From the course: Deke's Techniques (2018-2021)
684 Introducing Trajan Color Concept
From the course: Deke's Techniques (2018-2021)
684 Introducing Trajan Color Concept
- Hey gang, this is Deke McClelland. Welcome to Deke's Techniques. Now this week, we're going to take a look at some newish font technology that you might not know about. Specifically this guy right here, Trajan Color Concept. This is Adobe's first full color font. It came out in November of 2016, so about a year and a half ago, and it's part of the OpenType-SVG standard. Now the original Trajan was designed by Carol Twombly and Richard Slimbach, some very old names, very young people, but very old names at Adobe. This card version of the font is from Sergio Martins, and this is something we've just never had before. You could assign color to a font. You could even assign a gradient to a font. This font has its own color and carving information built into it, which is extremely cool. Now here's the thing. The reason I've waited until now to tell you about it is because we've had some compatibility issues. In order to take advantage of this font, you had to be working in the most recent version of Photoshop or Illustrator CC. So Photoshop CC 2017 or later, or Illustrator CC 2018 or later. In which case, great news. You don't have to download the font, it's already built into the software. The other caveat goes to that word concept in the font name Trajan Color Concept. That tells us that it's not a commercial font. Now, it is not a conceptual font either. It does exist, but it's an experiment in progress, and so we have a limited character set. And where this font is concerned we have uppercase characters. That's a Trajan thing, Trajan doesn't have lowercase characters, and we've got numbers, but we have very, very little in the way of punctuation. We've got hyphens as you're seeing here along the top and the bottom of the artwork. That's our only dash. We have helpful things like periods and commas, but we don't have parentheses or quotation marks. You do have an apostrophe, so you can hunt around and decide if it's going to work for you. In the meantime, here, let me show you exactly how it works in Photoshop CC. All right here's the final design inside Photoshop. I'm going to switch over to the starter file which contains a background photo from the Dreamstime image library, about which you can learn more and get some great deals at dreamstime.com/deke.php. All right I'm going to press the Backspace key or the Delete key on the Mac to get rid of this URL layer here inside the Layers panel. And then I'll turn on this layer, which is called axiom 28, and I'll go ahead and click on it to select it. And you can tell it's a layer of editable type because we're seeing a capital T here for the thumbnail. All right so I'll go ahead and switch over to the Type Tool, which you can get by pressing the T key. At which point you'll see up here in the options bar that the font is currently set to Myriad Pro Regular, and I've sized the text to 180 points in advance. Now to switch over to Trajan Color Concept, which for now is actually installed directly inside Photoshop CC and Illustrator CC, you just need to click inside the Font option here, and dial in Trajan, and in addition to the old school Trajan Pro Regular, and Trajan Pro Bold which have been available to us for years, we now have Trajan Color Concept. And if you select it, you'll see not only do you change your text to gold, but Photoshop also automatically brings up the Glyphs panel. Now I want you to notice here in the glyphs that Trajan Color Concept, just like the other Trajan fonts, is exclusively all caps. Also notice if I scroll down the list here, that we have a handful of unusual ligatures including NN, TT, and AX by the way. Which is used in the word axiom, and so if I were to try to select either the A or the X, I will end up selecting them both. At which point you'll probably see a list of alternatives down here, and we'll be discussing how those work next week. But for now I just want you to notice that this is a fairly unusual font. Notice too that XX is a ligature, which is not a character combination that you find very often. Neither is YY. I'm assuming that these ligatures are available for say company names and other unusual words. For now I'll just go ahead and press the Escape key in order to exit the text edit mode, and I'm going to hide the Glyphs panel as well, just so I can better see what I'm doing on screen. Now to my eye the letters look like they're spaced a little bit too far from each other, especially this triple I right here. And so I'm going to bring up my Character panel by going up here to the options bar and clicking on this little panel icon. And then I'll go ahead and change this kerning value right here from Metrics to Optical. So you click on that down pointing arrowhead and choose Optical, and you'll notice, especially if I hide the Character panel, that we have different spacing. So this is before and this is after. Notice that things tighten up overall, but they really tighten up where the triple I is concerned. Now the spacing around the V looks a little bit