From the course: Deke's Techniques (2018-2021)
900 Drawing a gradient sphere as a 2D shape
From the course: Deke's Techniques (2018-2021)
900 Drawing a gradient sphere as a 2D shape
- Hey gang, this is Deke McClelland. Welcome to Deke's Techniques. This week I'm going to show you how to create a simple sphere as a 2D object inside Illustrator. We'll start with a perfect circle, fill it with a radial gradient, offset that gradient with the help of Illustrator's Gradient Annotator, switch out the colors for shades of ivory, and add a super-smooth drop shadow set against a green cloth background. Okay so 2D sphere, simple trick, but you got to know how to do it, especially if you're designing the perfect vector-based pool hall clock, which we are. Here, let me show you exactly how it works. All right so here we are looking at the final version of the pool hall clock open inside Adobe Illustrator. I'm going to go ahead and switch over to the starter document here which contains a couple of center guides, one vertical and one horizontal. Both of which exist on the Guides layer, which we can see here inside the Layers panel. I've also got this Table layer which contains this big, huge rectangle that fills up the entire red bleed boundary so that we're ready for borderless printing if need be. And we also have here inside the Swatches panel, a bunch of pre-defined swatches. That is to say, I've created them in advance. And I've arranged them into three folders, or groups, if you prefer. And the fact that we're seeing these white wedges in the bottom-right corners of each one of these swatches tells you that it's a global swatch. In other words, if you modify the color of any one of these swatches, you'll modify the colors of the objects as well. All right, I'm going to go ahead and zoom on in. And here inside the Layers panel, I'm going to create a new layer by dropping down to what used to be the little page icon. Now it's a little plus sign as you can see. When you hover over it, it reads Create new layer. What you want to do is Alt or Option + click on that guy to force a display of the Layer Options dialog box. And I'm going to call this layer Balls, because it's going to contain all the pool balls. And I'll change this color to, let's say gold. And then I'll click OK. All right now we want to draw the cue ball by going over here to the vertical toolbox, click and hold on the Rectangle tool, or whatever shape tool you may see at this location, and then choose the Ellipse tool from that flyout menu. All right we also want to make sure that the Smart Guides are turned on. So go up to the View menu and make sure you see a check mark next to Smart Guides. If you don't, as I don't, then just go ahead and choose the command. All right now, move your cursor to the intersection of those two guidelines, and then Alt or Option + click in order to force the display of the Ellipse dialog box. So in Illustrator, clicking with that tool brings up the dialog box. The fact that we Alt or Option + clicked is going to create the shape from the center outward. Notice that both my width and height values are set to 80 points? At which point, I'll go ahead and click OK. And we end up with a perfect circle with an 80 point diameter. All right I'm going to go ahead and zoom in just by pressing Control + Plus or Command + Plus on the Mac. Now, in order to render this as a sphere we need to get rid of the stroke. And the easiest way to do that is to go up here to this horizontal control panel. And if you're not seeing that panel, then go to the Window menu and choose the Control command. And then click on the second swatch right here, which represents the stroke, and set it to None. All right now, we want to fill the shape with a gradient. And the easiest way to do that is to go to the Window menu and choose the Gradient command in order to bring up the Gradient panel. Make sure the fill is active here inside the panel. And then also make sure that your Swatches panel is on-screen just as it is for me. And then go to this second color group, the one called cue ball, move two swatches in, to this guy, cue shadow, and go ahead and drag it and drop it to any location on this gradient slider. And that will do two things. It'll fill the shape with a gradient, and add that color to the gradient as well. So currently we have a gradient that goes from white over here at the beginning, to this custom color that we just dropped into place. And ends with a weak black. That is to say, it's a 100% black ink as opposed to a dense RGB black. Doesn't really matter, though, because we'll be replacing that color in just a moment. All right I'm going to switch the type from linear to radial just like so, so that the colors are going in concentric circles from the middle outward. And then I'm going to adjust how the gradient resides inside this shape. And you can do that either by switching to the Gradient tool, which you can get by pressing the G key, or in the most recent versions of Illustrator, you can click on the Edit Gradient button. So I'll go ahead and click on it. All that does however, is switch me to the Gradient tool. All right now I want to rotate the angle of this gradient. And you do that by moving your cursor very close to the so-called Gradient Annotator right here. And notice that my cursor changes to a little rotate cursor. At which point, I'll drag in a clockwise direction as you see me doing here. And I'm also going to press the Shift key in order to constrain the angle of that gradient to the nearest multiple of 45 degrees. And as you can see here inside the Gradient panel, the angle is now negative 45 degrees. A positive value would move the