…Let's work with another image and explore…some of the options inside the Photomatics interface.…I'll send these new images into Photomatics Pro.…And we'll merge them.…Looks good there. Click OK.…And this was taken from a tripod, so that should work pretty well.…I did not have much noise in the image, there was plenty of available light.…So I'll align and merge that to a high dynamic range image.…All right.…With the interface open, the preview…window here, there are some important controls.…Note, you have the ability…to scale the image. And you can go all the way up to 150%.…
Now, as you do that it is going to get a bit softer.…Note you can also click to bring up a loop, if you want to see some smaller…details and really get in there and look…at things like contrast or edges as we're working.…So for example, let's just change the preset…there, and you'll see some things get modified.…And I could really make some judgment as I'm…working there, about how that wood texture is turning out.…That's the benefit of clicking with the loop.…
This course was created and produced by Rich Harrington. We're honored to host this material in our library.
- Loading bracketed photos
- Aligning source images
- Reducing noise and chromatic aberration
- Tone mapping with methods
- Fusing a single image or multiple images
- Removing color cast
- Automating with batch processing
Skill Level Intermediate
HDR Photography: Shooting and Processingwith Ben Long4h 58m Intermediate
1. Loading Bracketed Photos
2. Preprocessing Images with Photomatix
3. An Overview of Tone Mapping and the Exposure Fusion Workflow
4. Tone Mapping in Depth
5. Exposure Fusion in Depth
6. Advanced Options to Solve Problems
7. Post-Processing Your Image with Finishing Touches
Final thoughts1m 4s
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