From the course: Deke's Techniques (2018-2021)
680 Adding more and more gizmos
From the course: Deke's Techniques (2018-2021)
680 Adding more and more gizmos
- In this movie, we're going to decorate our magical checker solution with still more gizmos to create what is essentially a feast for the eyes. I'm going to start with these slanted white objects, which I am calling frames. And so I'll go ahead and switch back to the document so far, turn on the guides layer down here at the bottom of the layers panel, press and hold the control key along with the space bar, that's command and space bar on the Mac. In order to get the zoom tool on the fly, I'll just go ahead and drag in on the top left corner of the artwork so that we're seeing the intersection of the first vertical guide and the second horizontal one. And then I'll select the rectangle tool from the shape tool fly out menu, and I'll press the alt key or the option key on the Mac, and I'll click at the intersection of those two guidelines to bring up the rectangle dialogue box. And I'll set both the width and height values to 24 points and I'll click okay. You can see over here in the far left side of the control panel that the rectangle is filled with white, and it has no stroke, which is exactly what I want. But because I'm working on a laptop's layer, it appears below the film layer, which is multiplying in this pale violet, which is not what I want. So I'll click on the film layer to make it active. Then I'll drop down to the little page icon at the bottom of the layers panel and I'll alt or option click on it to force a display of the layer options dialogue box. I'll call this guy frames. And I'll change its color to gold, just for the sake of variety. And then I'll click okay. And now notice that little green square over here on the far right side of the layers panel. I'm going to drag it and drop it onto the frames layer and that brightens up that rectangle so it looks absolutely white. All right, now I'll alt or option click at the intersection of those two guides once again to force a display of the new layer dialogue box. And I'll set both the width and height values to 12 points and click okay. And because I press the alt or option key, I'm creating this square from the center outward. All right, now press the v key in order to switch to my black arrow tool, and I'll shift click on the larger square so that they're both selected. And then I'll go up to the object menu, choose compound path, and choose make, in order to turn the central square into a hole. All right, now I want to skew this path in the opposite direction that I rotated this laptop. And so I'll click and hold on the scale tool here inside the vertical tool box, and I'll select the shear tool, which allows you to skew things in Illustrator. And then I'll press the enter key, or the return key on the Mac, to bring up the shear dialogue box. And I'll make sure that the axis option is set to horizontal. And then I'll turn on the preview check box so I can see what I'm doing, and I'll dial in an angle value of 20 degrees. And that slants the top of the shape to the right. And it turns out the bottom of the shape to the left. Because we are skewing with respect to the center point. After which I'll click okay to apply that change. All right, now I'm going to zoom out a little bit so I can see the second row. And I'll press the v key to switch to the black arrow tool up here at the top of the toolbox. And I'll drag this guy by its center point. Notice that right there. And I'll drop it down here. So you can press the shift key if you want to to constrain the angle of your drag to exactly vertical. You definitely want to press and hold the alt key or the option key on the Mac before you release. And so notice I'm seeing a double arrow head cursor, which tells me that I'm gonnna create a copy of this shape as soon as I release. So again, I had the shift and alt keys down on a PC. That would be shift and option on a Mac. And now I'll switch back to my shear tool and I'll press the enter key, or the return key on the Mac, to bring up the shear dialogue box and I will change the shear angle to negative 20 minus 20. So the first negative 20 is just going to undo the previous slant as we're seeing here. And then if I subtract 20 again, I will skew the shape in the opposite direction. In which case you can see I end