too generous, so I'm going to click between the V and the I. Once again with my Type Tool, and I'll press Alt + Left Arrow, that's going to be Option + Left Arrow twice in a row in order to kern those letters closer together. And then I'll click between the X and the V and repeat that operation. So here on the PC I'll press Alt + Left Arrow. On the Mac, I'll press Option + Left Arrow twice in a row, and then I will accept my change by once again pressing the Escape key. All right now I want to create this kind of dashed border above and below the letters, and I did that using standard hyphen characters. The thing about Trajan Color and the other concept fonts is that they offer a very limited set of punctuation. So notice, if I go ahead and turn on this layer right here, which is just a bunch of dashes, and I click on it to make it active, then I click on the Font option up here and dial in this time, concept, that we see an awful lot of concept fonts. These are variable fonts that were introduced inside Photoshop CC 2018, and if you want to learn more about them by the way, then you can check out my course, Photoshop CC 2018 New Features, and then take a look at this movie right here, Introducing Variable Fonts. All right I'll go ahead and switch back to Photoshop, and this time I'll dial in simply the word color. At which point you can see that we've got Emoji Color, Emoji Color Regular, and then we have Trajan Color Concept. So I'll go ahead and choose that font. That is going to spring open the Glyphs panel once again. At which point I want you to notice, if I switch from Entire Font to Punctuation, I'll just go ahead and scroll up to the top of the list so we can see the gold characters with these little squares in their bottom right corners, we have very little in the way of punctuation. We could seriously count them on a couple of hands here. We've got ampersand, period, comma, colon, semicolon, apostrophe, hyphen, which is what I used here, exclamation point, question mark, and bullet. And in case you're wondering how to enter a bullet character, I'll just go ahead and click after these dashes, and I will press and hold the Alt key here on the PC and type in zero one four nine on the numerical keypad. So that's how you get a bullet on the PC. On the Mac you just press Option + Eight. But in either case your bullet is going to look like this. Now, let's say you decide to enter some other character. I'll just backspace here and I'll enter a parentheses. In that case it's not going to match at all because Photoshop is going to switch you automatically to the default font which is Myriad Pro. Obviously that's not what I want, but that is going to happen, and the same thing is going to happen if you try to enter an underscore. It's not going to work, and so I'm just backspacing until I know I have a character that's Trajan Color Concept, and then I'll type in a bunch of additional hyphens until I reach that vertical center guide. And then I'll press the Escape key to accept my change. All right, I'm going to hide the Glyphs panel once again, and now what I want to do is flip a copy of these hyphens, and you can do that by pressing Control + Alt + T. That's Command + Option + T on the Mac. The T being for Transform, and now I'm going to Alt + Click or Option + Click at this point right here inside the transformation boundary just so I can gain access to this target, which represents the center of the transformation. And I'll go ahead and drag it over to this location right here. Notice that I'm slightly to the right of the guideline so that I can see the X value. I don't care about the Y value. The X value is 1,450 pixels, which is the halfway mark for this particular image. Because it is 2,900 pixels wide. And now I'll just right-click any old place inside the image window, and choose Flip Horizontal in order to flip a copy of those characters like so. And then I'll press the Enter key or the Return key on the Mac to accept that change. All right now what we want to do is bend the characters as we're seeing right here, and anytime you want to warp live editable type, you have to first convert it to a smart object here inside Photoshop. And so I'll go ahead and Shift + Click on the other layer of dashes right there, and then I'll switch to the Rectangular Marquee Tool which you can get by pressing the M key, and I will right-click inside the image window and choose Convert to Smart Object. That's the easiest way to make it happen. And then I'll go up to the Edit menu and choose Free Transform, which has a keyboard shortcut of Control + T or Command + T on the Mac. And that'll take me into the Transformation mode once again. I want to warp these characters, so I'm going to click on this warp icon right there, up here in the options bar, and then I'll change the warp type to Arch, and I came up with a bend value right here of 15 degrees. At which point I'll press the Enter key or the Return key on the Mac a couple of times to accept that change. All right now we want to flip a copy vertically so we have some hyphens down here underneath the Roman numerals. Now you can't use that keyboard shortcut of Control + Alt + T or Command + Option + T on a smart object. It just doesn't happen to work. So instead I'll jump a copy of the layer by pressing Control + J, or Command + J on the Mac, and then I'll click on the lower of the two, just because I think that makes the most sense, and I'll once again go up to the Edit menu and choose Free Transform, or press Control + T or Command + T on the Mac. I'll Alt + Click right about there to move the target very close to that horizontal guideline, and now I'm going to go ahead and zoom into 100% and I'll drag this guy down until the Y value, that's the one we care about this time around, is 984. Which happens to be half the height of this graphic. And now I'll press Control + Zero or Command + Zero on the Mac to zoom out, and I'll right-click any old place inside the image window, and choose Flip Vertical. So I'll go ahead and choose that command and we end up with this effect here. At which point I'll press the Enter key or the Return key on the Mac to accept that change. Now we no longer need the guidelines, and so you can choose to either hide them or I'm just going to get rid of them. By going to the View menu and choosing Clear Guides, like so. And now I want to add a drop shadow to all of my text layers, and so I'm going to click on the axiom layer and Shift + Click on the top layer here inside the Layers panel. Then I'll click on the fly-out menu icon in the top right corner of the panel, and choose New Group From Layers, and that'll bring up a dialog box so that I can name my group, and I'm just going to call it type, and then click OK. And then I'll drop down to the FX icon and choose Drop Shadow, and that way I can add a drop shadow to all of my text layers at once, and these are the values I came up with. Notice the color is black, the blend mode is Multiply, the opacity is 100%. The angle is set to 90 degrees. I came up with a distance value of eight pixels. The spread is zero percent, and the size is 16 pixels. At which point I'll click OK to accept that change. And that is how you work with a little known full color font, Trajan Color Concept, inside Photoshop CC 2017, 2018, and I imagine well into the future. All right now if you're a member of lynda.com/LinkedIn Learning, then I have a followup movie in which I show you how to take advantage of Trajan Color Concept in Illustrator CC 2018 or later. And so drop shadows work a little differently and you want to make sure to save your file in the Illustrator CC format, because otherwise things will go awry. If you're looking forward to next week, I'm going to show you how to switch between stylistic sets. There is a new one. And so in Photoshop, we're going to switch between gold and this very light turquoise. In Illustrator we're going to switch between gold, which is the default, and this very dark green. But you can do either in either program, and there's a total of I believe 21 stylistic sets in all. Deke's Techniques each and every week. Keep watching.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- 669_custom_QR.zip
- 670_more_QR.zip
- 671_hidden_circles.zip
- 673_shade_panels.zip
- 672_more_rectangles.zip
- 674_cafe_wall.zip
- 675_skewed_walls.zip
- 676_magic_checkers.zip
- 677_magic_dots.zip
- 678_reverse_illusion.zip
- 679_illusion_decor.zip
- 680_more_gizmos.zip
- 681_connect_gizmos.zip
- 682_wifi_symbol.zip
- 683_bluetooth_logo.zip
- 684_trajan_color.zip
- 685_trajan_AIcc.zip
- 686_stylistic_PsCC.zip
- 687_stylistic_AIcc.zip
- 688_grad_molecules.zip
- 689_sharper_moles.zip
- 690_smart_cules.zip
- 691_explore_cules.zip
- 692_blend_cules.zip
- 693_high_pass_cules.zip
- 694_cell_pattern.zip
- 695_hemoglobin.zip
- 696_edgy_cells.zip
- 697_springy_cells.zip
- 698_accordian_letters.zip
- 699_skew_blends.zip
- 700_cross_blends.zip
- 701_slice_blend.zip
- 702_blend_distort.zip
- 703_dynamic_roughen.zip
- 704_fish_twist.zip
- 705_dynam_bgnd_1.zip
- 706_dynam_bgnd_2.zip
- 707_quieter_art.zip
- 708_disintegration.zip
- 709_more_flakes.zip
- 710_mask_ashes.zip
- 711_flakes_to_ash.zip
- 712_note_tool.zip
- 713_contour_map.zip
- 714_contour_grad.zip
- 715_contour_arb.zip
- 716_contour_riff.zip
- 717_smooth_contour.zip
- 718_contour_cash.zip
- 719_color_of_money.zip
- 720_AI_adjust.zip
- 721_computer_key.zip
- 722_key_type.zip
- 723_faux_hedcut.zip
- 724_hedcut_lines.zip
- 725_color_hedcut.zip
- 726_ET_moon.zip
- 727_ET_trees.zip
- 728_ET_TRex.zip
- 729_global_glow.zip
- 730_content_aware.zip
- 731_space_portal.zip
- 732_enhance_portal.zip
- 733_rushing_stars.zip
- 734_AIcc_puppet.zip
- 735_puppet_tricks.zip
- 736_complex_puppet.zip
- 737_puppet_shortcut.zip
- 738_pentagons.zip
- 739_reinhardt.zip
- 740_kershner.zip
- 741_james_pentagon.zip
- 742_rice_pentagons.zip
- 743_stein_pentagon.zip
- 744_15th_pentagon.zip
- 745_tessellate_15.zip
- 746_pentatiles.zip
- 747_mod_pattern.zip
- 748_complement_tiles.zip
- 749_image_pattern.zip
- 750_pattern_fit.zip
- 751_candy_keeper.zip
- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
- 758_scuba_mono.zip
- 759_backscatter.zip
- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
- 763_photo_logo.zip
- 764_high_res_snow.zip
- 765_enhance_snow.zip
- 766_snowflake_bokeh.zip
