From the course: Deke's Techniques (2018-2021)
785 Draw something, color the outlines
From the course: Deke's Techniques (2018-2021)
785 Draw something, color the outlines
- Hey gang, this is Deke McClelland. Welcome to Deke's Techniques! This week, I'm going to show you how to take a piece of line art and color inside the lines. And I don't mean like you're coloring in a coloring book, I mean coloring in the lines themselves. So for my part, I started with this very rough sketch that I created using a felt tip marker and a piece of paper and then I shot it with my iPhone, took it into Photoshop and cleaned it up in part using a Wacom drawing tablet along with a pressure sensitive stylus. Now notice that I'm wearing a scarf and a down jacket, I decided that things worked better if I was just a floating head. And then I went ahead and added some color. So you can see that I've got watercolors here in the background but I also have a different watercolor image inside of the lines themselves. Here! Let me show you exactly how it works. Alright, here's the final version of the artwork just so you have a chance to see it onscreen. And here's the cleaned up sketch which, as you can see over here in the layers panel, is an absolutely flat image file. What we need to do is select all the black lines and jump them to an independent layer as we're seeing in the case of this floating head layer in the final composition. Now the way not to do that is to switch from the quick selection tool to the magic wand tool. And then click inside the black lines because for one thing, you're not going to select all of them. Notice that the eyebrows and the eye and parts of the nose are not selected. You can remedy that to an extent by turning off the contiguous check box up here in the options bar and then clicking inside a different detail such as the eye right here. So deselecting contiguous, allows the magic wand to select non-adjacent pixels. The problem is, it's not doing a very good job. We can do better with just two clicks. So what I'm going to do is press CTRL+D or CMD+D on the Mac to deselect the image. I'll just go ahead and switch back to the rectangular marquee tool so that I have a simple cross for a cursor. Click number one is to switch to the channels panel by clicking on it's tab or if you can't find it on screen then you can go up to the window menu and choose the channels command. Then the second click is to press the control key or the command key on a Mac. So notice that currently, my cursor appears as a pointing finger as soon as I press the control key or the command key on a Mac, I'm seeing a little dash square next to it at which point, if I were to click, I'd go ahead and load all the white pixels as a selection outline. Once again, that's a control click on a PC or command click on a Mac and you can literally click on any of these thumbnails by the way. At this point, we've selected all the white stuff, we really want to select the black lines and so to reverse the selection, go up to the select menu and choose the inverse command and that will select the black stuff. Alright, now I'm going to switch back to the layers panel, and I'm going to create a new layer by pressing CTRL+Shift+N or CMD+Shift+N on a Mac. I'll go ahead and call this new layer, floating head and then click okay. Now, you want to tap the D key to instate the default colors so that the foreground color is black as you can see down here at the bottom of the tool box. And then fill the selection with that foreground color by pressing ALT+Backspace here on the PC. That's going to be OPT+Delete on the Mac. And then you can go ahead and deselect your artwork by pressing CTRL+D or CMD+D on the Mac. Alright, so notice if I turn off the background, then I can see all of my black out lines exactly as they're represented in the original image by the way, against an absolutely transparent background. And so we have absolutely no vestige of white. What we do have, if I were to zoom in here, is a little bit of translucency around the edges. So in other words, every single pixel is black with varying degrees of opacity. I'm going to press CTRL+0 or CMD+0 on the Mac to zoom back out and then I'll click on the background to select it. I'll go ahead and switch to another image that I have open here which is this guy right here. It's a traditional water color wash and it comes to us from the Dreamstime image library. About what you can learn more and get some great deals at dreamstime.com/deke.php. Notice that the watercolor layer itself is selected along with its image number in the Dreamstime library. Armed with my rectangular marquee tool, I'll just go ahead and right-click inside the image window and choose duplicate layer and then I'll change the document to that guy I've been working on, Deke head sketch and then I'll click okay. Now I'll go ahead and switch back to that image and you can see that all of those black lines now blend perfectly with the watercolor wash. At this point, I no longer need the background. Not even as a back up by the way. So I'll just go ahead and select the background and press the backspace key, or the delete key on a Mac to get rid of it. Now what I want to do is color in those black lines with a different watercolor wash. So I'll go ahead and select that floating head layer and then I'll switch to this image right here once again from the Dreamstime image library. Notice that the watercolor layer is selected and so I'll just go ahead and right-click inside it once again and choose duplicate layer and change the document to Deke head sketch and then click okay. Now I'll go ahead and switch back to that file which looks like the same file we were in just a moment ago but if you take a look at the layers panel you can see that we've got all the layers that we've created so far. Now what I want to do is clip this darker watercolor inside of the lines associated with the floating head layer and the easiest way to do that is to hover over the horizontal line between the two layers and then press the ALT key or the OPT key on the Mac and click in order to clip the top layer inside the layer below it. Once again, I want you to notice, I'll go ahead and press CTRL+1 or CMD+1 on a Mac in order to zoom into the artwork and I want you to see how every pixel is blending absolutely beautifully, whether the foreground is darker than the background or vice versa. I do want the foreground to be darker than the background at all locations inside the artwork and so what I'm going to do is double-click on an empty portion of this top layer to bring up the layer style dialog