From the course: Deke's Techniques (2018-2021)
816 Blending line textures in Illustrator
From the course: Deke's Techniques (2018-2021)
816 Blending line textures in Illustrator
Remember last week, the Adobe Illustrator cubicle Gobstopper? Okay, so you don't think it looks like a Gobstopper. We don't have to agree. It's a vector-based design. Can we agree that it's a cool design? And that it would be even cooler I'm going to start things off by clicking on this shape right here with the black arrow tool and I'll right-click anywhere inside the document window, choose Arrange, and then choose Bring to Front, or you have that keyboard shortcut of Control + Shift + right bracket, that's Command + Shift + right bracket on a Mac. All right, now I'll go up to the Select menu and choose Deselect, which has a keyboard shortcut of Control + Shift + A or Command + Shift + A on a Mac or deselect all. And now what you want to do is switch to the white arrow tool, which Illustrator calls the Direct Selection Tool, but it has a keyboard shortcut of A for arrow. And now you want to click on the top edge right here of that rectangle that we just moved to the top of the stack. And if you do things right all of the anchor points will appear hollow. Now you want to Shift + click on this bottom line segment to add it to the selection. It's not going to look any different, but you've now selected two segments independently of the other two. Now you want to press Control + C or Command + C on a Mac in order to copy those segments to the clipboard and then press Control + F or Command + F on a Mac to paste them in front. And we'll end up with this effect here. All right, now I want you to notice that we have a black stroke, which is great, two points thick, that's exactly what we want. However, I do not want this fill. And so I'll click on this first color swatch on the far left side of the control panel and I'll change it to None. Next, we want to blend between these two lines and you can do that by going up to the Object menu, choosing Blend, and then choosing Make. But in my case I get this kind of hourglass effect and that's because the top segment is going in the opposite direction of the bottom segment and as a result Illustrator is blending from the top left anchor point to the bottom right one and from the top right anchor point to the bottom left one. Which is the opposite of what we want. And so if you get that effect as well then just press Control + Z or Command + Z on a Mac to undo that blend and switch to the dedicated Blend Tool, which has a keyboard shortcut of W for whatever. And now notice that the hotspot of the cursor is that tiny white square, but it lights up and it becomes a black square as soon as you hover over an anchor point. So you want it to be a black square, by the way. At which point click. Now move your cursor over this anchor point right here, so in other words we're starting with the top right anchor point and we're moving down to the bottom right anchor point, so that we have parody. Notice that the square has turned black once again and I have a plus sign. That's exactly what you want. At which point click and chances are good that you'll end up filling up that slanted rectangle with black and that's because we have too many steps. In order to change the number of steps just press the Enter key or the Return key on a Mac and thanks to the fact that the Blend Tool is active down here toward the bottom of the toolbox that brings up the Blend Options dialog box. Change Spacing to Specified Steps. I'm looking for a total of 10 steps, then press and hold the Alt key or the Option key on a Mac to get a double arrowhead cursor, which tells you that you're going to create a copy of that horizontal line, like so. Now go ahead and Shift + click on the first line and we want to blend between these two guys, we might as well do it with the Blend Tool, so I'll go ahead and select that tool. It has a keyboard shortcut of W once again. And move your cursor over that anchor point right there, so that that tiny white square, which is the hotspot of the cursor, changes to black, and then click. And now move the cursor over this anchor point here, so that you're seeing a black square once again, along with a plus sign and click. And that'll go ahead and create a blend with way too many steps. To change the number of steps press the Enter key or the Return key on the Mac to bring up the Blend Options dialog box. Switch Spacing to Specified Steps and we're looking for a total of 10 steps, as you may recall, however if I enter that value and turn on the Preview checkbox you can see that we have way too few lines. What we actually need is 10 at the top of the cross, 10 in the middle, and 10 down here at the bottom, and so I'll add times three to that value in order to multiply 10 times three, in order to multiply 10 times three, which gives us 30 steps. which gives us 30 steps. That, as you can see, is slightly too many steps, That, as you can see, is slightly too many steps, because you'll notice that we have some bad alignment here. because you'll notice that we have some bad alignment here. And that's because this top line is technically a step, And that's because this top line is technically a step, so we need to take it out of the mix so we need to take it out of the mix by entering negative one once again. by entering negative one once again. So 30 minus one, which gives us 29 steps So 30 minus one, which gives us 29 steps and we also have perfect alignment. and we also have perfect alignment. At which point go ahead and click OK. At which point go ahead and click OK. All right, now we need to mask All right, now we need to mask this blend inside of the cross, this blend inside of the cross, so press Control + X or Command + X on a Mac so press Control + X or Command + X on a Mac in order to cut that blend to the clipboard, in order to cut that blend to the clipboard, then press the V key to switch to the black arrow tool then press the V key to switch to the black arrow tool up there at the top of the toolbox up there at the top of the toolbox and click on this purple cross to select it. and click on this purple cross to select it. Now I'll go ahead and switch to the double column toolbox Now I'll go ahead and switch to the double column toolbox by clicking on this double arrow icon right there, by clicking on this double arrow icon right there, so I can gain access to this icon, so I