From the course: Deke's Techniques (2018-2021)
801 Combining a radial filter with a range mask
From the course: Deke's Techniques (2018-2021)
801 Combining a radial filter with a range mask
Welcome to Deke's Techniques. So as many of you may know, I have a passion for underwater photography, especially macro, tiny things, like this guy. He's a harlequin crab, maybe like that big. It's a decent composition, but the lighting is a little boring. So I could have used a snoot, not a snobby kind of snoot, so that we're seeing the crab without all this clutter like this. Doesn't have to be a crab, right? Can be anything, dog, cat, insect, praying mantis. The tool, Camera Raw, could be Lightroom. Okay, forget the crab. Radial filter tool, range mask let's you spread the darkness into the natural details of the photograph. It's a recent innovation so you'll need the newest software, but ah, it's so good. Here, let me show you exactly how it works. All right, here's that tiny harlequin crab, nice and big on screen so that we can see its filth and everything. And here's what I consider to be the better development, which allows us to focus in on the subject of the photograph as opposed to its background, thanks to a kind of ham-handed application of vignetting along with a more nuanced application of the radial filter tool along with a range mask. So here I am working inside Bridge. I'm going to go ahead and right click on this guy right here. The one without the vignette, and then I'll chose Open in Camera Raw, or you can press control r or command r on the Mac in order to open Camera Raw version 11 or later. I want to stress that because before that we didn't have range masks. All right now, as you can see here, I've already applied some development settings. I've also cropped the image, I should admit that. And now what I want to do is switch over to the FX icon up here in the top right region of the screen, and then I'm going to drop down to this post crop vignetting option and I'm going to crank it down to its absolute minimum so that we're darkening the corners around the crab. Now I could darken even more of that background if I were to reduce the midpoint value, but then I'm going to start to lose the crab's legs, which is not what I want. So I'll go ahead and take that value back up to 50, which is the default. Next what you want to do, assuming you're working along with me, is select the radial filter up here in this horizontal toolbar at the top of the screen. And now I'll just drag from this kind of mustard color face of the crab right there. And notice that I'm creating this elliptical boundary and capturing the image in portrait mode. And I believe even then that only works on a Mac. For this image, however, we have Color and Luminance. I'll start with Color 'cause it is the first option listed right there. And then notice that we have this eyedropper that says Sample color. Now what I really want to do is move this radial filter boundary to a slightly different location here. So I'm going to turn off the eyedropper, and that will give me access to this guy so that I can show you how we can take some of these colors out of the darkness, and you do that once again by selecting the eyedropper. So go ahead and click on it. And then you can either click on a color, like so, in order to lift that color specifically, or you can drag around an area to determine or you can drag around an area to determine a range of colors. a range of colors. You can also, by the way, shift click or shift drag, You can also, by the way, shift click or shift drag, in order to add more colors to the equation. in order to add more colors to the equation. I'm going to start things over, however, I'm going to start things over, however, just by clicking on this bit of red right here. just by clicking on this bit of red right here. And then I want you to notice this color range option. And then I want you to notice this color range option. You can crank it up in order to You can crank it up in order to increase the number of colors considered, increase the number of colors considered, or you can take it down if you like. or you can take it down if you like. And notice, by the way, if you press the alt key And notice, by the way, if you press the alt key or the option key on the Mac you can actually or the option key on the Mac you can actually see that mask applied on the fly. see that mask applied on the fly. And then if you want to see your image once again And then if you want to see your image once again you just release the alt key or the option key on a Mac. you just release the alt key or the option key on a Mac. All right, this isn't really what I want, however. All right, this isn't really what I want, however. So I'm going to turn off this little eyedropper So I'm going to turn off this little eyedropper and I'm going to drag this guy back over and I'm going to drag this guy back over so that the crab is more or less so that the crab is more or less centered inside the ellipse. And then I'll go ahead and switch to Luminance. And next I want you to notice this luminance range option right here. If I grab its eyedropper, notice that we're seeing 0 to 100. So 0 in this case is black, 100 is white. And I go over here to this leg and I click on it, then I'm emitting some of the lighter colors inside the image. So now notice that I'm working with a luminance range from 67 to 100 in my case. from 67 to 100 in my case. Your results might be different. Your results might be different. If you press and hold the alt key If you press and hold the alt key or the option key on the Mac while dragging, for example, or the option key on the Mac while dragging, for example, this black slider triangle right here, this black slider triangle right here, then you will see the mask applied on the fly. then you will see the mask applied on the fly. All right, so I'm going to take this guy up to 70 All right, so I'm going to take this guy up to 70 so we're just bringing out the brightest colors. so we're just bringing out the brightest colors. Now I want you to see this guy's smoothness. Now I want you to see this guy's smoothness. He's very easy to miss. He's very easy to miss. Notice if I take it down to 0 Notice if I take it down to 0 we have some very crunchy details indeed. we have some very crunchy details indeed. Even at a default value of 50 Even at a default value of 50 we've got all kinds of posterization we've got all kinds of posterization going on in these rocks right here. going on in these rocks right here. They're actually tiny bits of ash, They're actually tiny bits of ash, but compared to him they're rocks. but compared to him they're rocks. What I'm going to do for the