box and I'm going to move it over so that we can see the artwork in the background. Notice that this layer slider right here, I'm going to drag its black slider triangle over to the right, at which point you can see I'm making anything in this case, with a luminous level of 171 or darker invisible. That means that we're seeing just the light stuff inside this particular layer. We're also getting some very abrupt transitions and a way to solve that problem, is to press the ALT key or the Option key on a Mac and drag the left side of this black triangle so that it splits in two, all the way back to is original position on the left side of the slider bar so that the value before the slash is 0. Now, I'm going to drag this guy, the right half that's left over, all the way over to this location so that the value after this slash is 220. And we end up with some very smooth transitions. Some of the pixels might be a little brighter than the background. At this location right here for example, but for the most part they're dark and if I press the Enter key or the Return key on a Mac to accept that change and I zoom out, you can see that I'm retaining some of my black pixels as well and so if I press CTRL+Z or CMD+Z on a Mac, this is how things looked just a moment ago. And if I press CTRL+Shift+Z or CMD+Shift+Z on a Mac here inside of the most recent version of Photoshop CC anyway, then I will redo that operation. Alright, now I'll press Shift+F in order to switch to the full screen mode and I'll zoom on in as well. Just so you can see what we've been able to accomplish, I'll revert the image to it's original appearance. So there is the final version of the black and white sketch that I saved out as a flat PNG file. And here is the color version of the artwork with the areas outside the lines colored with light watercolors and the areas inside the lines colored with dark watercolors here inside Photoshop. Alright, that was fun right? Say it was, come on! Aww! Next week, I'll show you how to combine multiple pieces of line art on independent layers and still color inside the lines. Deke's Techniques each and every week! Keep watching!
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- 669_custom_QR.zip
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- 696_edgy_cells.zip
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- 702_blend_distort.zip
- 703_dynamic_roughen.zip
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- 705_dynam_bgnd_1.zip
- 706_dynam_bgnd_2.zip
- 707_quieter_art.zip
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- 709_more_flakes.zip
- 710_mask_ashes.zip
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- 712_note_tool.zip
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- 733_rushing_stars.zip
- 734_AIcc_puppet.zip
- 735_puppet_tricks.zip
- 736_complex_puppet.zip
- 737_puppet_shortcut.zip
- 738_pentagons.zip
- 739_reinhardt.zip
- 740_kershner.zip
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- 745_tessellate_15.zip
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- 747_mod_pattern.zip
- 748_complement_tiles.zip
- 749_image_pattern.zip
- 750_pattern_fit.zip
- 751_candy_keeper.zip
- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
- 758_scuba_mono.zip
- 759_backscatter.zip
- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
- 763_photo_logo.zip
- 764_high_res_snow.zip
- 765_enhance_snow.zip
- 766_snowflake_bokeh.zip
- 767_mandala_ps.zip
- 768_mandala_pattern.zip
- 769_mandala_dots.zip
- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
- 983_triceratops.zip
- 984_pen_tricks.zip
- 985_round_corner.zip
- 986_draw_round.zip
- 987_reshape_round.zip
- 988_AI_brushed.zip
- 989_AI_rivets.zip
- 990_blend_grad.zip
- 991_binoculars.zip
- 992_blue_halo.zip
- 993_bi_aberrations.zip
- 994_hide_shapes.zip
- 995_subwoofer.zip
- 996_deep_cone.zip
- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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767 Mandala patterns in Photoshop CC 20191m
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768 Painting a free-form mandala pattern9m 5s
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769 Painting mandala-style dot patterns6m 56s
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770 Coloring your mandala pattern7m 48s
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771 The final full-color mandala6m 27s
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772 Illustrator CC 2019 new preview mode1m 1s
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773 Illustrator CC 2019 presentation mode3m 21s
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774 Global edit in Illustrator CC 20196m 30s
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775 Applying a global edit from the control panel4m 8s
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776 Freeform gradients in Illustrator CC 20198m 29s
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777 Freeform gradients: Points versus lines8m 10s
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778 Freeform gradient limitations6m 29s
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779 Crop and develop a great white shark8m 54s
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780 Sharpening your great white shark6m 11s
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781 Low vibrance and high saturation9m 3s
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782 Vibrance, saturation, and sharpness9m 11s
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783 Actioning a full-color hedcut in Photoshop1m
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784 Recording an action to play all actions9m 37s
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785 Draw something, color the outlines8m 46s
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786 Combining multiple works of line art7m 3s
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787 Group your line art, clip to the group4m 9s
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788 Coloring outside your line art in Photoshop6m 32s
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789 Flip horizontal view in Photoshop CC 20191m
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790 Creating a White Walker in Photoshop1m 59s
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791 The White Walker begins9m 25s
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792 Giving a guy a digital shave in Photoshop3m 58s
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793 Carving deep wrinkles or scars into skin8m 37s
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794 Shading the White Walker’s deep-set brows6m 21s
