From the course: Deke's Techniques (2018-2021)
850 Tracing your actual hand on an iPad
From the course: Deke's Techniques (2018-2021)
850 Tracing your actual hand on an iPad
- [Deke] In this movie, I'm going to begin the process of drawing my elaborate hand turkey by literally setting my hand on the surface of an iPad and tracing it. Here we are looking at what is actually a couple of photographs of my right hand, and that's because I'm left-handed. So I'm using my left hand to trace my right hand. If you're right-handed, by all means, trace your left hand. Now, notice here we have a horizontal version of the hand, and here we have a vertical one. It's slightly out of focus, which might actually be a good thing, but it's good enough for tracing purposes. All right, so here we are in Adobe Photoshop Sketch, running on an iPad Pro, but you can be using any app you like. Now, I'm going to create a new document by tapping the plus sign in the bottom right corner of the screen, that blue plus sign right there. And then I'll set the format to iPad Pro Landscape, which in my case is located in the top left corner of the screen. And now I've got a new document. Now, notice that my layers are located on the left side of the screen. My brushes are on the right. Once again, that's because I'm left-handed. By default, it's the other way around. All right, and I'm going to tap on the background layer at the bottom of the stack, and then I'll tap the plus sign to create a new layer. And because I want to import a photographic image, I'm going to select Image Layer. Next, I'll select On My iPad. And then I'll go ahead and switch to Favorites just to keep things simple. And I'll select this horizontal hand right here, which will come up inside of a placing boundary. Now, I want the hand to take up more or less the entirety of the canvas. So I'm going to pinch outside. So two-finger pinch outside of that boundary in order to reduce the size of the canvas on screen. So I'm just zooming out. And then I can scale the hand by dragging on the corner handles, if I like. Or I can just two-finger pinch inside of that boundary. Now, I don't want to take care of up the entire canvas, because that'll make it too big, in which case it'll be bigger than my actual hand, which I will be tracing. And so I'll go ahead and make it about yea big, let's say. That should work. And then I'll tap the Done button in the top right corner of the screen. All right, now I'm going to tap on the sketch layer, which is the top layer in the stack. And I'll go ahead and switch to the graphite pen, which, by default, is located at the top of the brushes. And so I'll go ahead and tap on it to bring up its settings. And then I'll tap on the settings icon right there in order to demonstrate that this is, indeed, the graphite pencil. Notice that the color is set to absolute black. I've set the flow to whatever its default setting is. I think it's something like 66, by the way, here inside Sketch. And I've also set the size, which is this top option here, this top circle, to 14, like so. All right, now I'm going to do a quick two-finger pinch just in order to center my zoom, like so. And then I'll tap the double-arrow icon in the top right corner of the screen in order to hide the interface. All right, now I'm going to do something you can't see in this video. I'm going to lay my actual, physical right hand onto the right hand in the photograph so that I can trace exactly around it. And this is what you might do as well. All right, so now it's just a matter of painting, with my Apple Pencil, by the way, on the surface of my iPad. So I'm just tracing around my actual hand. Now, if you see something like that happen, where you get a gap between the lines, don't worry about it, just move on. It's a function, by the way, as far as I can tell, of the fact that I have my hand on the screen, so I'm touching the screen at the same time that I am trying to draw. So at this point, it's really just a matter of very carefully tracing your hand. Actually, I shouldn't say very carefully. I'm not trying that hard. I do need to make sure my pencil is straight up and down when I trace around the inside edge of the wrist. And that is it. Now I am done tracing my hands. Now, it doesn't necessary look great, which is why you might want to make some modifications. And so I'm going to go ahead and zoom in on my pinky here. And that's just a standard two-finger pinch outward. And now I'll go ahead and paint in some new lines. And apparently, I accidentally switched to the eraser. So I'll tap the double-arrow icon in the top right corner of the screen to bring back my interface. And I'll tap on that brush in order to view all of the brushes. And I'll switch back to the graphite pencil. And now I'll go ahead and paint around that missing detail, like so. And I might go ahead and trace around my ring finger a little bit as well, and even try to smooth out some of the details. And I might bring this fingertip up, like so. And then, if I go too far, I can always erase by tapping the checkerboard pattern down here at the bottom of the brush list, which represents the eraser, and then erasing these details, like so. And then I'll erase up into the fingernail. And I'm trying to be more or less careful, but you don't have to get it exactly right. We're just roughing out the lines to get things started. And now I'll tap on the graphite pencil to select it once again, there at the top of the brush list. And I'll go ahead and paint in the missing stuff along the third finger and my index finger right here, like so. So notice that things aren't an exact match with the template. That's okay. If you want to change things around, you most certainly can. So I'll go ahead and draw in some of that flesh right there and paint some of the excess stuff away. And then we've got the problem of the wrist. So I'll go ahead and paint in more of the wrist, like so, so that we just have a little bit of extra edge going on right there. And now I'll switch to the eraser and get rid of the stuff that I don't want. All right, so I'll go ahead and switch back to the graphite pencil. And I might add a few crease lines, like these guys right here. I can either exactly follow the template or not. Totally up to you, by the way. And so I'll go ahead and add these lines. And I'll add another one coming out here. And we just want some definition, a little bit, that is, around the wrist. All right, so quick two-finger pinch, just so that we can see the hand. And if you want to view the tracing independently of the template, then just go ahead and double-tap on the thumbnail for that image layer, and it will temporarily disappear. All right, so that's how you trace a horizontal hand. What about a vertical one? Well, I'll go ahead and double-tap on that sketch layer in order to hide it. Then