Your digital camera is a marvel of 21st century engineering, but if you could somehow strip away all of the automatic features that are just there to make it easier to use-- autofocus, autometering, the LCD screen, the electronic shutter control, all the rest of that stuff--you'd still be left with a functional camera, because at the most fundamental level, camera technology has not changed since the 1850s. All cameras are built on the same fundamental chassis, a lightproof box with a hole in the side.
One of the earliest such devices was the camera obscura, a darkened room with a hole in one wall. Now, because of the physics of light, a scene outside the room is projected through the hole upside down on the wall opposite the hole. Of course, the camera is no good without a way of recording an image, and with a camera obscura, this was pretty easy. You just stuck a Dutch master in the room and he traced the projected image onto paper. With the invention of chemical photography, it became possible to shrink the camera obscura down to the size of a box, and that's what I have here.
This may look like just a cardboard box that's been wrapped with black electrical tape, but it's actually a camera. This is a pinhole camera, which I made by taking a cardboard box and wrapping it with black electrical tape. It's a completely lightproof box, and in the back I've placed a piece of film. This is one of the things that's kind of a drag about a pinhole camera is that you take a shot when you want to take another, you got to open it up and put another piece of film in the back. On the front, I have a shutter just like in my normal camera. It's a little flap that I can open and close, and I've got a piece of aluminum that I punched a pinhole into.
Now again, this is just something to do with optics. When I open the shutter, light gets passed through that little pinhole and projected upside down onto the back of the box. So to make an exposure, I set the camera up, and I have to try and guess where I think the framing is, and I have to calculate an exposure by hand, and once I have done that, holding the camera very still, I lift the shutter up, and I keep it open for a long, long time. The pinhole camera can be greatly improved on with the addition of lenses and all of the other automatic stuff that you get in a normal camera.
The lens gives you shorter exposure times, the ability to focus more light, the ability to shoot in lower light. This, of course, is how film cameras have worked for the last 150 years. With digital cameras, the piece of light-sensitive film that's inside the camera body was replaced with a light- sensitive image sensor, and a lot of fancy gear was stuck to the outside of the camera. But the basics of exposure in your digital camera remain exactly the same as they do in a basic pinhole camera. As you discovered earlier, exposure is the process of controlling how much light hits the image sensor, and your camera has two mechanisms for controlling light: the shutter and the aperture.
We're going to look at these in much more detail throughout the rest of this course.
Author
Released
12/23/2010- What is exposure?
- Exploring camera modes
- Light metering
- Shooting sharp images
- Controlling shutter speed
- Understanding f-stops
- Controlling motion
- Working with a shallow depth of field
- Measuring aperture
- Shooting in low light conditions
- Performing manual light balance
- Working with the histogram
- Using fill flash
- Understanding reciprocity
Skill Level Intermediate
Duration
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Photography Foundations: Composition
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1. Introduction
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Welcome1m 53s
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What is exposure?4m 8s
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A word about camera brands2m 40s
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2. Exposure Fundamentals
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What is a camera?2m 52s
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The shutter3m 53s
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The aperture1m 33s
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Exposure defined1m 13s
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3. Camera Anatomy
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Modes2m 7s
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Pressing the shutter button2m 54s
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Autofocus5m 22s
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Light metering2m 3s
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White balance1m 24s
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4. Shutter Speed Fundamentals
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Shooting sharp images1m 58s
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Noting shutter speed4m 3s
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Stop defined2m 50s
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Shutter priority mode4m 34s
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Reciprocity3m 13s
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Controlling motion7m 8s
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Shutter speed increments2m 21s
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5. Aperture in Depth
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Depth of field1m 53s
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How aperture is measured2m 42s
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Aperture priority mode4m 57s
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Lens speed53s
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Shooting deep depth of field3m 53s
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How shallow should you be?2m 47s
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6. Working with ISO
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Shooting in low light3m 32s
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7. White Balance
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White balance controls5m 37s
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Shooting raw4m 28s
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8. Metering Modes
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How light meters work1m 47s
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9. Exposure Compensation
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Intentional overexposure2m 40s
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Intentional underexposure1m 42s
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Controlling tone2m 31s
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The histogram10m 4s
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Real-world histograms5m 49s
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Tone and color2m 16s
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Auto exposure bracketing3m 57s
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10. Dynamic Range
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Dynamic range2m 24s
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Exposing for highlights4m 15s
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Fill flash3m 11s
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11. Manual Mode
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Manual mode2m 6s
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Manual mode and light meters4m 52s
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Manual exposure exercise5m 28s
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12. Advanced Program Mode
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Custom modes and A-DEP1m 39s
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Program shift3m 52s
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Conclusion
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Exposure strategy3m 51s
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Goodbye39s
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Video: What is a camera?