up with an angle value of negative 40 degrees, at which point I'll click okay. Now I want to press control zero, or command zero on a Mac in order to fit the art board on screen. And I'll press the v key to switch back to my black arrow tool. Go ahead and click off the path to deselect it. And I'll zoom in a little bit, and I'll turn off the guides for the moment just so I can better see what I'm doing. And I want to duplicate these guys just like I duplicated the laptops. And so notice this circular so-called meatball over here on the far right side of the layers panel. The one at the top for the frames layer is empty. But the one for the laptops layer is filled in. And that shows us that we have some dynamic effects that are assigned to the entire layer. I can duplicate those effects by pressing the alt key or the option key on the Mac, and dragging that filled-in meatball right there, the one associated with the laptops layer, and dropping it up here in the frames target. And so notice my cursor has a little plus sign next to it, which shows that I"m going to duplicate those effects. And that goes ahead and creates a bunch of duplicates of my frames. That's not quite enough. Notice that we need some more in this far right-hand column. And to make that happen, I'll target the frames layer by clicking on its meatball right there. And then I'll go up to the window menu and choose the appearance command to bring up the appearance panel. And then you want to click on the first of the two transforms. So dynamic effects in Illustrator are shown from the top down. In other words, the top transform is the first one you assign. The bottom one is the second. So click on that first one, turn on the preview check box, move this guy out of the way a little bit, and then click into copies value and press the up arrow key. And that's going to give me another column of frames. After which I'll click okay to assign that change. Now I also want to make these frames glow. And I'm going to achieve that effect by going up to the effect menu, choosing stylize, and then choosing outer glow. I don't want the color to be black, so I'll click on that color swatch and dial in white. And then click okay. A blend mode of screen is just fine. I'll crank the opacity value up to its maximum of 100%. A blur of five points is great. And so I'll turn on the check box and you can see that each and every one of these frames is now glowing. At which point I'll click okay. All right, now I want to add these warp screens right here. These guys say warp in one direction and then another, alternating from one row to the next. And so I'll go ahead and switch back to my document in progress, and let's zoom in on this top left region right here by pressing the control and space bar keys. That's command and the space bar on a Mac. And dragging like so with the zoom bool on the fly. And now I'll switch back to the layers panel, and I'll go ahead and turn on my guides layer once again. And I'm going to make a new layer at the top of the stack by dropping down to the tiny page icon at the bottom of the panel, and alter option clicking on it to force the display of the layer options dialogue box. And I'll call this guy warped, and I'll set the color to teal, and then I'll click okay. Now I'll grab my rectangle tool once again, and I'm going to alt or option click at the intersection of these two guides up here in the top left corner of the screen. That's going to bring up the rectangle dialogue box. And I'll set both the width and height values to 24 points, and I'll click okay. And actually, I want to zoom in a little bit here, like so, and now with the fill active here in the swatches panel, I'll select color too in order to assign that dark shade of blue. All right, now to warp the square, by going up to the effect menu, choosing warp, and choosing this very first command, arc. And notice that I have the preview check box on so that I can see that this thing is warping in the wrong direction. I don't want it to arc horizontally, I want to do so vertically. So I'll select the vertical option there. And I want it to go in the other direction, so I'm going to change the bend value to negative, like so, specifically I'm looking for a bend of negative 33%. After which I'll click okay to accept that change. All right, now I want to create another rectangle by alt or option clicking