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795 Creating pale, lifeless lips in Photoshop5m 57s
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796 Giving your White Walker glowing blue eyes10m 46s
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797 Adding some creepy lifeless pupils6m 40s
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798 Adding a cold and gloomy background12m 18s
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799 Adding cold and brittle snowflakes6m 25s
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800 Using the Transparency Shapes Layer option5m 29s
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801 Combining a radial filter with a range mask8m 35s
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802 Flipping a photograph in Camera Raw6m 20s
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803 An actual dream effect, in Photoshop14m 37s
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804 Augmenting your Photoshop dream8m 45s
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805 Applying distortions as Smart Filters6m 37s
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806 Combining distortions with blend modes10m 5s
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807 Drawing a 24-sided star in negative space12m 48s
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808 Making your star a repeating hex pattern8m 27s
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809 Shading your star pattern in Illustrator6m 57s
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810 Creating a gradient pattern in Illustrator4m 31s
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811 Making one pattern fade into another6m 23s
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812 Welcome to my seamlessly repeating summer1m 35s
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813 Drawing a cubical gobstopper in Illustrator14m 55s
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814 Creating a pattern of gobstoppers7m 23s
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815 Aligning your many gobstoppers5m 54s
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816 Blending line textures in Illustrator12m 58s
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817 Combining object blends with a pattern8m 40s
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818 Carving cubical holes into cubical objects9m 52s
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819 Nesting gradients inside a pattern5m 36s
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820 Drawing 3D isometric arrows in Illustrator7m 33s
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821 Positioning the tips of your arrows7m 17s
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822 Filling in the gaps in a repeating pattern8m 50s
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823 Drawing cartoon teeth aligned to the hair5m 50s
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824 Drawing a triangular cartoon eye8m 6s
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825 Adding windows to the houses pattern10m 46s
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826 Creating a perfectly tessellating pattern4m 32s
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827 Op art experiment 4: Triangle tunnels6m 58s
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828 Expressing your triangles as a hex pattern7m 18s
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829 Adding color to your triangle tunnels7m 55s
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830 Recoloring your triangle tunnels3m 20s
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831 Creating rainbow gradients with blends6m 18s
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832 The downside of using blends in patterns3m 35s
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833 Drawing an impossible trident in Illustrator9m 49s
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834 Shading an impossible trident with gradients4m 3s
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835 Painting paths with opposing gradients13m 51s
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836 Adding impossible shadows in Illustrator6m 42s
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837 Drawing an impossible hex object14m 8s
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838 Creating impossible latticework5m 46s
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839 Painting like Joan Miró in Adobe Sketch9m 46s
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840 Painting a watercolor wash background8m 23s
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841 Signing your artwork like Joan Miró4m 17s
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842 Opening your Sketch artwork in Photoshop9m 1s
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843 Enlarging your Miró to poster size11m 5s
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844 What if Joan Miró had met Jordan Peele?14m 10s
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845 Coloring your terrifying Miró/“Us” scene11m 47s
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846 Painting a Rorschach background9m 22s
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848 What to do when Content-Aware Fill fails?10m 4s
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847 Finishing your “Us” artwork in Photoshop10m 35s
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849 Hand turkey 20191m 56s
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850 Tracing your actual hand on an iPad10m 6s
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851 Drawing a highly articulated hand9m 50s
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852 Adding color to your hand-drawn hand12m 33s
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853 Painting your hand-drawn fingernails9m 3s
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854 A hand becomes a Thanksgiving hand turkey9m 6s
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855 Painting the turkey’s tail feathers13m 30s
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856 What’s wrong with this drop shadow?11m 14s
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857 Introducing Photoshop for the iPad13m 6s
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858 Photoshop for the iPad: Part 29m 13s
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859 Photoshop for the iPad: Part 310m 17s
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