- 767_mandala_ps.zip
- 768_mandala_pattern.zip
- 769_mandala_dots.zip
- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
- 983_triceratops.zip
- 984_pen_tricks.zip
- 985_round_corner.zip
- 986_draw_round.zip
- 987_reshape_round.zip
- 988_AI_brushed.zip
- 989_AI_rivets.zip
- 990_blend_grad.zip
- 991_binoculars.zip
- 992_blue_halo.zip
- 993_bi_aberrations.zip
- 994_hide_shapes.zip
- 995_subwoofer.zip
- 996_deep_cone.zip
- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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669 Customizing a QR code in Photoshop11m 22s
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670 Adding more color to your QR code4m 29s
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671 Coffer illusion and the hidden circles18m 10s
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672 Filling out the hidden circles illusion9m 30s
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673 Shading the panels in a Coffer illusion13m 1s
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674 Drawing a classic “café wall” illusion11m 20s
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675 Skewing your crazy café walls in Illustrator9m 25s
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676 Creating a “magical checkers” illusion20m 8s
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677 Swapping magical checkers for dots8m 35s
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678 Reversing the direction of your illusion8m 33s
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679 Decorating your illusion9m 47s
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680 Adding more and more gizmos11m 52s
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681 Connecting the gizmos wirelessly4m 59s
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682 Drawing a Wi-Fi symbol in Illustrator9m 48s
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683 Drawing the official Bluetooth logo10m 8s
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684 Introducing Trajan Color Concept13m 10s
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685 Trajan Color Concept in Illustrator CC7m 10s
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686 Using stylistic sets in Photoshop CC9m 37s
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687 Using stylistic sets in Illustrator CC6m 47s
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688 Creating gradient molecules in Photoshop10m 17s
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689 Sharpening your very soft molecules4m 41s
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690 Editing your smart-filtered molecules6m 32s
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691 Exploring regular molecule patterns17m 41s
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692 Blending opposing rows of colorful molecules8m 49s
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693 Sharpening molecules with High Pass6m 3s
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694 Creating shimmering cells in Illustrator12m 25s
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695 Turning regular hexagons into organic cells11m 50s
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696 Enhancing your organic cells in Photoshop8m 58s
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697 Making dead cells spring to life7m 41s
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698 Creating letters with accordion extrusions13m 58s
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699 Combining object blends with skews11m 28s
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700 Making one object blend cut through another9m 44s
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701 Making one object blend slice across another13m 27s
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702 Object blends and dynamic distortions in Illustrator8m 11s
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703 Another random distortion: Roughen7m 57s
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704 Dynamic warp distortions: Fish and Twist8m 52s
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705 Adding a dynamic background, part 110m 14s
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706 Adding a dynamic background, part 27m 44s
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707 “Quieting down” an overly elaborate design9m 25s
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708 The Marvel disintegration effect9m 14s
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709 Building up more flakes and ashes7m 33s
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710 Enhancing and masking your disintegration8m 12s
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711 Turning your flakes into dull, dead ash4m 10s
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712 Jogging your memory with the Note tool9m 59s
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713 Contour mapping with Distort > Displace10m 23s
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714 Contour map + gradient map6m 54s
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715 Contour map + arbitrary map8m 22s