at the intersection of those two guides. And I'll set the width value to 10 points and the height to 16 so that we end up with a fairly skinny rectangle like so. Now I'll click on this very first swatch on the far left side of the control panel and change the fill to white. And then I will return to the effect menu and choose the second command, arc dot dot dot, which is going to repeat my last settings. Notice that the preview is turned on. And so I'm going to take the bend value down to negative 20% this time around, and I'm going to set the horizontal distortion value to 10%, just so that we're more or less mimicking the dark blue shape. At which point I'll click okay, and then I'll return to the effect menu, choose stylize, and choose outer glow. And as you can see, I'm looking at the last settings I applied. So if I turn on the preview check box, I'm going to end up with this nice glow right here. It's looking a little bit pixelated, and that's because the document raster effect settings are set to 72 pixels per inch. If you wanted to get smoother results, then you would choose this command and up the resolution. But I figure this is good enough. Because after all, we're going to be zoomed out pretty darn far. All right, speaking of which, I am going to zoom out by pressing control minus, or command minus on the Mac. And then I'll press the v key to switch back to my black arrow tool. I'll shift click on the blue shape in an attempt to select it. But it doesn't look like I'm having much success. So what I'm going to do is marquis these shapes like so to select both of them. And then I'll press the enter key, or the return key on the Mac, and because my black arrow is active, that brings up the move dialogue box, at which point I'll change the horizontal value to zero and the vertical value to 144 to move that guy down to the next row, and then I'll click the copy button in order to apply that effect. All right, now I need to shift click on the white shape right there to turn it off. And that's because I need to change my warp settings by returning to the window menu and once again choosing the appearance command. And then notice there's my warp arc effect. I'll click on it to bring up my previously applied settings, and I'll just change the bend value to positive 33 and click okay. And now I'll click off the shape to de-select it and I'll click on that white shape to select it, and I'll click warp arc once again, and I'll change the bend value to positive 20%, and then I'll tab down to the horizontal distortion value and change it to negative 10% like so, and then I'll click okay. So in other words, I'm just reversing the values. All right, now I'll click off the shapes to de-select them, I'll switch back to the layers panel, turn off my guides layer, press control zero or command zero on the Mac, to fit the art board in the window. And then you want to drop down to the laptop layer once again, press the alt key or the option key on the Mac, and drag its meatball up and onto the warped meatball right there. At which point you'll see a little plus sign next to your cursor which tells you that you are going to duplicate those effects. Now while everything's working out nicely horizontally, we are missing a row down here at the bottom. And so I'm going to switch back to the appearance panel, which happens to be here on my screen. It might be elsewhere on yours. And actually, I made a mistake here. I'm going to switch back to the layers panel. I have to target this layer. So I'll go ahead and target the warped layer by clicking on its circular meatball, switch back to the appearance panel, click on the bottom transform effect, which is the second one applied, and that's going to bring up this vertical move right here. Just one copy, I need two. So I'm going to turn on the preview check box, click into copies value, and press the up arrow key, and as you can see, that fills out the artwork, at which point I'll click okay. Now that does go a little bit too far. Notice that we have some warp screens down here. But because they're out in the pace board, it doesn't matter. They're not really going to be treated as part of the artwork. All right, so I'll click off the art to de-select it, and I will once again center my zoom. All right, and that leaves us with just two more elements, which are these guys right here, the Bluetooth and wifi icons. And what the heck? I'll show you how those work in the next movie.
