From the course: Deke's Techniques (2018-2021)
823 Drawing cartoon teeth aligned to the hair
From the course: Deke's Techniques (2018-2021)
823 Drawing cartoon teeth aligned to the hair
- [Instructor] All right, now we're going to add some representational details to our pattern, namely these teeth that are aligned to the hair. All right, so I'll go ahead and switch to our document so far, and because we want exacting results, I'm going to switch back over to the line segment tool. So most people think of this tool here inside Illustrator as being a very basic tool but it also gives you exacting control. All right, so I'm going to click at this point right here and notice that my smart guides are turned on. That'll bring up this dialog box and I'm looking for a width of 50 points and I'm going to change the angle value to 180 degrees, which will give us a horizontal line going out to the left, at which point, I'll click okay. And we'll end up with this line segment right here, and you might just want to check by clicking on the word stroke up here in the control panel that the line weight is set to two points and that round cap and round join are both turned on. All right, now press the V key to switch to the black arrow tool and go ahead and drag this guy by its right hand point all the way down to here until it snaps into alignment so you should see a white snapping cursor. At which point, press the alt key or the option key on the Mac so you see a double arrowhead cursor and then release to create a copy of that segment. Now what I want you to do with the black arrow tool selected is press the enter key or the return key on the Mac in order to bring up the move dialog box and what we want to pay attention to here are the distance and angle values. So notice that I just moved this guy down negative 60 degrees and by a distance of 50 points. And so let's say I want the border between the top teeth and the bottom teeth to align to this horizontal step in the blend right here, and so if you count the spaces between the blends, we have one, two, three, four, five areas, and so our distance of 50 divided by five gives us 10 points, and so what we want to do now is move this guy back up one two segments and so I'm going to change this distance value to negative 20 points and that's going to bump this line up, like so. At which point, I'm going to click the copy button so that I have a total of three horizontal lines right here. All right, now select this line right here and Shift + Click on this one. So leave the middle line deselected and then go up to the object menu, choose path, and then choose join, or you have that keyboard shortcut of Control + J or Command + J on the Mac, and that should join these two endpoints right here. If it joints them across at a diagonal, then undo, just go ahead and press Control + Z or Command + Z on the Mac to undo that change and then grab your pen tool, which you can get by pressing the P key and go ahead and click on this point right here in order to extend that path, and then click on this one to connect the two. And now, if you press the V key to switch back to the black arrow tool and you click anywhere on that open path, then press Control + J or Command + J on the Mac and you will close the path. And you can't help but get it right this time around. Now over here in the swatches panel, notice that my fill is active, and I have this group called grays that ends with a swatch called light gray. I'm going to go ahead and click on it. It is a very light gray, almost white, but not quite, and that will fill that path. Because this border path right here is in front, we're still able to see it. Now press the A key to switch to the white arrow tool right there and then go ahead and click on this segment and Shift + Click on this one, and that will gas and select both the segments. Then press Control + C or Command + C on the Mac to copy them, followed by Control + F or Command + F on the Mac to paste them in front. Now we want to blend between those paths by going up to the object menu, choosing blend, followed by make, or you've got that keyboard shortcut of Control + Alt + B or Command + Option + B on the Mac and my goodness, that is horrible. So we've got a couple of problems. For one, we have too many steps and for the other, because these paths are going in opposite directions, we're blending from this anchor point to this one, and visa versa. So what we want to do to start things off is click off the paths to deselect them and then click on either this side or that side, doesn't matter which one, in order to partially select it, and then go up to the object menu, choose path, and choose reverse path direction, and that's going to give us a much better result. Now you want to go up to the object menu, choose blend, and then choose blend options. Turn on the preview check box, make sure spacing is set to specified steps, and then click in that value right there and then press the down arrow key until you like how many teeth you see. In my case, I like three steps, which gives us four teeth up here at the top and four teeth along the bottom. At which point, I'll click okay in order to accept that change. All right, now I have made one teensy tiny mistake, and that is I've put all the teeth on the complement layer, which I'm ultimately going to get rid of and so notice if I turn that layer off, my teeth go away. That's not a good thing, and so I'll go ahead and bring that layer back and I will select the entire content of the layer. This is the easiest way to go, by clicking the top right corner of the layer here inside the layers panel, then press the V key to switch to the black arrow tool, Shift + Click inside the big orange region to deselect it, and Shift + Click right about there to deselect that blend. And now go ahead and grab that tiny green square and drag it down to the grinners layer. And now if you turn off the complement layer, the teeth should survive. And by the way, you can leave that layer off because we don't need it anymore. We just needed it in order to make sure everything was properly aligned. All right, so that's how you draw the cartoon teeth and align them to the cartoon hair. In the next episode, we'll create the triangular cartoon eyes.