smoothest results What I'm going to do for the smoothest results is go ahead and take this guy up to 100 is go ahead and take this guy up to 100 and that way we have some very nice, smooth transitions. and that way we have some very nice, smooth transitions. All right, so I'm going to turn off the eyedropper over here on the far right side of the screen, and I'm going to click on this guy just to make sure it's selected, and I'll press the backspace key or the delete key on a Mac, so that we can see, this is what the crab looks like if all we do is apply a vignette. And this is the more nuanced effect we get by combining once again the radial filter tool along with a luminance mask. And now, assuming I like what I see, I'll go ahead and switch back to the Zoom Tool over here in the top left corner of the screen, and that will hide all those radial filter settings. You can also press the escape key a couple of times, but I consider that to be a little dangerous because if you press the escape key too many times, you will cancel out, which of course is not what we want to do. And that is how you combine a radial filter along with a range mask here inside Camera Raw 11 or later. I love Camera Raw. But not everything about it is obvious, or as Adobe likes to say, discoverable. Like we're holding hands, discovering features, pressing the alt key here and there, which is why if you're a member of LinkedIn Learning, I have a followup movie in which I show you, among other things, how to flip a photo in Camera Raw. If you're looking forward to next week, and who isn't, I'll show you a technique and who isn't, I'll show you a technique that I discovered, and this is true, that I discovered, and this is true, I swear to it, in a dream. I swear to it, in a dream. Deke's Techniques each and every week. Deke's Techniques each and every week. Keep watching. Keep watching.
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- 691_explore_cules.zip
- 692_blend_cules.zip
- 693_high_pass_cules.zip
- 694_cell_pattern.zip
- 695_hemoglobin.zip
- 696_edgy_cells.zip
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- 700_cross_blends.zip
- 701_slice_blend.zip
- 702_blend_distort.zip
- 703_dynamic_roughen.zip
- 704_fish_twist.zip
- 705_dynam_bgnd_1.zip
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- 707_quieter_art.zip
- 708_disintegration.zip
- 709_more_flakes.zip
- 710_mask_ashes.zip
- 711_flakes_to_ash.zip
- 712_note_tool.zip
- 713_contour_map.zip
- 714_contour_grad.zip
- 715_contour_arb.zip
- 716_contour_riff.zip
- 717_smooth_contour.zip
- 718_contour_cash.zip
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- 722_key_type.zip
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- 725_color_hedcut.zip
- 726_ET_moon.zip
- 727_ET_trees.zip
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- 729_global_glow.zip
- 730_content_aware.zip
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- 732_enhance_portal.zip
- 733_rushing_stars.zip
- 734_AIcc_puppet.zip
- 735_puppet_tricks.zip
- 736_complex_puppet.zip
- 737_puppet_shortcut.zip
- 738_pentagons.zip
- 739_reinhardt.zip
- 740_kershner.zip
- 741_james_pentagon.zip
- 742_rice_pentagons.zip
- 743_stein_pentagon.zip
- 744_15th_pentagon.zip
- 745_tessellate_15.zip
- 746_pentatiles.zip
- 747_mod_pattern.zip
- 748_complement_tiles.zip
- 749_image_pattern.zip
- 750_pattern_fit.zip
- 751_candy_keeper.zip
- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
- 758_scuba_mono.zip
- 759_backscatter.zip
- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
- 763_photo_logo.zip
- 764_high_res_snow.zip
- 765_enhance_snow.zip
- 766_snowflake_bokeh.zip
- 767_mandala_ps.zip
- 768_mandala_pattern.zip
- 769_mandala_dots.zip
- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
- 983_triceratops.zip
- 984_pen_tricks.zip
- 985_round_corner.zip
- 986_draw_round.zip
- 987_reshape_round.zip
- 988_AI_brushed.zip
- 989_AI_rivets.zip
- 990_blend_grad.zip
- 991_binoculars.zip
- 992_blue_halo.zip
- 993_bi_aberrations.zip
- 994_hide_shapes.zip
- 995_subwoofer.zip
- 996_deep_cone.zip
- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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767 Mandala patterns in Photoshop CC 20191m
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768 Painting a free-form mandala pattern9m 5s
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769 Painting mandala-style dot patterns6m 56s
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770 Coloring your mandala pattern7m 48s
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771 The final full-color mandala6m 27s
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772 Illustrator CC 2019 new preview mode1m 1s
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773 Illustrator CC 2019 presentation mode3m 21s
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774 Global edit in Illustrator CC 20196m 30s
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775 Applying a global edit from the control panel4m 8s
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776 Freeform gradients in Illustrator CC 20198m 29s
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777 Freeform gradients: Points versus lines8m 10s
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778 Freeform gradient limitations6m 29s
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779 Crop and develop a great white shark8m 54s
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780 Sharpening your great white shark6m 11s
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781 Low vibrance and high saturation9m 3s
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782 Vibrance, saturation, and sharpness9m 11s
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783 Actioning a full-color hedcut in Photoshop1m
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784 Recording an action to play all actions9m 37s
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785 Draw something, color the outlines8m 46s
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786 Combining multiple works of line art7m 3s
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787 Group your line art, clip to the group4m 9s
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788 Coloring outside your line art in Photoshop6m 32s
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789 Flip horizontal view in Photoshop CC 20191m
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790 Creating a White Walker in Photoshop1m 59s
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791 The White Walker begins9m 25s
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792 Giving a guy a digital shave in Photoshop3m 58s
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793 Carving deep wrinkles or scars into skin8m 37s