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- 669_custom_QR.zip
- 670_more_QR.zip
- 671_hidden_circles.zip
- 673_shade_panels.zip
- 672_more_rectangles.zip
- 674_cafe_wall.zip
- 675_skewed_walls.zip
- 676_magic_checkers.zip
- 677_magic_dots.zip
- 678_reverse_illusion.zip
- 679_illusion_decor.zip
- 680_more_gizmos.zip
- 681_connect_gizmos.zip
- 682_wifi_symbol.zip
- 683_bluetooth_logo.zip
- 684_trajan_color.zip
- 685_trajan_AIcc.zip
- 686_stylistic_PsCC.zip
- 687_stylistic_AIcc.zip
- 688_grad_molecules.zip
- 689_sharper_moles.zip
- 690_smart_cules.zip
- 691_explore_cules.zip
- 692_blend_cules.zip
- 693_high_pass_cules.zip
- 694_cell_pattern.zip
- 695_hemoglobin.zip
- 696_edgy_cells.zip
- 697_springy_cells.zip
- 698_accordian_letters.zip
- 699_skew_blends.zip
- 700_cross_blends.zip
- 701_slice_blend.zip
- 702_blend_distort.zip
- 703_dynamic_roughen.zip
- 704_fish_twist.zip
- 705_dynam_bgnd_1.zip
- 706_dynam_bgnd_2.zip
- 707_quieter_art.zip
- 708_disintegration.zip
- 709_more_flakes.zip
- 710_mask_ashes.zip
- 711_flakes_to_ash.zip
- 712_note_tool.zip
- 713_contour_map.zip
- 714_contour_grad.zip
- 715_contour_arb.zip
- 716_contour_riff.zip
- 717_smooth_contour.zip
- 718_contour_cash.zip
- 719_color_of_money.zip
- 720_AI_adjust.zip
- 721_computer_key.zip
- 722_key_type.zip
- 723_faux_hedcut.zip
- 724_hedcut_lines.zip
- 725_color_hedcut.zip
- 726_ET_moon.zip
- 727_ET_trees.zip
- 728_ET_TRex.zip
- 729_global_glow.zip
- 730_content_aware.zip
- 731_space_portal.zip
- 732_enhance_portal.zip
- 733_rushing_stars.zip
- 734_AIcc_puppet.zip
- 735_puppet_tricks.zip
- 736_complex_puppet.zip
- 737_puppet_shortcut.zip
- 738_pentagons.zip
- 739_reinhardt.zip
- 740_kershner.zip
- 741_james_pentagon.zip
- 742_rice_pentagons.zip
- 743_stein_pentagon.zip
- 744_15th_pentagon.zip
- 745_tessellate_15.zip
- 746_pentatiles.zip
- 747_mod_pattern.zip
- 748_complement_tiles.zip
- 749_image_pattern.zip
- 750_pattern_fit.zip
- 751_candy_keeper.zip
- 752_keeper_text.zip
- 753_monster_movie.zip
- 754_mono_halftone.zip
- 755_word_haunted.zip
- 756_cheat_letters.zip
- 757_alt_adjust.zip
- 758_scuba_mono.zip
- 759_backscatter.zip
- 760_sample_outside.zip
- 761_Ps_vector_logo.zip
- 762_trans_shapes.zip
- 763_photo_logo.zip
- 764_high_res_snow.zip
- 765_enhance_snow.zip
- 766_snowflake_bokeh.zip
- 767_mandala_ps.zip
- 768_mandala_pattern.zip
- 769_mandala_dots.zip
- 770_mandala_color.zip
- 771_mandala_final.zip
- 772_AI_trim_view.zip
- 773_AI_presentation.zip
- 774_global_edits.zip
- 775_global_control.zip
- 776_freeform_grads.zip
- 777_freeform_lines.zip
- 778_freeform_gotcha.zip
- 779_great_white.zip
- 780_sharper_shark.zip
- 781_vibrance_sat.zip
- 782_vib_sat_sharp.zip
- 783_hedcut_action.zip
- 784_action_actions.zip
- 785_color_lines.zip
- 786_combine_lines.zip
- 787_clip_to_group.zip
- 788_color_outside.zip
- 789_flip_horizontal.zip
- 790_white_walker.zip
- 791_walker_begins.zip
- 792_digital_shave.zip
- 793_deep_wrinkles.zip
- 794_deep_brows.zip
- 795_pale_lips.zip
- 796_glowing_blue.zip
- 797_lifeless_pupils.zip
- 798_cold_gloomy.zip
- 799_brittle_flakes.zip
- 800_trans_shapes.zip
- 801_range_mask.zip
- 802_flip_photo.zip
- 803_actual_dream.zip
- 804_augment_dream.zip
- 805_smart_distortions.zip
- 806_blend_distortions.zip
- 807_star_negative.zip
- 808_star_pattern.zip
- 809_shaded_stars.zip
- 810_grad_pattern.zip
- 811_pattern_fade.zip
- 813_gobstopper.zip
- 814_gobpattern.zip
- 815_galignment.zip
- 816_etched_lines.zip
- 817_blend_pattern.zip
- 818_cubical_holes.zip
- 819_grad_pattern.zip
- 820_iso_arrows.zip
- 821_position_tips.zip
- 822_fill_gaps.zip
- 823_cartoon_teeth.zip
- 824_triangle_eye.zip
- 825_add_windows.zip
- 826_perfect_tessellate.zip
- 827_triangle_tunnels.zip
- 828_triangles_pattern.zip
- 829_colorful_triangles.zip
- 830_recolor_triangles.zip
- 831_rainbow_blends.zip
- 832_pattern_blends.zip
- 833_imposs_trident.zip
- 834_shade_trident.zip
- 835_opposing_grads.zip
- 836_trident_shadows.zip
- 837_impossible_hex.zip
- 838_impossible_lattice.zip
- 839_Joan_Miro.zip
- 840_watercolor_wash.zip
- 841_Miro_signature.zip
- 842_Photoshop_Miro.zip
- 843_enlarge_Miro.zip
- 844_Miro_Peele.zip
- 845_color_Us.zip
- 846_red_rorschach.zip
- 847_finish_Us.zip
- 848_CAF_fails.zip
- 849_turkey_2019.zip
- 850_trace_hand.zip
- 851_articulated_hand.zip
- 852_colorful_hand.zip