can gain access to this icon, which switches you to the Draw Inside mode. which switches you to the Draw Inside mode. At which point you'll see dashed corners At which point you'll see dashed corners surrounding the selected shape. surrounding the selected shape. Then you want to go up to the Edit menu Then you want to go up to the Edit menu and choose Paste in Place and choose Paste in Place and that'll go ahead and paste the blend and that'll go ahead and paste the blend inside of the cross, inside of the cross, thereby delivering a clipping mask. thereby delivering a clipping mask. All right, now I'll go ahead All right, now I'll go ahead and switch back to the Draw Normal mode and switch back to the Draw Normal mode and I'll switch back to the single column toolbox. and I'll switch back to the single column toolbox. All right, now at this point All right, now at this point I could try to draw angled lines inside of the blue shapes, I could try to draw angled lines inside of the blue shapes, but that would be a little tricky but that would be a little tricky and it's also unnecessary, and it's also unnecessary, because all we have to do because all we have to do is duplicate the stuff we've created so far. is duplicate the stuff we've created so far. And so I'll go ahead and select this blue cross right here And so I'll go ahead and select this blue cross right here and I'll press the Backspace key and I'll press the Backspace key or the Delete key on the Mac to get rid of it. or the Delete key on the Mac to get rid of it. Notice that that thick stroke right there Notice that that thick stroke right there is now tracing differently around the outside edges is now tracing differently around the outside edges of our artwork of our artwork and that's because that eight point stroke and that's because that eight point stroke is assigned to the layer itself is assigned to the layer itself and the shape of the layer has changed. and the shape of the layer has changed. Now you want to go ahead and select all the blends, Now you want to go ahead and select all the blends, so click on the bottom edge of this guy right here so click on the bottom edge of this guy right here and you'll know you've selected the blend and you'll know you've selected the blend and not the shape itself, and not the shape itself, because you'll see the word Blend because you'll see the word Blend over here on the far left side of the control panel. over here on the far left side of the control panel. Then Shift + click on the top of this guy Then Shift + click on the top of this guy and Shift + click on the bottom of this guy and Shift + click on the bottom of this guy and if you've done everything correctly and if you've done everything correctly you'll still see the word Blend over here you'll still see the word Blend over here on the far left side of the control panel. on the far left side of the control panel. Now go ahead and Shift + click anywhere Now go ahead and Shift + click anywhere inside the purple cross inside the purple cross in order to select that clipping mask, in order to select that clipping mask, and so now, because I've selected three blends and so now, because I've selected three blends and one clipping mask this item over here and one clipping mask this item over here on the far left side of the control panel on the far left side of the control panel reads Mixed Objects. reads Mixed Objects. All right, now we need to rotate a duplicate All right, now we need to rotate a duplicate of all of these paths of all of these paths and you can do that by switching to the Rotate Tool, and you can do that by switching to the Rotate Tool, which you can get by pressing the R key, which you can get by pressing the R key, and now you want to Alt or Option + click and now you want to Alt or Option + click at this point right here, at this point right here, the rear point of that implied cube right there, the rear point of that implied cube right there, that cubic hole that is to say, that cubic hole that is to say, so Alt or Option + click to bring up the Rotate dialog box. so Alt or Option + click to bring up the Rotate dialog box. Change the Angle value to 120 degrees. Change the Angle value to 120 degrees. My Preview checkbox is on, My Preview checkbox is on, so that I can see that this is the exact angle so that I can see that this is the exact angle I'm looking for. I'm looking for. And now I'll click on the Copy button And now I'll click on the Copy button in order to create a copy of those paths. in order to create a copy of those paths. Finally, we want to change the color of this right hand cross, Finally, we want to change the color of this right hand cross, so I'll press Control + Shift + A so I'll press Control + Shift + A or Command + Shift + A on a Mac to deselect all, or Command + Shift + A on a Mac to deselect all, then press the V key to switch to the black arrow tool then press the V key to switch to the black arrow tool and click on that path in order to select it. and click on that path in order to select it. And now we want to change the color of the fill. And now we want to change the color of the fill. It's a little bit hard to get to that fill however It's a little bit hard to get to that fill however unless you isolate the clipping mask unless you isolate the clipping mask by double-clicking on it. by double-clicking on it. And you'll know that it's isolated, And you'll know that it's isolated, because everything else will be dimmed. because everything else will be dimmed. Now click somewhere inside that purple shape Now click somewhere inside that purple shape and go ahead and change its fill up here and go ahead and change its fill up here in the control panel to that dull blue. in the control panel to that dull blue. And we'll end up with this effect here, And we'll end up with this effect here, at which point you can press the Escape key at which point you can press the Escape key in order to escape out of that isolation mode. in order to escape out of that isolation mode. All right, now I'll press Control + Shift + A All right, now I'll press Control + Shift + A or Command + Shift + A on a Mac or Command + Shift + A on a Mac in order to deselect my artwork. in order to deselect my artwork. And that is how you add blended line textures And that is how you add blended line textures to your cubical everlasting Gobstopper to your cubical everlasting Gobstopper here inside Illustrator. here