gradient in a counterclockwise direction. Negative values move it clockwise. All right now I want to move this guy just by dragging the entire Gradient Annotator right there. And I'll drag it to about this point right here. So the gradient begins in the upper-left quadrant of the circle. And now I'm going to increase the size of the radial gradient by dragging on this little square. And this is a little bit tricky, by the way, because, notice if I move my cursor a little farther in and I try to drag, nothing happens. If I move it even farther in, I end up moving the location of that final color stop. What you want to do is move your cursor so that you're seeing that little arrow, which only happens within a couple of pixels I've found, couple of screen pixels, that is, and then drag this guy outward so that the gradient is at least as big as the circle. So you can see it now ends on this bottom-right side. All right now at this point we don't need that annotator anymore. And so I'll just go ahead and switch back to the Black Arrow tool, which I can get by pressing the V key. And then I'll focus my energies on the Gradient panel here. Notice these other swatches here inside the cue ball group. We've got this guy right here, cue highlight. You want to drag it and drop it onto the white circle right there inside the Gradient panel. And that's going to make that first color a very pale shade of yellow. And now I want to select this next color swatch in, and I want to change its location to 80%, which is going to move it to the right as we're seeing here. So it's actually shoving it toward the outside of the gradient. And then finally, as opposed to ending the gradient with black, this black edge right here, I want to create a kind of bright bounce as if the light is bouncing off a surface, back onto the sphere. And I'm going to do that by grabbing this swatch, cue bounce, and dragging it and dropping it onto that final color stop. At which point, we get this effect right here. All right now the Gradient panel is taking up a lot of my screen, so I'm going to switch over to the Stroke panel so I have a little more room to work here inside the Layers panel. And I'm going to assign a drop shadow to this entire layer. So as opposed to applying it to just this cue ball, I want to apply that drop shadow to all of the balls as we're seeing in the final version of the illustration. And to make that happen, I'm going to assign the drop shadow to the entire layer by targeting the layer, which you do by clicking on the circle right here. And notice it now appears as a double circle. And now I'll go up to the Effect menu, choose Stylize, and then choose Drop Shadow. And these are the settings I came up with. So notice that the Mode is set to Multiply as by default. And I've cranked up the Opacity value to 100%. Now, I don't want black to be my color, so I'll click on this color swatch right here, and I'll go ahead and click on the color swatch's button in order to switch to the swatches like so. The swatch I'm interested in is this dark shade of green right here, which I've called felt shadow. Which, as you can see here, is a very dark shade of green. At which point, I'll click OK. And then I came up with an X Offset value of two points, a Y Offset of four points, and a Blur value of four points as well. At which point, I'll click OK. Now, the obvious problem is that this is a very bitmap-looking shadow, and that's because it's set to set to a low resolution. To increase the resolution of that shadow effect, go up to the Effect menu and choose Document Raster Effect Settings. And then set the resolution from 72 as by default to 300 ppi like so, and then click OK. And you'll end up with a very smooth shadow. And now from this point on, any other shapes that you draw on this layer, for example, I'll just go ahead and grab the Ellipse tool once again and draw any old shape. Notice that every single one of them ends up with a drop shadow. But where they intersect each other we see no shadow. And that's because the shadow is assigned to the entire layer as opposed to the individual components. All right but I don't want all these other shapes, so I'll just go ahead and press Control + Z or Command + Z on the Mac as many times as it takes to get rid of them. Then I'll deselect my current circle by pressing Control + Shift + A or Command + Shift + A on the Mac, and I'll turn off my Guides layer. And that's how you create an old school gradient sphere as a 2D shape that will serve us well as the central cue ball in our final pool hall clock. Looking forward to next week? Well, that's when we're going to take our pristine, ivory-colored cue ball and turn it into a vibrant green six ball. It's like a gradient inside of a gradient. Deke's Techniques, each and every week. Keep watching.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- 669_custom_QR.zip
- 670_more_QR.zip
- 671_hidden_circles.zip
- 673_shade_panels.zip
- 672_more_rectangles.zip
- 674_cafe_wall.zip
- 675_skewed_walls.zip
- 676_magic_checkers.zip
- 677_magic_dots.zip
- 678_reverse_illusion.zip
- 679_illusion_decor.zip
- 680_more_gizmos.zip
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- 682_wifi_symbol.zip
- 683_bluetooth_logo.zip
- 684_trajan_color.zip
- 685_trajan_AIcc.zip
- 686_stylistic_PsCC.zip
- 687_stylistic_AIcc.zip
- 688_grad_molecules.zip
- 689_sharper_moles.zip
- 690_smart_cules.zip
- 691_explore_cules.zip
- 692_blend_cules.zip
- 693_high_pass_cules.zip
- 694_cell_pattern.zip
- 695_hemoglobin.zip
- 696_edgy_cells.zip
- 697_springy_cells.zip
- 698_accordian_letters.zip
- 699_skew_blends.zip
- 700_cross_blends.zip
- 701_slice_blend.zip
- 702_blend_distort.zip
