From the course: Deke's Techniques (2018-2021)
872 Healing with Clone Source plus Diffusion
From the course: Deke's Techniques (2018-2021)
872 Healing with Clone Source plus Diffusion
- Hey gang, this is Deke McClelland. Welcome to Deke's Techniques. You know the healing brush, in Photoshop? Not the spot healing brush, but the regular, old school healing brush. You alt-click on a source point, that's an option-click on a Mac, and then you paint to clone the source onto the destination. And then Photoshop preforms some patented wizardry in order to blend it all together. Wizardry such as we muggles may never understand. But you? You do have some powers of your own. For example, you can transform the source data on the fly using a thing called the clone source panel. You also have this thing in the options bar called the diffusion value. Which you can adjust from one to seven. That's the range. The number one to the number seven. In whole number increments, such as two, three, and four, not to mention five and six. I have now said all of them. And yet together, they are quite powerful. Which is why we're going to use clone source plus diffusion to paint this right eyelash on to this left one. See how radically they differ? And yet, now they are the same. Seriously, doesn't that look altogether natural? I'm guessing by the time you're done with this movie, you'll think to yourself, "Wow, life makes so much sense "when you measure it in whole number increments "from one to seven." Whereas once you get to be my age, which happens to be more than seven, not so much. Here, let me show you exactly how it works. All right, so here we are looking at a photograph from the Dreamstime image library. About which you can learn more and get some great deals at dreamstime.com/deke. Now presumably, we want to heal the fake lashes over the real ones non-destructively. In which case, I need to make a new layer by pressing control + shift + n or command + shift + n on a Mac. And I'll just call this layer eyelashes and then click okay. Now I want you to notice the order of the layers here. We have the photograph on a flat background at the bottom of the stack. Then we've got this empty layer called eyelashes. And then we have a vector based shape layer for the Dreamstime URL. All right, I'm going to go ahead and zoom in here. And then I'll drop down to the bandaid or whatever tool is residing below the eyedropper. Click and hold and choose the standard healing brush from the fly out menu. All right, now I'll make my brush considerably bigger by pressing the right bracket key a few times just so we can keep an eye on what we're doing. Now this tool requires you to manually set a source point, so I'll press the alt key or the option key on the Mac, so my cursor turns into a target. And then I'll click right there at the crease that beings the right eyelid. All right now if at this point I were to start painting over the other eye, nothing would happen. And that's because sample is set to current layer and the current layer is empty. We want this to be set to current and below, that way we won't somehow integrate the Dreamstime layer. At which point you can see a preview of that crease inside my cursor. But it's pointed the wrong direction. And so if you're using the most recent version of Photoshop, notice over here on the left hand side of the options bar, we've got this icon that allows you to bring up the clone source panel. Go ahead and click on it. If it's not available for some reason, you could just go to the window menu and choose clone source instead. And basically the clone source panel is like another options bar full of options for the healing brush. And there are quite a few options available to us. Notice I can see the exact coordinate of the source point. And more importantly, I can go ahead and flip my source by clicking on this icon right here. Which reads, flip horizontal. At which point you will see that things have flipped. Now the thing about eyes is that they're not exactly symmetrical. One eye is invariably angled differently from another. Which is why we're going to have to take advantage of this rotate option right here. But in order to see the rotation happen, we need to set an alignment point. Now the problem with this preview inside the cursor is that it's totally opaque. And it's controlled by this option right here. Show overlay. If you turn it off, the overlay's just going to go away. What I want is to keep the overlay but to lower the opacity to let's say 50% so that we can see both the overlay and the original image at the same time. At which point I'm going to zoom in just a little farther here. Actually what the heck, all the way into 100%. So that I can align these two creases just by clicking like so. Now that is not even sort of the effect I want. But I have now established alignment. At which point I'll press control + z or command + z on the Mac to undo that change. And I will turn on the align checkbox up here in the options bar. And from that point on, I will keep that point of alignment. Which means as I move my brush cursor, I can see the eyelashes going along the eyelid. And as you can see, they don't quite align and that's because the left eye is at a different angle than the right eye. And so what we need to do is change this angle value. Now if you were to look at this as some kind of preview telling you which direction the rotation works, then you might think that positive values rotate in a counterclockwise fashion and negative values go clockwise. Actually, this is a reset icon that resets all of the transformation options right here. So what you need to do to figure out what that value really does, is to click inside it and then press shift + up arrow in order to increase the value in whole number increments. At which point you can see that I am definitely going the wrong direction. I am rotating the eye clockwise instead of counterclockwise. And so instead I'll press shift + down arrow this time around, at which point I will eventually see that the two eyes align, at least more or less, at negative three degrees. All right, so at this point, I'll press the enter key. Or the return key on the Mac, to accept that