From the course: Narrative Portraiture: On Location in New York City
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Variations on the story
From the course: Narrative Portraiture: On Location in New York City
Variations on the story
After creating a photograph like this where Jared has such charisma, such presence, you have to ask yourself, well, what else can I do within this context? What are other stories that I can tell, like with this frame? It's a darker photograph. More moody and dramatic. It's in that same location, except now the sun is simply behind his back. As the sun was rising, I was noticing that it was getting to be more direct, a little bit more harsh. Yet still there are pictures to be made within this context. Here Jared is standing in front of the bridge. I like this photograph. It's a quiet picture. It almost looks as if there isn't anyone on the bridge. Whenever you start to make pictures like this that you like, you experiment a little bit. What else can you do? Here he's looking off to the side. Now the camera is positioned a bit lower. I like how the cables are really going towards his head. He is looking off to the side and then now back at me. What about getting even closer? What about…
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