- 703_dynamic_roughen.zip
- 704_fish_twist.zip
- 705_dynam_bgnd_1.zip
- 706_dynam_bgnd_2.zip
- 707_quieter_art.zip
- 708_disintegration.zip
- 709_more_flakes.zip
- 710_mask_ashes.zip
- 711_flakes_to_ash.zip
- 712_note_tool.zip
- 713_contour_map.zip
- 714_contour_grad.zip
- 715_contour_arb.zip
- 716_contour_riff.zip
- 717_smooth_contour.zip
- 718_contour_cash.zip
- 719_color_of_money.zip
- 720_AI_adjust.zip
- 721_computer_key.zip
- 722_key_type.zip
- 723_faux_hedcut.zip
- 724_hedcut_lines.zip
- 725_color_hedcut.zip
- 726_ET_moon.zip
- 727_ET_trees.zip
- 728_ET_TRex.zip
- 729_global_glow.zip
- 730_content_aware.zip
- 731_space_portal.zip
- 732_enhance_portal.zip
- 733_rushing_stars.zip
- 734_AIcc_puppet.zip
- 735_puppet_tricks.zip
- 736_complex_puppet.zip
- 737_puppet_shortcut.zip
- 738_pentagons.zip
- 739_reinhardt.zip
- 740_kershner.zip
- 741_james_pentagon.zip
- 742_rice_pentagons.zip
- 743_stein_pentagon.zip
- 744_15th_pentagon.zip
- 745_tessellate_15.zip
- 746_pentatiles.zip
- 747_mod_pattern.zip
- 748_complement_tiles.zip
- 749_image_pattern.zip
- 750_pattern_fit.zip
- 751_candy_keeper.zip
- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
- 758_scuba_mono.zip
- 759_backscatter.zip
- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
- 763_photo_logo.zip
- 764_high_res_snow.zip
- 765_enhance_snow.zip
- 766_snowflake_bokeh.zip
- 767_mandala_ps.zip
- 768_mandala_pattern.zip
- 769_mandala_dots.zip
- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
- 983_triceratops.zip
- 984_pen_tricks.zip
- 985_round_corner.zip
- 986_draw_round.zip
- 987_reshape_round.zip
- 988_AI_brushed.zip
- 989_AI_rivets.zip
- 990_blend_grad.zip
- 991_binoculars.zip
- 992_blue_halo.zip
- 993_bi_aberrations.zip
- 994_hide_shapes.zip
- 995_subwoofer.zip
- 996_deep_cone.zip
- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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860 Using an iPad as a Sidecar drawing tablet11m 37s
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861 Introducing Adobe Fresco for the iPad15m 27s
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862 Adobe Fresco paints halftone patterns9m 37s
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863 Live brushes in Adobe Fresco9m 36s
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864 Using oil brushes in Adobe Fresco5m 54s
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865 Masking layers in Adobe Fresco9m 47s
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866 Repurposing and inverting masks5m 25s
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867 Vector brushes in Adobe Fresco9m 7s
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868 Opening Fresco art in Photoshop8m 32s
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869 Customizing the Auto Color command6m 51s
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870 Camera Raw 12: Panoramas with fill edges9m 38s
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871 Developing your panorama in Camera Raw5m 53s
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872 Healing with Clone Source plus Diffusion8m 8s
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873 The improved Simplify command in Illustrator 20207m 25s
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874 Filling in any post-Simplify gaps4m 27s
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875 Posterizing colors, in the style of "Hair"11m 54s
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876 Recoloring art with the Paint Bucket tool5m 34s
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878 Adjusting your poster art dynamically6m 15s
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877 Posterizing colors nondestructively9m 8s
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879 Hiding the Filmstrip in Camera Raw4m 35s
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880 Making an awful photograph awesome10m 14s
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881 What if Rembrandt had painted sea lions?4m 43s
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882 Recolor a freeform gradient in Illustrator4m 58s
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883 Recoloring a gradient using a color group3m 24s
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884 Faking a GoPro over-under shot10m 20s
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885 Developing your over-under in Camera Raw4m 41s
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886 Drawing a 3D metal star in Illustrator14m 25s
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887 Rendering the 3D star in heavy metal5m 51s
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888 Creating a Wonder Woman 1984 poster effect9m 5s
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889 Creating the Wonder Woman displacement map15m 5s
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890 Masking your Wonder Woman11m 39s
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891 Creating a metadata template in Bridge9m 24s
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892 Streamlining a multi-use metadata template9m 29s
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893 The Photoshop 2020 freeform Warp enhancements12m 32s
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894 Applying a freeform Warp to a Smart Object7m 54s
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895 Rescuing a frame from a GoPro movie7m 49s
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896 Filling gaps with Content-Aware Fill7m 5s
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897 Two images are better than one13m 8s
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898 Blending images with a hand-drawn vignette4m 44s
