From the course: Deke's Techniques (2018-2021)
896 Filling gaps with Content-Aware Fill
From the course: Deke's Techniques (2018-2021)
896 Filling gaps with Content-Aware Fill
- [Instructor] All right so here we are looking at that leopard seal that I captured using a GoPro HERO8, and then developed inside Camera Raw. Now what we need to do is give the image some additional headroom in order to accommodate the ice that we're seeing in the final version of the composition. And we're going to create that headroom, which you're seeing right here, using Content Aware Fill. All right so I'll go ahead and switch back to the image in progress. And then, here inside Photoshop, I'll go up to the Image menu and choose the Canvas Size command. Which allows me to modify the four walls of the canvas independently of this indestructible smart object. And so notice that my unit of measure is set to pixels, and that the Relative checkbox is turned off. At which point, I'll go ahead and change the width value to 2980, and I'll change the height value to 1862. And these are just values that happen to work well in our videos. At which point, I'll click OK in order to accept that change. Photoshop is going to tell me that the new canvas size is smaller than the current one, and as a result some clipping will occur. That's just not true. Because we're working with an independent layer and an indestructible smart object at that, we're not going to cause any damage. So you can just go ahead and click Proceed. And then I'll go ahead and press Control + 0 or Command + 0 on the Mac in order to center the image. All right now what I want to do is slightly scale this layer and reposition it as well. And so I'll go up to the Edit menu and choose Free Transform. Now, assuming that your width and height values are linked together, and if they're not, just go ahead and turn on that link icon, and then change either one of these values to 105% is what we're looking for. And now I want to go ahead and reposition the seal so that it's approximately down at this location. But approximately is not good enough, so I'm going to change these positioning values right here, X and Y, with this triangle turned off. So we don't want delta, which is what it is, to be turned on. And then just go ahead and change the X-value to 1142, and then Tab over to the Y-value and change it to 1422 like so. And then press the Enter key a couple of times here on the PC. That's going to be the Return key a couple of times on the Mac. And just like that, our seal is in the right location. We do not, however, have the headroom that I'm looking for. And so what I'm going to do is zoom out just a little bit. And I'm going to select this region using the Rectangular Marquee tool. And then what I'd like to do is call on the Content Aware Fill command. However, if you were to go up to the Edit menu, assuming you're using the most recent version of Photoshop, then you'll see that the Content Aware command is dimmed. And that's because this command does not work with smart objects. And so what you have to do is temporarily convert the smart object to a pixel-based layer. And you can do that by escaping out of that menu and then pressing Control + A or Command + A on the Mac, and then you just want to jump the selection by pressing Control + J or Command + J on the Mac. And as a result of the fact that you jumped the selection to a new layer, as we're seeing right here, it is not a smart object. So notice that this layer has a little page icon in the bottom right corner of its thumbnail, indicating that it's an indestructible smart object, and this guy does not. All right now I'm going to select that region once again using the Rectangular Marquee tool. And I just want to slightly overlap into the top of the actual photographic image. At which point, I'll return to the Edit menu and choose Content Aware Fill, which is now available. And that, again, assuming you're using the most recent version of Photoshop, is going to bring up this Content Aware Fill workspace. All right now you control how this command works over here in the left-hand preview, and you preview the effects of the command over here on the right. All right so anywhere that's coated with green, at least by default, and you can change the color of that coating if you want to, but anywhere that's covered in green means that's an area that Photoshop is going to source from when determining how to fill in the top area of the image. And so I'm going to make a few changes here. I don't want to source from the animal's tail. And so I'll go ahead and grab the sampling brush up here at the top of the tool box. And then notice that by default, that circular brush has a tiny minus sign inside of it. That's exactly what we want. However, I'm going to reduce the size of the brush by pressing the left bracket key a few times. And then I'll just paint away the tail like so. And you don't have to do it all in one brush stroke, by the way. You can apply as many brush strokes as you like. And then I'm going to paint a margin around the seal's body and around this fin as well. And I'll go ahead and paint along the top of his head. And then if you want to add to the area that Photoshop can source from, then you press the Alt key or the Option key on the Mac, so that we're seeing a tiny, tiny plus sign inside of that brush. And that will allow us to paint in more green like so. However, we're going to be able to get more work done at a time if I increase the size of the brush by pressing the right bracket key a few times. And then I'll go ahead and Alt or Option drag like so. And I'll go ahead and Alt or Option drag down here as well just to give Photoshop as much water to work with. All right now notice over here in the preview, if I Control + Click or Command + Click on the Mac over in this region right here, that we have some detritus that I want to get rid of. And so I'll switch to the Lasso tool, which you could get by pressing the L key just as you can inside Photoshop proper. And notice that we have a little plus sign by default next to the cursor that shows me that I'm going to add to the area that I am filling away. So notice, that goes ahead and gets rid of that trash right there. And then I might kind of drag around close