Practice while you learn with exercise files
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Contents
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767 Mandala patterns in Photoshop CC 20191m
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768 Painting a free-form mandala pattern9m 5s
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769 Painting mandala-style dot patterns6m 56s
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770 Coloring your mandala pattern7m 48s
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771 The final full-color mandala6m 27s
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772 Illustrator CC 2019 new preview mode1m 1s
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773 Illustrator CC 2019 presentation mode3m 21s
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774 Global edit in Illustrator CC 20196m 30s
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775 Applying a global edit from the control panel4m 8s
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776 Freeform gradients in Illustrator CC 20198m 29s
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777 Freeform gradients: Points versus lines8m 10s
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778 Freeform gradient limitations6m 29s
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779 Crop and develop a great white shark8m 54s
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780 Sharpening your great white shark6m 11s
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781 Low vibrance and high saturation9m 3s
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782 Vibrance, saturation, and sharpness9m 11s
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783 Actioning a full-color hedcut in Photoshop1m
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784 Recording an action to play all actions9m 37s
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785 Draw something, color the outlines8m 46s
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786 Combining multiple works of line art7m 3s
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787 Group your line art, clip to the group4m 9s
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788 Coloring outside your line art in Photoshop6m 32s
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789 Flip horizontal view in Photoshop CC 20191m
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790 Creating a White Walker in Photoshop1m 59s
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791 The White Walker begins9m 25s
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792 Giving a guy a digital shave in Photoshop3m 58s
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793 Carving deep wrinkles or scars into skin8m 37s
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794 Shading the White Walker’s deep-set brows6m 21s
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795 Creating pale, lifeless lips in Photoshop5m 57s
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796 Giving your White Walker glowing blue eyes10m 46s
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797 Adding some creepy lifeless pupils6m 40s
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798 Adding a cold and gloomy background12m 18s
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799 Adding cold and brittle snowflakes6m 25s
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800 Using the Transparency Shapes Layer option5m 29s
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801 Combining a radial filter with a range mask8m 35s
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802 Flipping a photograph in Camera Raw6m 20s
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803 An actual dream effect, in Photoshop14m 37s
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804 Augmenting your Photoshop dream8m 45s
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805 Applying distortions as Smart Filters6m 37s
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806 Combining distortions with blend modes10m 5s
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807 Drawing a 24-sided star in negative space12m 48s
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808 Making your star a repeating hex pattern8m 27s
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809 Shading your star pattern in Illustrator6m 57s
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810 Creating a gradient pattern in Illustrator4m 31s
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811 Making one pattern fade into another6m 23s
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812 Welcome to my seamlessly repeating summer1m 35s
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813 Drawing a cubical gobstopper in Illustrator14m 55s
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814 Creating a pattern of gobstoppers7m 23s
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815 Aligning your many gobstoppers5m 54s
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816 Blending line textures in Illustrator12m 58s
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817 Combining object blends with a pattern8m 40s
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818 Carving cubical holes into cubical objects9m 52s
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819 Nesting gradients inside a pattern5m 36s
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820 Drawing 3D isometric arrows in Illustrator7m 33s
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821 Positioning the tips of your arrows7m 17s
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822 Filling in the gaps in a repeating pattern8m 50s
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823 Drawing cartoon teeth aligned to the hair5m 50s
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824 Drawing a triangular cartoon eye8m 6s
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825 Adding windows to the houses pattern10m 46s
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826 Creating a perfectly tessellating pattern4m 32s
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827 Op art experiment 4: Triangle tunnels6m 58s
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828 Expressing your triangles as a hex pattern7m 18s
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829 Adding color to your triangle tunnels7m 55s
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830 Recoloring your triangle tunnels3m 20s
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831 Creating rainbow gradients with blends6m 18s
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832 The downside of using blends in patterns3m 35s
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833 Drawing an impossible trident in Illustrator9m 49s
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834 Shading an impossible trident with gradients4m 3s
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835 Painting paths with opposing gradients13m 51s
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836 Adding impossible shadows in Illustrator6m 42s
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837 Drawing an impossible hex object14m 8s
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838 Creating impossible latticework5m 46s
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839 Painting like Joan Miró in Adobe Sketch9m 46s
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840 Painting a watercolor wash background8m 23s
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841 Signing your artwork like Joan Miró4m 17s
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842 Opening your Sketch artwork in Photoshop9m 1s
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843 Enlarging your Miró to poster size11m 5s
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844 What if Joan Miró had met Jordan Peele?14m 10s
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845 Coloring your terrifying Miró/“Us” scene11m 47s
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846 Painting a Rorschach background9m 22s
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848 What to do when Content-Aware Fill fails?10m 4s
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847 Finishing your “Us” artwork in Photoshop10m 35s
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849 Hand turkey 20191m 56s
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850 Tracing your actual hand on an iPad10m 6s
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851 Drawing a highly articulated hand9m 50s
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852 Adding color to your hand-drawn hand12m 33s
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853 Painting your hand-drawn fingernails9m 3s
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854 A hand becomes a Thanksgiving hand turkey9m 6s
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855 Painting the turkey’s tail feathers13m 30s
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856 What’s wrong with this drop shadow?11m 14s
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857 Introducing Photoshop for the iPad13m 6s
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858 Photoshop for the iPad: Part 29m 13s
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859 Photoshop for the iPad: Part 310m 17s
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