- 853_paint_fingernails.zip
- 854_paint_turkey.zip
- 855_turkey_feathers.zip
- 856_drop_shadow.zip
- 857_Ps_iPad_1.zip
- 858_Ps_iPad_2.zip
- 859_Ps_iPad_3.zip
- 860_iPad_Sidecar.zip
- 861_Adobe_Fresco.zip
- 862_Fresco_halftones.zip
- 863_live_brushes.zip
- 864_oil_paint.zip
- 865_Fresco_masks.zip
- 866_repurpose_mask.zip
- 867_vector_brush.zip
- 868_fresco_ps.zip
- 869_auto_color.zip
- 870_ACR_pano.zip
- 871_correct_pano.zip
- 872_diffusion.zip
- 873_simplify_2020.zip
- 874_fill_gaps.zip
- 875_posterize.zip
- 876_paint_bucket.zip
- 877_nonD_poster.zip
- 878_dynamic_poster.zip
- 879_filmstrip.zip
- 880_awful_awesome.zip
- 881_rembrandt.zip
- 882_recolor_freeform.zip
- 883_recolor_group.zip
- 884_over_under.zip
- 885_dev_over_under.zip
- 886_3D_metal_star.zip
- 887_heavy_metal.zip
- 888_wonder_poster.zip
- 889_wonder_displace.zip
- 890_wonder_woman.zip
- 891_metadata_template.zip
- 892_edit_metadata.zip
- 893_quilt_warp.zip
- 894_warp_object.zip
- 895_gopro_images.zip
- 896_content_aware.zip
- 897_gopro_combo.zip
- 898_blend_vignette.zip
- 899_photo_painting.zip
- 900_cue_ball.zip
- 901_pool_ball.zip
- 902_stripe_ball.zip
- 903_transform_each.zip
- 904_recolor_pool.zip
- 905_pool_cues.zip
- 906_rotate_cues.zip
- 907_repeat_face.zip
- 908_rainbow_faces.zip
- 909_mask_lips.zip
- 910_single_many.zip
- 911_symmetrical_mask.zip
- 912_colorize_grads.zip
- 913_mask_grads.zip
- 914_lantern_type1.zip
- 915_lantern_type2.zip
- 916_lantern_type3.zip
- 917_blend_steps.zip
- 918_blended_blends.zip
- 919_reverse_order.zip
- 920_pattern_colors.zip
- 921_blend_pattern.zip
- 922_polygons.zip
- 923_equil_triangle.zip
- 924_mercedes.zip
- 925_star_ring.zip
- 926_perfect_star.zip
- 927_lets_review.zip
- 928_basic_shapes.zip
- 929_triangle_man.zip
- 930_paint_grads.zip
- 931_adv_grads.zip
- 932_trans_vectors.zip
- 933_free_distort.zip
- 934_dynamic_fx.zip
- 935_cats_eye.zip
- 936_cat_iris.zip
- 937_primitives.zip
- 938_zig_zag.zip
- 939_dynamic_hilight.zip
- 940_reptile_scales.zip
- 941_shade_eye.zip
- 942_variable_shade.zip
- 943_dragon_eye.zip
- 945_single_thumbnail.zip
- 946_ai_home.zip
- 947_unlock_object.zip
- 948_unlock_icon.zip
- 949_line_tool.zip
- 950_broken_candy.zip
- 951_candy_rhino.zip
- 952_wrap_pattern.zip
- 953_ice_shadows.zip
- 954_illustrator_ipad.zip
- 955_pencil_points.zip
- 956_ipad_blob.zip
- 957_ipad_pen.zip
- 958_grads_repeats.zip
- 959_color_grading.zip
- 960_grading_tricks.zip
- 961_blend_balance.zip
- 962_font_height.zip
- 963_camera_profile.zip
- 964_JPEG_raw.zip
- 965_match_detail.zip
- 966_Ps_line_tool.zip
- 967_troubleshoot_line.zip
- 968_blend_vectors.zip
- 969_curve_line.zip
- 970_point_glyphs.zip
- 971_area_glyphs.zip
- 972_snap_glyphs.zip
- 973_snap_letterform.zip
- 974_glyph_shape.zip
- 975_glyph_pen.zip
- 976_playing_cards.zip
- 977_scale_shape.zip
- 978_card_suits.zip
- 979_enhance_path.zip
- 980_power_symbol.zip
- 981_huge_artboard.zip
- 982_new_artboard.zip
- 983_triceratops.zip
- 984_pen_tricks.zip
- 985_round_corner.zip
- 986_draw_round.zip
- 987_reshape_round.zip
- 988_AI_brushed.zip
- 989_AI_rivets.zip
- 990_blend_grad.zip
- 991_binoculars.zip
- 992_blue_halo.zip
- 993_bi_aberrations.zip
- 994_hide_shapes.zip
- 995_subwoofer.zip
- 996_deep_cone.zip
- 997_gradient_frame.zip
- 998_hex_screws.zip
- 999_thats_all.zip
Contents
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669 Customizing a QR code in Photoshop11m 22s
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670 Adding more color to your QR code4m 29s
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671 Coffer illusion and the hidden circles18m 10s
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672 Filling out the hidden circles illusion9m 30s
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673 Shading the panels in a Coffer illusion13m 1s
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674 Drawing a classic “café wall” illusion11m 20s
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675 Skewing your crazy café walls in Illustrator9m 25s
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676 Creating a “magical checkers” illusion20m 8s
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677 Swapping magical checkers for dots8m 35s
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678 Reversing the direction of your illusion8m 33s
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679 Decorating your illusion9m 47s