I'll tap on the background to make it active. I'll tap the plus sign at the top of the layers list and hit Image Layer once again. Select on my iPad, switch to the Favorites. And select the vertical hand this time around. Now I'll go ahead and two-finger pitch outside of the hand boundary in order to reduce the size of the canvas. And now I'll two-finger pinch inside the hand. It kind of lurches into position right there. But that's going to allow me to scale and move the hand around until it gets right about there, let's say. I kind of want it to be centered, like so. And then I'll tap the Done button in the top right corner of the screen. All right, now we need a new sketch layer on which to draw. And so I'll tap the plus sign at the top of layer stack once again and select Sketch Layer this time around. And now you can see that the graphite pencil is still selected. So I'll do a quick two-finger pinch in order to center the zoom. I'll tap the double-arrow icon in the top right corner of the screen. And I'll go ahead and lay my actual hand. You'll just have to imagine this part. Well, it's easier to imagine when I'm messing things up. So I'll do another two-finger pinch, a quick one. And there I accidentally drew a line. I don't want that. So we'll undo that. And this time, I'll try to lay my hand down a little more gently so that I'm touching the screen without scaling the template. And then I'll just go ahead and trace around my hand, like so. Now, I'm trying to keep the pencil, the Apple Pencil, in this case, straight up and down. Because that way, you're going to get the best definition if you are just tracing along the edges of your hands and finger and so forth. Singular hand, multiple fingers, that is to say. And then we end up getting this effect here, which is a little bumply and wobbly, but that's okay. And then I'll just go ahead and paint in the missing details. So you are going to have some gaps here and there, if you're working along with my in Sketch, anyway. There might be other applications that do a better job of this. And I'm going to go ahead and move the outside edge of my hand, like so. And I might bring in the inside edge, or maybe not. I might actually kind of like the way it was, in which case, you can undo in the full-screen mode by doing a two-finger drag to the left inside Sketch once again. And then I might add a little bit of extra definition to the thumb, because after all, the thumb is going to be the turkey's head. All right, now I'll go ahead and bring back the interface by tapping that double-arrow icon in the top right corner of the screen. And I'll switch to the eraser at the bottom of the list. That's that checkerboard pattern. And now I'll go ahead and paint away the front of the thumb right here, maybe smooth things out a little bit as well, and then paint down into this region of the thumb. And now I'll go ahead and erase away the right edge, the bad right edge of the hand here, like so. And I might add a few more details with the graphite pencil. So I'll go ahead and select it. And I'll just draw a few crease lines to give the hand a little bit of additional form. All right, so we'll draw a few little wrinkles right there, let's say. And I want to draw a line coming into the palm and another one going over to this region here that more or less defines the wrist. And now, just so that we can see the hand that I've drawn independently of the real hand, I'll go ahead and double-tap on that image layer at the bottom of the stack in order to hide it. And now I'll tap the double-arrow icon in the top right corner of the screen in order to switch to the full-screen mode. And that is how you trace around your actual hand, your right hand if you're left-handed like me, and your left hand if you're a member of the oppressive right-handed majority, in my case, using Adobe Photoshop Sketch, running on an iPad Pro with an Apple Pencil. But you can use a Wacom tablet, or really, anything you like, such as an actual piece of paper with an actual graphite pencil.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
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- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
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- 959_color_grading.zip
- 960_grading_tricks.zip
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Contents
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767 Mandala patterns in Photoshop CC 20191m
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768 Painting a free-form mandala pattern9m 5s
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769 Painting mandala-style dot patterns6m 56s
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770 Coloring your mandala pattern7m 48s
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771 The final full-color mandala6m 27s
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772 Illustrator CC 2019 new preview mode1m 1s
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773 Illustrator CC 2019 presentation mode3m 21s
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774 Global edit in Illustrator CC 20196m 30s
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775 Applying a global edit from the control panel4m 8s
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776 Freeform gradients in Illustrator CC 20198m 29s
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777 Freeform gradients: Points versus lines8m 10s
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778 Freeform gradient limitations6m 29s
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779 Crop and develop a great white shark8m 54s
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780 Sharpening your great white shark6m 11s
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781 Low vibrance and high saturation9m 3s
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782 Vibrance, saturation, and sharpness9m 11s
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783 Actioning a full-color hedcut in Photoshop1m
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784 Recording an action to play all actions9m 37s
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785 Draw something, color the outlines8m 46s
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786 Combining multiple works of line art7m 3s
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787 Group your line art, clip to the group4m 9s
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788 Coloring outside your line art in Photoshop6m 32s
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789 Flip horizontal view in Photoshop CC 20191m
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790 Creating a White Walker in Photoshop1m 59s
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791 The White Walker begins9m 25s