inside Illustrator. If you're a member of LinkedIn Learning If you're a member of LinkedIn Learning I have a followup movie I have a followup movie in which I show you how to combine object blends, in which I show you how to combine object blends, like these line textures, like these line textures, along with a repeating tile pattern, along with a repeating tile pattern, like we're seeing in the background here. like we're seeing in the background here. Which looks great, Which looks great, but it involves a little bit of a compromise. but it involves a little bit of a compromise. Then we'll add some color, along with a gradient glow, Then we'll add some color, along with a gradient glow, if only for the sake of variety. if only for the sake of variety. If you're looking forward to next week If you're looking forward to next week we'll carve cubicle holes, see the difference? we'll carve cubicle holes, see the difference? No holes, holes, into our cubicle object. No holes, holes, into our cubicle object. Deke's Techniques, each and every week, keep watching. Deke's Techniques, each and every week, keep watching.
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- 714_contour_grad.zip
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- 735_puppet_tricks.zip
- 736_complex_puppet.zip
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- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
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- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
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- 770_mandala_color.zip
- 771_mandala_final.zip
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- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
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- 785_color_lines.zip
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- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
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- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
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- 825_add_windows.zip
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- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
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- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
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- 847_finish_Us.zip
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- 859_Ps_iPad_3.zip
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- 862_Fresco_halftones.zip
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- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
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- 879_filmstrip.zip
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- 883_recolor_group.zip
- 884_over_under.zip
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- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
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- 892_edit_metadata.zip
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- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
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- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
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- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
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- 982_new_artboard.zip
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- 988_AI_brushed.zip
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- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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767 Mandala patterns in Photoshop CC 20191m
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768 Painting a free-form mandala pattern9m 5s
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769 Painting mandala-style dot patterns6m 56s
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770 Coloring your mandala pattern7m 48s
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771 The final full-color mandala6m 27s
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772 Illustrator CC 2019 new preview mode1m 1s
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773 Illustrator CC 2019 presentation mode3m 21s
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774 Global edit in Illustrator CC 20196m 30s
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775 Applying a global edit from the control panel4m 8s
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776 Freeform gradients in Illustrator CC 20198m 29s
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777 Freeform gradients: Points versus lines8m 10s
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778 Freeform gradient limitations6m 29s
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779 Crop and develop a great white shark8m 54s
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780 Sharpening your great white shark6m 11s
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781 Low vibrance and high saturation9m 3s
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782 Vibrance, saturation, and sharpness9m 11s
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783 Actioning a full-color hedcut in Photoshop1m
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784 Recording an action to play all actions9m 37s
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785 Draw something, color the outlines8m 46s
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786 Combining multiple works of line art7m 3s
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787 Group your line art, clip to the group4m 9s
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788 Coloring outside your line art in Photoshop6m 32s
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789 Flip horizontal view in Photoshop CC 20191m
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790 Creating a White Walker in Photoshop1m 59s
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791 The White Walker begins9m 25s
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792 Giving a guy a digital shave in Photoshop3m 58s
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793 Carving deep wrinkles or scars into skin8m 37s
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794 Shading the White Walker’s deep-set brows6m 21s
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795 Creating pale, lifeless lips in Photoshop5m 57s