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680 Adding more and more gizmos11m 52s
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681 Connecting the gizmos wirelessly4m 59s
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682 Drawing a Wi-Fi symbol in Illustrator9m 48s
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683 Drawing the official Bluetooth logo10m 8s
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684 Introducing Trajan Color Concept13m 10s
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685 Trajan Color Concept in Illustrator CC7m 10s
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686 Using stylistic sets in Photoshop CC9m 37s
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687 Using stylistic sets in Illustrator CC6m 47s
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688 Creating gradient molecules in Photoshop10m 17s
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689 Sharpening your very soft molecules4m 41s
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690 Editing your smart-filtered molecules6m 32s
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691 Exploring regular molecule patterns17m 41s
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692 Blending opposing rows of colorful molecules8m 49s
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693 Sharpening molecules with High Pass6m 3s
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694 Creating shimmering cells in Illustrator12m 25s
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695 Turning regular hexagons into organic cells11m 50s
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696 Enhancing your organic cells in Photoshop8m 58s
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697 Making dead cells spring to life7m 41s
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698 Creating letters with accordion extrusions13m 58s
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699 Combining object blends with skews11m 28s
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700 Making one object blend cut through another9m 44s
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701 Making one object blend slice across another13m 27s
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702 Object blends and dynamic distortions in Illustrator8m 11s
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703 Another random distortion: Roughen7m 57s
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704 Dynamic warp distortions: Fish and Twist8m 52s
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705 Adding a dynamic background, part 110m 14s
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706 Adding a dynamic background, part 27m 44s
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707 “Quieting down” an overly elaborate design9m 25s
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708 The Marvel disintegration effect9m 14s
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709 Building up more flakes and ashes7m 33s
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710 Enhancing and masking your disintegration8m 12s
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711 Turning your flakes into dull, dead ash4m 10s
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712 Jogging your memory with the Note tool9m 59s
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713 Contour mapping with Distort > Displace10m 23s
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714 Contour map + gradient map6m 54s
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715 Contour map + arbitrary map8m 22s
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716 Riffing on a contour map in Photoshop5m 24s
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717 Smoothing out jagged contour lines4m 11s
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718 Contour mapping for cash in Photoshop9m 27s
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719 Infusing an image with the color of money2m 53s
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720 Simulating an adjustment layer in Illustrator9m 25s
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721 Drawing a stylish computer key12m 9s
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722 Spelling a word in computer keys6m 55s
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723 Creating a faux hedcut in Photoshop13m 7s