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716 Riffing on a contour map in Photoshop5m 24s
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717 Smoothing out jagged contour lines4m 11s
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718 Contour mapping for cash in Photoshop9m 27s
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719 Infusing an image with the color of money2m 53s
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720 Simulating an adjustment layer in Illustrator9m 25s
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721 Drawing a stylish computer key12m 9s
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722 Spelling a word in computer keys6m 55s
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723 Creating a faux hedcut in Photoshop13m 7s
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724 Tracing outlines around your hedcut7m 47s
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725 Creating a full-color hedcut effect7m 32s
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726 Creating an E.T. moon in Photoshop8m 42s
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727 Adding a forest of trees for your E.T. moon10m 41s
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728 Combining the best of E.T. and Jurassic Park10m 59s
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729 Tracing vectors with a universal glow6m 17s
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730 Creative uses for Content-Aware Fill11m 47s
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731 Creating a porthole to a far-away galaxy7m 42s
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732 Enhancing your crazy space porthole7m 3s
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733 Creating a galaxy of rushing stars5m 42s
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734 Using the Puppet Warp tool in Illustrator CC6m 7s
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735 Illustrator Puppet Warp tips and tricks7m 20s
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736 Puppet-Warping very complicated selections6m 18s
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737 Shift-P for Puppet Warp!2m 59s
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738 Introducing the Pentagon Patterns7m 29s
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739 Types 1–5: The Reinhardt pentagons14m 17s
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740 Types 6–8: The Kershner pentagons5m 47s
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741 Type 10: The James pentagon5m 53s
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742 Types 9, 11, 12, and 13: The Rice pentagons7m 58s
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743 Type 14: The Stein pentagon3m 53s
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744 Creating a type 15 pentagon in Illustrator9m 27s
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745 Tessellating your type 15 pentagon14m 22s
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746 Expressing pentagons as proper tile patterns12m 9s
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747 Applying and modifying a tile pattern11m
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748 Combining complementary patterns7m 43s
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749 Combining a tile pattern with a photograph6m 33s
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750 Adjusting a tile pattern to fit its photo5m 36s
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751 Creating a creepy Candy Keeper in Photoshop3m 59s
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752 Enhancing the Candy Keeper text4m 46s
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753 Creating an old monster movie poster7m 3s
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754 Adding a monochrome halftone effect4m 3s
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755 Enhancing a special word, such as “Haunted”4m 27s
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756 Cheating letters into an ancient border2m 25s
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757 Naming an adjustment layer as you create it4m 13s
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758 Under the sea in strict monochrome6m 29s
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759 Backscatter and split toning7m 21s
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760 Sampling any color outside Photoshop3m 17s
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761 Designing a vector-based logo in Photoshop9m 20s
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762 Free-transforming shape layers7m 56s
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763 Adding a photo element to your vector logo6m 34s
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764 High-resolution snowflakes in Photoshop5m 45s
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765 Enhancing your big, juicy snowflakes7m 19s
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766 Adding a snowflake bokeh “on the lens”6m 8s
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