value. And I'll space bar drag the image over just a little more. And I'll go ahead and paint over that eye like so. In order to heal the right eye over the left one. And we get this affect right here. Which is pretty bad, actually, you may notice. Also there's the fact that I neglected to paint in part of the eyelash. But I'm more concerned right now about this bad edge. And that is an option that came along quietly back in the year 2016, diffusion. Which I have currently set to two. Which is a low value. It means that we get very little in the way of blending around the edges of my brushstroke. What we want to do, at least in the case of this image, is crank that value up to its maximum just by scrubbing it like so. And as you can see here, the maximum diffusion value is seven, at which point I'll undo that last brush stroke by pressing control + Z or command + Z on the Mac. And I'll just go ahead and paint over that eye again. And you can see that I get much better blending. It's going to get better still if I paint a few more brushstrokes as I'm doing right here up into the top eyelid. And then down below into the cheek. And because that align checkbox is turned on, every detail is in alignment. All right, so I'll go ahead and switch to the full screen mode by pressing shift + F and I'll press control + 0 or command + 0 on the Mac to center my zoom. And that is how you heal to absolute perfection using a combination of the clone source panel along with diffusion. Oh my goodness, after that cracker jack episode, what could possibly lie ahead? Well tell ya this, it's going to be good. The stuff of legends. Oh boy do I have a technique for you. I mean, well, you know I assume, I haven't like recorded it yet, but don't worry, I will. And that's because my job is to create Deke's Techniques each and every week. And your job, as we've discussed many times, is to keep watching.
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- 802_flip_photo.zip
- 803_actual_dream.zip
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- 805_smart_distortions.zip
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- 823_cartoon_teeth.zip
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- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
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- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
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- 871_correct_pano.zip
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- 877_nonD_poster.zip
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- 879_filmstrip.zip
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- 910_single_many.zip
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- 913_mask_grads.zip
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- 915_lantern_type2.zip
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Contents
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860 Using an iPad as a Sidecar drawing tablet11m 37s
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861 Introducing Adobe Fresco for the iPad15m 27s
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862 Adobe Fresco paints halftone patterns9m 37s
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863 Live brushes in Adobe Fresco9m 36s
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864 Using oil brushes in Adobe Fresco5m 54s
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865 Masking layers in Adobe Fresco9m 47s
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866 Repurposing and inverting masks5m 25s
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867 Vector brushes in Adobe Fresco9m 7s
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868 Opening Fresco art in Photoshop8m 32s
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869 Customizing the Auto Color command6m 51s
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870 Camera Raw 12: Panoramas with fill edges9m 38s
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871 Developing your panorama in Camera Raw5m 53s
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872 Healing with Clone Source plus Diffusion8m 8s
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873 The improved Simplify command in Illustrator 20207m 25s
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874 Filling in any post-Simplify gaps4m 27s
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875 Posterizing colors, in the style of "Hair"11m 54s
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876 Recoloring art with the Paint Bucket tool5m 34s
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878 Adjusting your poster art dynamically6m 15s
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877 Posterizing colors nondestructively9m 8s
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879 Hiding the Filmstrip in Camera Raw4m 35s
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880 Making an awful photograph awesome10m 14s
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881 What if Rembrandt had painted sea lions?4m 43s
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882 Recolor a freeform gradient in Illustrator4m 58s
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883 Recoloring a gradient using a color group3m 24s
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884 Faking a GoPro over-under shot10m 20s
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885 Developing your over-under in Camera Raw4m 41s
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886 Drawing a 3D metal star in Illustrator14m 25s
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887 Rendering the 3D star in heavy metal5m 51s
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888 Creating a Wonder Woman 1984 poster effect9m 5s
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889 Creating the Wonder Woman displacement map15m 5s
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890 Masking your Wonder Woman11m 39s
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891 Creating a metadata template in Bridge9m 24s
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892 Streamlining a multi-use metadata template9m 29s