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724 Tracing outlines around your hedcut7m 47s
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725 Creating a full-color hedcut effect7m 32s
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726 Creating an E.T. moon in Photoshop8m 42s
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727 Adding a forest of trees for your E.T. moon10m 41s
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728 Combining the best of E.T. and Jurassic Park10m 59s
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729 Tracing vectors with a universal glow6m 17s
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730 Creative uses for Content-Aware Fill11m 47s
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731 Creating a porthole to a far-away galaxy7m 42s
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732 Enhancing your crazy space porthole7m 3s
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733 Creating a galaxy of rushing stars5m 42s
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734 Using the Puppet Warp tool in Illustrator CC6m 7s
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735 Illustrator Puppet Warp tips and tricks7m 20s
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736 Puppet-Warping very complicated selections6m 18s
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737 Shift-P for Puppet Warp!2m 59s
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738 Introducing the Pentagon Patterns7m 29s
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739 Types 1–5: The Reinhardt pentagons14m 17s
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740 Types 6–8: The Kershner pentagons5m 47s
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741 Type 10: The James pentagon5m 53s
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742 Types 9, 11, 12, and 13: The Rice pentagons7m 58s
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743 Type 14: The Stein pentagon3m 53s
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744 Creating a type 15 pentagon in Illustrator9m 27s
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745 Tessellating your type 15 pentagon14m 22s
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746 Expressing pentagons as proper tile patterns12m 9s
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747 Applying and modifying a tile pattern11m
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748 Combining complementary patterns7m 43s
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749 Combining a tile pattern with a photograph6m 33s
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750 Adjusting a tile pattern to fit its photo5m 36s
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751 Creating a creepy Candy Keeper in Photoshop3m 59s
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752 Enhancing the Candy Keeper text4m 46s
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753 Creating an old monster movie poster7m 3s
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754 Adding a monochrome halftone effect4m 3s
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755 Enhancing a special word, such as “Haunted”4m 27s
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756 Cheating letters into an ancient border2m 25s
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757 Naming an adjustment layer as you create it4m 13s
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758 Under the sea in strict monochrome6m 29s
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759 Backscatter and split toning7m 21s
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760 Sampling any color outside Photoshop3m 17s
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761 Designing a vector-based logo in Photoshop9m 20s
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762 Free-transforming shape layers7m 56s
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763 Adding a photo element to your vector logo6m 34s
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764 High-resolution snowflakes in Photoshop5m 45s
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765 Enhancing your big, juicy snowflakes7m 19s
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766 Adding a snowflake bokeh “on the lens”6m 8s
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