From the course: Travel Photography: Desert Road Trip
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What to do when the good light is gone
From the course: Travel Photography: Desert Road Trip
What to do when the good light is gone
(SOUND). Alright. I shot, I shot some more, out on the lake. We're, we're getting into the last of the light. So this is a lot like shooting in the late afternoon. It's now changing very quickly. But it's a little bit harder to tell that it's changing very quickly because it's not changing into dark, it's just changing into, flat Low contrast. So I went to get back on the road heading back out because as I drive this way, I'm driving into the sun. And I think I'm going to start to see some very different things. I'm going to get a very different perspective on the whole area, very different from what I saw coming in. So, this is really just like what I've been saying about when your out walking around, you got to be sure your keeping track of light in all directions. I'm hoping that as we drive into the sun, I'm going to see some things light up in interesting ways. So, I'm just going to drive along here, I'm keeping my eyes peeled. I'm trying not to roll the car, but more…
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Planning out the third day1m 54s
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Exploring the light in the dry lake bed8m 51s
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Working the light in the dry lake bed4m 21s
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What to do when the good light is gone2m 4s
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Exploring the vistas for a more dramatic shot2m 34s
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Composing the vista shot4m 19s
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Evaluating the vista shot8m 31s
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