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796 Giving your White Walker glowing blue eyes10m 46s
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797 Adding some creepy lifeless pupils6m 40s
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798 Adding a cold and gloomy background12m 18s
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799 Adding cold and brittle snowflakes6m 25s
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800 Using the Transparency Shapes Layer option5m 29s
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801 Combining a radial filter with a range mask8m 35s
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802 Flipping a photograph in Camera Raw6m 20s
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803 An actual dream effect, in Photoshop14m 37s
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804 Augmenting your Photoshop dream8m 45s
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805 Applying distortions as Smart Filters6m 37s
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806 Combining distortions with blend modes10m 5s
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807 Drawing a 24-sided star in negative space12m 48s
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808 Making your star a repeating hex pattern8m 27s
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809 Shading your star pattern in Illustrator6m 57s
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810 Creating a gradient pattern in Illustrator4m 31s
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811 Making one pattern fade into another6m 23s
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812 Welcome to my seamlessly repeating summer1m 35s
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813 Drawing a cubical gobstopper in Illustrator14m 55s
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814 Creating a pattern of gobstoppers7m 23s
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815 Aligning your many gobstoppers5m 54s
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816 Blending line textures in Illustrator12m 58s
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817 Combining object blends with a pattern8m 40s
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818 Carving cubical holes into cubical objects9m 52s
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819 Nesting gradients inside a pattern5m 36s
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820 Drawing 3D isometric arrows in Illustrator7m 33s
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821 Positioning the tips of your arrows7m 17s
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822 Filling in the gaps in a repeating pattern8m 50s
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823 Drawing cartoon teeth aligned to the hair5m 50s
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824 Drawing a triangular cartoon eye8m 6s
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825 Adding windows to the houses pattern10m 46s
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826 Creating a perfectly tessellating pattern4m 32s
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827 Op art experiment 4: Triangle tunnels6m 58s
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828 Expressing your triangles as a hex pattern7m 18s
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829 Adding color to your triangle tunnels7m 55s
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830 Recoloring your triangle tunnels3m 20s
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831 Creating rainbow gradients with blends6m 18s
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832 The downside of using blends in patterns3m 35s
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833 Drawing an impossible trident in Illustrator9m 49s
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834 Shading an impossible trident with gradients4m 3s
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835 Painting paths with opposing gradients13m 51s
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836 Adding impossible shadows in Illustrator6m 42s
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837 Drawing an impossible hex object14m 8s
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838 Creating impossible latticework5m 46s
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839 Painting like Joan Miró in Adobe Sketch9m 46s
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840 Painting a watercolor wash background8m 23s
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841 Signing your artwork like Joan Miró4m 17s
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842 Opening your Sketch artwork in Photoshop9m 1s
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843 Enlarging your Miró to poster size11m 5s
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844 What if Joan Miró had met Jordan Peele?14m 10s
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845 Coloring your terrifying Miró/“Us” scene11m 47s
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846 Painting a Rorschach background9m 22s
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848 What to do when Content-Aware Fill fails?10m 4s
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847 Finishing your “Us” artwork in Photoshop10m 35s
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849 Hand turkey 20191m 56s
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850 Tracing your actual hand on an iPad10m 6s
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851 Drawing a highly articulated hand9m 50s
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852 Adding color to your hand-drawn hand12m 33s
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853 Painting your hand-drawn fingernails9m 3s
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854 A hand becomes a Thanksgiving hand turkey9m 6s
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855 Painting the turkey’s tail feathers13m 30s
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856 What’s wrong with this drop shadow?11m 14s
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857 Introducing Photoshop for the iPad13m 6s
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858 Photoshop for the iPad: Part 29m 13s
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859 Photoshop for the iPad: Part 310m 17s
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