From the course: Lighting with Flash: On Location from Close Up to Portrait

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Refining the shot

Refining the shot

From the course: Lighting with Flash: On Location from Close Up to Portrait

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Refining the shot

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David: you, when you lean in closer to the fire, I c, I can really, yeah, there we go. There we go. I think, I'm really catching' some glow out of that fire now. All right. Back out. Thank you very much. Okay. So we killed the, all of the ambient light in the room except for the cracks coming through the door and such. And, we're really tryin' to make this work. (SOUND) Yeah, but we've got that glowing stick thing solved really well at this point, so that's a (SOUND) I'm backing up a tad. None of my lights are moving with me, so no matter where I shoot, the lighting ratios are always the same. The only thing that's moving is my trigger light really at this point. (SOUND). I'm going to come in kind of close to you for a few, Albin, okay? Albin: All right. (SOUND). David: Okay. Now firing up top, I've gotta remember, constantly remember to check my 1001, 1002. I'm slowing down up there. I've gotta slow down for my top light, since you're so, set on such high power. This looks really…

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