So far we have taken some time to explore how we can work…with light outside.…Well now I am going to take a few minutes to come indoors.…You know there are some fascinating things that we can do with light inside, in…particular with windows.…And if you position someone next to a window, it will put them at ease.…Ask them to look outside and they will enjoy that process. We like being near windows.…Even more, if you can find a window where the light isn't directional, in other…words where the sun isn't pouring through,…you will notice that the light is exquisite, it's soft, and you can get…creative with this location.…
For example, right now there is a bit of a side of me which is a bit brighter.…There is a bright side and a shadow side.…Have someone step away from the window and maybe faced at an angle and the light…becomes a little bit more even, perhaps a bit more soft.…You can work with window light in just fascinating ways.…Again, have someone really close to that window and then look away.…
Author
Released
5/27/2011In this first installment, Chris lays the groundwork for the series. The course begins with a discussion of portraiture and the characteristics that make an effective, story-filled portrait. Chris then explains the importance of establishing a connection with a subject and identifying those details that will help tell his or her story. Next, he explores elements such as location, natural lighting, and composition. The course concludes with an exploration of gear: the creative options that various lenses and cameras provide, and techniques for shooting efficiently and unobtrusively.
- The elements of narrative portraiture
- Choosing locations and working with natural light
- Connecting with your subject to better tell a story
- Composition strategies
- Choosing lenses and selecting gear for a shoot
- Camera-handling tips
Skill Level Beginner
Duration
Views
Related Courses
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Narrative Portraiture: On Location in New York City
with Chris Orwig1h 30m Intermediate -
Narrative Portraiture: Portraits of Two Texas Artists
with Chris Orwig1h 29m Intermediate
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Welcome
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Welcome1m 32s
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1. Looking at Portraiture
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The power of portraits1m 34s
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2. Stories and Subjects
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Connecting with your subject7m 54s
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Working with locations7m 6s
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3. Lighting Considerations
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Not all light is visible1m 7s
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Seizing golden opportunities1m 47s
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Shooting with window light1m 26s
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4. Composition Considerations
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Thinking about composition2m 18s
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Composition and the story7m 23s
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5. Gear Considerations
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Understanding camera bodies6m 23s
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Choosing lenses5m 18s
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Camera handling tips3m 12s
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Conclusion
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Further resources3m 27s
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Conclusion57s
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Video: Shooting with window light