Join Richard Harrington for an in-depth discussion in this video Using Upright, part of Time-Lapse Video: Shooting with the Camera in Motion.
…One of the newest additions to Adobe…Camera Raw is an adjustment called upright.…And it's well optimized for working…with perspective issues, particularly those with architecture.…Now you got a great shot here Keith, and you…did a little bit of a move and post, right?…Like this tilt, was post production?…>> Yeah.…This was a static shot.,…I didn't have time to set up the whole rig so we just shot a very static shot…right here and everything that you're seeing is a…camera in post and AfterEffects moving up and down.…>> And that looks cool.…But, because you are shooting at a lower…angle, there's a bit of perspective issues here.…
These lines are kind of going like this, going in.…Now of course in Vegas and in many modern areas, sometimes that's on purpose.…They add perspective lines, or they have curves in the building.…>> Mm.…>> Vegas has buildings, such as some of these actually just…behind this here where you're at, that are purposely diagonally shaped.…So you don't always know, but I love the ability to fix that pretty simply.…
Released
6/26/2014In this course, author Rich Harrington is joined by time-lapse video expert Keith Kiska. Together, they explore the hardware, software, and creative decisions involved in creating moving time lapses, while on location in Las Vegas, Nevada. Rich and Keith detail the types of motion that you can add to a time-lapse video, from basic movement of the camera to left-to-right, sliding, and two- or three-axis movements with high-end, motorized rigs. They also demonstrate hardware add-ons in a variety of price ranges, and show the post-production techniques that yield the highest quality.
Interested in more time-lapse tutorials? Check out more here.
- The benefits and challenges of motion in time lapse
- Determining available light
- Selecting a camera, memory card, battery, and other gear
- Panning the head
- Using a slider
- Adding motion in post
- Adding three-axis motion
- Designing and shooting a hyperlapse shot
- Advanced post-production techniques
Skill Level Intermediate
Duration
Views
Related Courses
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Time-Lapse Photography Workshop
with Tim Grey2h 51m Intermediate -
Time-Lapse Video: Hyperlapse
with Richard Harrington1h 33m Intermediate
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Introduction
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Welcome1m 18s
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1. Understanding Motion
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The benefits of motion1m 55s
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The challenges of motion2m 49s
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Designing the shot3m 47s
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2. Weather and the Elements
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Determining available light2m 17s
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Cloud-coverage concerns1m 4s
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Obtaining a permit1m 43s
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Shooting duration1m 55s
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3. Essential Gear
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Camera body2m 35s
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Tripod2m 50s
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Intervalometer selections2m 35s
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Memory card selection2m 59s
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4. Essentials of Motion: Low Tech
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Panning the head3m 38s
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Skate wheel1m 17s
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Slider (no power)2m 21s
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Flow-Mow for the GoPro2m 24s
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Adding motion in post4m 56s
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5. Motion on a Budget
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Designing the shot2m 14s
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6. Advanced Motion
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Designing the shot3m 21s
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Building the slider1m 20s
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7. Hyperlapse
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Designing the shot2m 8s
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Hyperlapse: Low tech4m 40s
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Developing the hyperlapse5m 23s
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Processing the hyperlapse5m 41s
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Stabilizing the hyperlapse6m 10s
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8. Field Recap
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Lessons learned59s
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Moving to post-production5m 39s
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Dirty lenses3m 11s
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Reflections4m 43s
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Organizing footage6m 27s
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9. Advanced Post-Production Techniques
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Using lens profiles2m 56s
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Using Upright5m 35s
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Post moves3m 33s
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Flicker reduction4m 19s
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Conclusion
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Goodbye3m 23s
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Video: Using Upright