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Video: Altering the perspective in Photoshop