…Earlier I showed you the white balance, and mentioned the color model.…You have complete control over these when working with Photomatix.…Let's re-open up a couple of images.…And we'll merge those.…Note, we have a whole raw conversion setting when working with raw files.…You could choose to work with it as it was shot, Or have it auto detect.…I generally recommend you preview a sample image.…So choose one of the exposures and open it up.…This let's you see what's happening with the image.…
Alright, I'm going to stick with as shot…in this case.…The camera sensor was correct, but it's nice…that you do have those presets to choose from.…Alright, we'll click OK, and instead of working with Adobe RGB, let's go with a…wider colored gamut with ProPhoto RGB. And we'll bring up that image.…There we go.…We'll just re-mark that area for Selective Deghosting.…Send it on.…And, in this case, instead of doing a…subtle HDR image, I'm going to push it really far.…Let's stick with realistic,…and do a little bit more with enhanced. That looks good.…
This course was created and produced by Rich Harrington. We're honored to host this material in our library.
- Loading bracketed photos
- Aligning source images
- Reducing noise and chromatic aberration
- Tone mapping with methods
- Fusing a single image or multiple images
- Removing color cast
- Automating with batch processing
Skill Level Intermediate
HDR Photography: Shooting and Processingwith Ben Long4h 58m Intermediate
1. Loading Bracketed Photos
2. Preprocessing Images with Photomatix
3. An Overview of Tone Mapping and the Exposure Fusion Workflow
4. Tone Mapping in Depth
5. Exposure Fusion in Depth
6. Advanced Options to Solve Problems
7. Post-Processing Your Image with Finishing Touches
Final thoughts1m 4s
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