…So I finished my final edit of my pie project.…This is a personal edit, this isn't for anybody else.…But I decided to make a slide show out of it and…it's got the sequencing that I enjoy and…it's got a couple extra images you may have not seen earlier in the course.…Because in certain situations like with the still life of the pie,…there was three or four pictures that I liked not just one.…I've included them in this slide show.…Take a look and I hope you enjoy it.…
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Author
Paul Taggart
Released
8/6/2014
Oftentimes when you're traveling, you stumble upon a gem of a place or a person who deserves to have a story told. But you can't spend a week or even a day shooting them. You're on the road. You've got an hour to take shots that convey something of the story, and then it's back behind the wheel. Or back on to the cruise ship. Or back to your family.
In this course, photojournalist Paul Taggart rises to the challenge and shoots a photo essay in only an hour. Shooting under time pressure is a common challenge for a photojournalist, and Paul describes the kinds of planning and shooting that gets results. Learn what kinds of shots you'll need for any type of photo essay, and learn how to engage and interact with subjects who you just met and might never see again.
In this course, photojournalist Paul Taggart rises to the challenge and shoots a photo essay in only an hour. Shooting under time pressure is a common challenge for a photojournalist, and Paul describes the kinds of planning and shooting that gets results. Learn what kinds of shots you'll need for any type of photo essay, and learn how to engage and interact with subjects who you just met and might never see again.
Skill Level Intermediate
38m 7s
Duration
35,663
Views
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Introduction
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1. First Meeting and First Shots with Subject
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2. Create the Essay with Details and Environment
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3. Review the Final Shots
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Final slideshow2m 4s
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Video: Final slideshow