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792 Giving a guy a digital shave in Photoshop3m 58s
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793 Carving deep wrinkles or scars into skin8m 37s
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794 Shading the White Walker’s deep-set brows6m 21s
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795 Creating pale, lifeless lips in Photoshop5m 57s
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796 Giving your White Walker glowing blue eyes10m 46s
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797 Adding some creepy lifeless pupils6m 40s
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798 Adding a cold and gloomy background12m 18s
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799 Adding cold and brittle snowflakes6m 25s
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800 Using the Transparency Shapes Layer option5m 29s
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801 Combining a radial filter with a range mask8m 35s
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802 Flipping a photograph in Camera Raw6m 20s
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803 An actual dream effect, in Photoshop14m 37s
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804 Augmenting your Photoshop dream8m 45s
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805 Applying distortions as Smart Filters6m 37s
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806 Combining distortions with blend modes10m 5s
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807 Drawing a 24-sided star in negative space12m 48s
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808 Making your star a repeating hex pattern8m 27s
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809 Shading your star pattern in Illustrator6m 57s
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810 Creating a gradient pattern in Illustrator4m 31s
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811 Making one pattern fade into another6m 23s
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812 Welcome to my seamlessly repeating summer1m 35s
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813 Drawing a cubical gobstopper in Illustrator14m 55s
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814 Creating a pattern of gobstoppers7m 23s
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815 Aligning your many gobstoppers5m 54s
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816 Blending line textures in Illustrator12m 58s
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817 Combining object blends with a pattern8m 40s
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818 Carving cubical holes into cubical objects9m 52s
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819 Nesting gradients inside a pattern5m 36s
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820 Drawing 3D isometric arrows in Illustrator7m 33s
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821 Positioning the tips of your arrows7m 17s
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822 Filling in the gaps in a repeating pattern8m 50s
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823 Drawing cartoon teeth aligned to the hair5m 50s
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824 Drawing a triangular cartoon eye8m 6s
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825 Adding windows to the houses pattern10m 46s
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826 Creating a perfectly tessellating pattern4m 32s
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827 Op art experiment 4: Triangle tunnels6m 58s
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828 Expressing your triangles as a hex pattern7m 18s
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829 Adding color to your triangle tunnels7m 55s
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830 Recoloring your triangle tunnels3m 20s
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831 Creating rainbow gradients with blends6m 18s
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832 The downside of using blends in patterns3m 35s
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833 Drawing an impossible trident in Illustrator9m 49s
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834 Shading an impossible trident with gradients4m 3s
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835 Painting paths with opposing gradients13m 51s
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836 Adding impossible shadows in Illustrator6m 42s
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837 Drawing an impossible hex object14m 8s
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838 Creating impossible latticework5m 46s
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839 Painting like Joan Miró in Adobe Sketch9m 46s
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840 Painting a watercolor wash background8m 23s
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841 Signing your artwork like Joan Miró4m 17s
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842 Opening your Sketch artwork in Photoshop9m 1s
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843 Enlarging your Miró to poster size11m 5s
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844 What if Joan Miró had met Jordan Peele?14m 10s
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845 Coloring your terrifying Miró/“Us” scene11m 47s
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846 Painting a Rorschach background9m 22s
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848 What to do when Content-Aware Fill fails?10m 4s
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847 Finishing your “Us” artwork in Photoshop10m 35s
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849 Hand turkey 20191m 56s
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850 Tracing your actual hand on an iPad10m 6s
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851 Drawing a highly articulated hand9m 50s
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852 Adding color to your hand-drawn hand12m 33s
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853 Painting your hand-drawn fingernails9m 3s
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854 A hand becomes a Thanksgiving hand turkey9m 6s
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855 Painting the turkey’s tail feathers13m 30s
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856 What’s wrong with this drop shadow?11m 14s
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857 Introducing Photoshop for the iPad13m 6s
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858 Photoshop for the iPad: Part 29m 13s
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859 Photoshop for the iPad: Part 310m 17s
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