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893 The Photoshop 2020 freeform Warp enhancements12m 32s
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894 Applying a freeform Warp to a Smart Object7m 54s
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895 Rescuing a frame from a GoPro movie7m 49s
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896 Filling gaps with Content-Aware Fill7m 5s
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897 Two images are better than one13m 8s
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898 Blending images with a hand-drawn vignette4m 44s
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899 Creating a photographic painting12m 37s
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900 Drawing a gradient sphere as a 2D shape9m 49s
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901 Turning a sphere into a colorful pool ball7m 51s
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902 Changing a pool ball from solid to stripes8m 22s
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903 Rotate versus Transform Each in Illustrator9m 36s
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904 Recoloring your pool balls8m 20s
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905 Drawing a pool cue in Illustrator15m 43s
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906 Rotating with precision accuracy7m 28s
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907 Repeating a face so it shares a common eye11m 20s
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908 Continuous rainbow faces in Photoshop5m 42s
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909 Masking in the natural colors of the lips6m 8s
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910 Flipping a face to create new identities9m 8s
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911 Hand painting a symmetrical layer mask4m 18s
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912 Two ways to colorize with gradients6m 9s
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913 Two ways to mask gradient effects6m 40s
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914 Lantern tile: Type 1, onion7m 53s
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915 Lantern tile: Type 2, traditional6m 33s
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916 Lantern tile: Type 3, scallop4m 30s
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917 Quickly change the number of steps in Illustrator8m 22s
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918 Creating a blend inside a blend7m 44s
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919 Reversing the stacking order in Illustrator4m 32s
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920 Turning a blend into a repeating pattern12m 16s
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921 Recoloring a blended pattern5m 8s
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922 Precisely sizing any polygon in Illustrator9m 19s
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923 Creating a beveled, equilateral triangle11m 46s
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924 Turning a triangle into a Mercedes star9m 7s
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925 Adding a ring around the Mercedes star7m 57s
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926 Precisely sizing stars in Illustrator10m 20s
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927 Let's review that star technique5m 25s
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928 Creating real artwork with basic shapes9m 55s
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929 Making a face of triangles in Illustrator10m 18s
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930 Painting with gradients and translucency10m 34s
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931 More advanced gradients in Illustrator6m 52s
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932 Combining translucent vectors with a photo5m 30s
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933 Using the dynamic Free Distort filter9m 3s
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934 Combining dynamic effects in Illustrator6m 4s
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935 Creating a Halloween cat’s eye in Illustrator14m 35s
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936 Combining multiple gradient fills and effects8m 28s
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937 Tracing a photo with primitives in Illustrator11m 31s
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938 Halftone pattern and Zig Zag in Illustrator13m 5s
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939 Adding dynamic highlights to your cat’s eye10m 29s
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940 Blending reptile-like scales in Illustrator13m 42s
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941 Shading to your cat’s eye in Illustrator10m 53s
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942 Shading with variable-width strokes9m 10s
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943 Turning your cat’s eye into a dragon’s eye10m 40s
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944 Clearing the Photoshop Home screen5m 5s
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945 Hiding a single Home screen thumbnail3m 29s
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946 Clearing the Illustrator Home screen4m 4s
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947 A new way to unlock stuff in Illustrator5m
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948 Another way to unlock stuff in Illustrator2m 47s
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949 The new Line tool in Photoshop 202110m 43s
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950 Fixing a broken candy cane pattern4m 58s
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951 Creating a candy cane rhinoceros in Photoshop10m 4s
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952 Warping a pattern around an object4m 2s
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953 Adding some rippling, reflective ice shadows8m 35s
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