Join Richard Harrington for an in-depth discussion in this video Final thoughts, part of Learning Photomatix Pro.
…I'd like to thank you today for joining me.…My name is Rich Harrington.…I hope you enjoyed this look at Photomatix and…Photomatix Pro and it opened up some new ideas.…Remember, HDR can be a subtle or dramatic as you want it to be.…There are several different options contained within this application.…And you can really push things for a dramatic look or…just add some subtle contrast to help an image pop more.…There are so many different ways of working with Photomatix and…Photomatix Pro.…So, I encourage you to explore the application fully.…
Don't just fall in the trap of having a few favorites that you always use.…All right.…Be sure to also explore some…of the additional training available on lynda.com.…I have several classes about photography…and time-lapse photography that you can explore.…As well as, a great class on panoramic photography.…And these will give you some other ways that…you can use High Dynamic Range images to create some…compelling content.…And be sure to check out some of the other HDR training available.…
This course was created and produced by Rich Harrington. We're honored to host this material in our library.
- Loading bracketed photos
- Aligning source images
- Reducing noise and chromatic aberration
- Tone mapping with methods
- Fusing a single image or multiple images
- Removing color cast
- Automating with batch processing
Skill Level Appropriate for all
1. Loading Bracketed Photos
2. Preprocessing Images with Photomatix
3. An Overview of Tone Mapping and the Exposure Fusion Workflow
4. Tone Mapping in Depth
5. Exposure Fusion in Depth
6. Advanced Options to Solve Problems
7. Development Challenge
Final thoughts1m 4s
- Mark as unwatched
- Mark all as unwatched
Are you sure you want to mark all the videos in this course as unwatched?
Take notes with your new membership!
Type in the entry box, then click Enter to save your note.
1:30Press on any video thumbnail to jump immediately to the timecode shown.