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899 Creating a photographic painting12m 37s
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900 Drawing a gradient sphere as a 2D shape9m 49s
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901 Turning a sphere into a colorful pool ball7m 51s
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902 Changing a pool ball from solid to stripes8m 22s
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903 Rotate versus Transform Each in Illustrator9m 36s
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904 Recoloring your pool balls8m 20s
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905 Drawing a pool cue in Illustrator15m 43s
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906 Rotating with precision accuracy7m 28s
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907 Repeating a face so it shares a common eye11m 20s
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908 Continuous rainbow faces in Photoshop5m 42s
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909 Masking in the natural colors of the lips6m 8s
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910 Flipping a face to create new identities9m 8s
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911 Hand painting a symmetrical layer mask4m 18s
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912 Two ways to colorize with gradients6m 9s
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913 Two ways to mask gradient effects6m 40s
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914 Lantern tile: Type 1, onion7m 53s
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915 Lantern tile: Type 2, traditional6m 33s
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916 Lantern tile: Type 3, scallop4m 30s
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917 Quickly change the number of steps in Illustrator8m 22s
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918 Creating a blend inside a blend7m 44s
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919 Reversing the stacking order in Illustrator4m 32s
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920 Turning a blend into a repeating pattern12m 16s
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921 Recoloring a blended pattern5m 8s
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922 Precisely sizing any polygon in Illustrator9m 19s
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923 Creating a beveled, equilateral triangle11m 46s
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924 Turning a triangle into a Mercedes star9m 7s
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925 Adding a ring around the Mercedes star7m 57s
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926 Precisely sizing stars in Illustrator10m 20s
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927 Let's review that star technique5m 25s
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928 Creating real artwork with basic shapes9m 55s
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929 Making a face of triangles in Illustrator10m 18s
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930 Painting with gradients and translucency10m 34s
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931 More advanced gradients in Illustrator6m 52s
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932 Combining translucent vectors with a photo5m 30s
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933 Using the dynamic Free Distort filter9m 3s
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934 Combining dynamic effects in Illustrator6m 4s
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935 Creating a Halloween cat’s eye in Illustrator14m 35s
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936 Combining multiple gradient fills and effects8m 28s
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937 Tracing a photo with primitives in Illustrator11m 31s
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938 Halftone pattern and Zig Zag in Illustrator13m 5s
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939 Adding dynamic highlights to your cat’s eye10m 29s
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940 Blending reptile-like scales in Illustrator13m 42s
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941 Shading to your cat’s eye in Illustrator10m 53s
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942 Shading with variable-width strokes9m 10s
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943 Turning your cat’s eye into a dragon’s eye10m 40s
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944 Clearing the Photoshop Home screen5m 5s
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945 Hiding a single Home screen thumbnail3m 29s
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946 Clearing the Illustrator Home screen4m 4s
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947 A new way to unlock stuff in Illustrator5m
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948 Another way to unlock stuff in Illustrator2m 47s
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949 The new Line tool in Photoshop 202110m 43s
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950 Fixing a broken candy cane pattern4m 58s
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951 Creating a candy cane rhinoceros in Photoshop10m 4s
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952 Warping a pattern around an object4m 2s
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953 Adding some rippling, reflective ice shadows8m 35s
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