to this tail right here, and drag over on this side of it as well. You don't want to drag around the tail like that because then you'll end up messing it up, as we're seeing over here on the left-hand side. So I'll press Control + Z or Command + Z on the Mac to undo that change. Let's go ahead and drag this guy over so that we can see we have some problems over here. And so I'll just go ahead and create a pretty big selection like so around this region in order to heal that stuff away. And I'll just drag around and see if there's anything else that's really bothering me. Maybe down here near the fin, or whatever part of the animal that's called. And so I'll just go ahead and spacebar drag like so. And I think it's right around here. It's kind of hard to tell with that green overlay. But once I draw that selection I do get rid of that gunk right there. And assuming you like what you see, then you want to make sure Output To is set to New Layer. And then click OK in order to create that new layer as we're seeing right here. And now I'll just go ahead and double-click on its name and I'll call it C-A-F for Content Aware Fill. And then I'll press Control + D or Command + D on the Mac in order to deselect my artwork. And I'll take that Layer 1 right there, go ahead and click on it, and I'll press the Backspace key or the Delete key on the Mac in order to get rid of it, because we no longer need that layer. And that's how you use the dedicated Content Aware Fill workspace in order to fill in this region up here at the top of the image so we have a little more room to work.
Practice while you learn with exercise files
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- 820_iso_arrows.zip
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- 823_cartoon_teeth.zip
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- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
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- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
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- 846_red_rorschach.zip
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- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
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- 886_3D_metal_star.zip
- 887_heavy_metal.zip
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- 889_wonder_displace.zip
- 890_wonder_woman.zip
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- 892_edit_metadata.zip
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- 907_repeat_face.zip
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- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
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- 936_cat_iris.zip
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- 938_zig_zag.zip
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- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
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- 964_JPEG_raw.zip
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Contents
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860 Using an iPad as a Sidecar drawing tablet11m 37s
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861 Introducing Adobe Fresco for the iPad15m 27s
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862 Adobe Fresco paints halftone patterns9m 37s
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863 Live brushes in Adobe Fresco9m 36s
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864 Using oil brushes in Adobe Fresco5m 54s
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865 Masking layers in Adobe Fresco9m 47s
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866 Repurposing and inverting masks5m 25s
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867 Vector brushes in Adobe Fresco9m 7s
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868 Opening Fresco art in Photoshop8m 32s
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869 Customizing the Auto Color command6m 51s
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870 Camera Raw 12: Panoramas with fill edges9m 38s
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871 Developing your panorama in Camera Raw5m 53s
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872 Healing with Clone Source plus Diffusion8m 8s
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873 The improved Simplify command in Illustrator 20207m 25s
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874 Filling in any post-Simplify gaps4m 27s
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875 Posterizing colors, in the style of "Hair"11m 54s
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876 Recoloring art with the Paint Bucket tool5m 34s
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878 Adjusting your poster art dynamically6m 15s
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877 Posterizing colors nondestructively9m 8s
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879 Hiding the Filmstrip in Camera Raw4m 35s
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880 Making an awful photograph awesome10m 14s
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881 What if Rembrandt had painted sea lions?4m 43s
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882 Recolor a freeform gradient in Illustrator4m 58s
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883 Recoloring a gradient using a color group3m 24s
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884 Faking a GoPro over-under shot10m 20s
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885 Developing your over-under in Camera Raw4m 41s
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886 Drawing a 3D metal star in Illustrator14m 25s
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887 Rendering the 3D star in heavy metal5m 51s
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888 Creating a Wonder Woman 1984 poster effect9m 5s
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889 Creating the Wonder Woman displacement map15m 5s
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890 Masking your Wonder Woman11m 39s
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891 Creating a metadata template in Bridge9m 24s
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892 Streamlining a multi-use metadata template9m 29s