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794 Shading the White Walker’s deep-set brows6m 21s
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795 Creating pale, lifeless lips in Photoshop5m 57s
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796 Giving your White Walker glowing blue eyes10m 46s
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797 Adding some creepy lifeless pupils6m 40s
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798 Adding a cold and gloomy background12m 18s
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799 Adding cold and brittle snowflakes6m 25s
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800 Using the Transparency Shapes Layer option5m 29s
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801 Combining a radial filter with a range mask8m 35s
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802 Flipping a photograph in Camera Raw6m 20s
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803 An actual dream effect, in Photoshop14m 37s
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804 Augmenting your Photoshop dream8m 45s
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805 Applying distortions as Smart Filters6m 37s
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806 Combining distortions with blend modes10m 5s
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807 Drawing a 24-sided star in negative space12m 48s
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808 Making your star a repeating hex pattern8m 27s
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809 Shading your star pattern in Illustrator6m 57s
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810 Creating a gradient pattern in Illustrator4m 31s
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811 Making one pattern fade into another6m 23s
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812 Welcome to my seamlessly repeating summer1m 35s
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813 Drawing a cubical gobstopper in Illustrator14m 55s
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814 Creating a pattern of gobstoppers7m 23s
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815 Aligning your many gobstoppers5m 54s
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816 Blending line textures in Illustrator12m 58s
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817 Combining object blends with a pattern8m 40s
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818 Carving cubical holes into cubical objects9m 52s
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819 Nesting gradients inside a pattern5m 36s
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820 Drawing 3D isometric arrows in Illustrator7m 33s
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821 Positioning the tips of your arrows7m 17s
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822 Filling in the gaps in a repeating pattern8m 50s
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823 Drawing cartoon teeth aligned to the hair5m 50s
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824 Drawing a triangular cartoon eye8m 6s
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825 Adding windows to the houses pattern10m 46s
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826 Creating a perfectly tessellating pattern4m 32s
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827 Op art experiment 4: Triangle tunnels6m 58s
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828 Expressing your triangles as a hex pattern7m 18s
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829 Adding color to your triangle tunnels7m 55s
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830 Recoloring your triangle tunnels3m 20s
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831 Creating rainbow gradients with blends6m 18s
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832 The downside of using blends in patterns3m 35s
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833 Drawing an impossible trident in Illustrator9m 49s
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834 Shading an impossible trident with gradients4m 3s
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835 Painting paths with opposing gradients13m 51s
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836 Adding impossible shadows in Illustrator6m 42s
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837 Drawing an impossible hex object14m 8s
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838 Creating impossible latticework5m 46s
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839 Painting like Joan Miró in Adobe Sketch9m 46s
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840 Painting a watercolor wash background8m 23s
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841 Signing your artwork like Joan Miró4m 17s
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842 Opening your Sketch artwork in Photoshop9m 1s
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843 Enlarging your Miró to poster size11m 5s
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844 What if Joan Miró had met Jordan Peele?14m 10s
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845 Coloring your terrifying Miró/“Us” scene11m 47s
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846 Painting a Rorschach background9m 22s
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848 What to do when Content-Aware Fill fails?10m 4s
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847 Finishing your “Us” artwork in Photoshop10m 35s
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849 Hand turkey 20191m 56s
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850 Tracing your actual hand on an iPad10m 6s
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851 Drawing a highly articulated hand9m 50s
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852 Adding color to your hand-drawn hand12m 33s
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853 Painting your hand-drawn fingernails9m 3s
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854 A hand becomes a Thanksgiving hand turkey9m 6s
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855 Painting the turkey’s tail feathers13m 30s
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856 What’s wrong with this drop shadow?11m 14s
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857 Introducing Photoshop for the iPad13m 6s
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858 Photoshop for the iPad: Part 29m 13s
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859 Photoshop for the iPad: Part 310m 17s
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