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893 The Photoshop 2020 freeform Warp enhancements12m 32s
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894 Applying a freeform Warp to a Smart Object7m 54s
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895 Rescuing a frame from a GoPro movie7m 49s
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896 Filling gaps with Content-Aware Fill7m 5s
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897 Two images are better than one13m 8s
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898 Blending images with a hand-drawn vignette4m 44s
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899 Creating a photographic painting12m 37s
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900 Drawing a gradient sphere as a 2D shape9m 49s
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901 Turning a sphere into a colorful pool ball7m 51s
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902 Changing a pool ball from solid to stripes8m 22s
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903 Rotate versus Transform Each in Illustrator9m 36s
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904 Recoloring your pool balls8m 20s
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905 Drawing a pool cue in Illustrator15m 43s
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906 Rotating with precision accuracy7m 28s
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907 Repeating a face so it shares a common eye11m 20s
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908 Continuous rainbow faces in Photoshop5m 42s
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909 Masking in the natural colors of the lips6m 8s
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910 Flipping a face to create new identities9m 8s
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911 Hand painting a symmetrical layer mask4m 18s
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912 Two ways to colorize with gradients6m 9s
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913 Two ways to mask gradient effects6m 40s
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914 Lantern tile: Type 1, onion7m 53s
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915 Lantern tile: Type 2, traditional6m 33s
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916 Lantern tile: Type 3, scallop4m 30s
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917 Quickly change the number of steps in Illustrator8m 22s
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918 Creating a blend inside a blend7m 44s
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919 Reversing the stacking order in Illustrator4m 32s
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920 Turning a blend into a repeating pattern12m 16s
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921 Recoloring a blended pattern5m 8s
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922 Precisely sizing any polygon in Illustrator9m 19s
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923 Creating a beveled, equilateral triangle11m 46s
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924 Turning a triangle into a Mercedes star9m 7s
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925 Adding a ring around the Mercedes star7m 57s
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926 Precisely sizing stars in Illustrator10m 20s
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927 Let's review that star technique5m 25s
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928 Creating real artwork with basic shapes9m 55s
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929 Making a face of triangles in Illustrator10m 18s
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930 Painting with gradients and translucency10m 34s
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931 More advanced gradients in Illustrator6m 52s
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932 Combining translucent vectors with a photo5m 30s
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933 Using the dynamic Free Distort filter9m 3s
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934 Combining dynamic effects in Illustrator6m 4s
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935 Creating a Halloween cat’s eye in Illustrator14m 35s
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936 Combining multiple gradient fills and effects8m 28s
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937 Tracing a photo with primitives in Illustrator11m 31s
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938 Halftone pattern and Zig Zag in Illustrator13m 5s
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939 Adding dynamic highlights to your cat’s eye10m 29s
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940 Blending reptile-like scales in Illustrator13m 42s
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941 Shading to your cat’s eye in Illustrator10m 53s
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942 Shading with variable-width strokes9m 10s
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943 Turning your cat’s eye into a dragon’s eye10m 40s
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944 Clearing the Photoshop Home screen5m 5s
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945 Hiding a single Home screen thumbnail3m 29s
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946 Clearing the Illustrator Home screen4m 4s
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947 A new way to unlock stuff in Illustrator5m
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948 Another way to unlock stuff in Illustrator2m 47s
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949 The new Line tool in Photoshop 202110m 43s
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950 Fixing a broken candy cane pattern4m 58s
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951 Creating a candy cane rhinoceros in Photoshop10m 4s
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952 Warping a pattern around an object4m 2s
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953 Adding some rippling, reflective ice shadows8m 35s
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